Art of the Ornament
So often it's the finest or most delicate touches that make or break backyard projects - and exploring the constituents of those touches is what Garden Ornament by Linda Joan Smith (Workman Publishing, 1998) is really all about. This beautifully illustrated, 136-page book tackles head on the often overlooked subject of garden ornamentation and, in doing so, pulls back the veil on a remarkably rich set of design touches and specific objects you can use to lend interest to your projects, generate enthusiasm among your clients and, ultimately, give your projects real visual energy. That set of ideas includes items that can be used to add beauty and even
Changes Hit the Deck
It's impossible to know why some people change their minds the way they do or to predict exactly when it might happen, but in working with opinionated clients who demand the extraordinary, it's a fact that accommodating their changes in direction can come to define and redefine a project more than once as you move from start to finish. In many ways, our ability as watershapers to adapt and adjust midstream is at the heart of what we do - and no one says it's easy! The Malibu Colony project I've been writing about in several recent columns is absolutely
A Natural Assist
Let's continue the examination of soils we began last time, shifting our focus this time to fertilizers and the ways they can be used to tailor soil to the specific needs of the plants you and/or your clients have chosen. Fertilizing is important, because placing a plant in the ground and providing it with ample sunlight and adequate water in the proper location is only part of the battle.  True, plants may thrive under those ambient conditions, but treat them to even minimal amounts of fertilizer and those same plants will show their gratitude with a beautiful display of foliage, blooms, fruit and other wonderful things. Fertilizers provide nutrients for plants that the soil and water alone cannot supply, and they come in hundreds of variations designed to
Devils in the Details
Why is it that, on the pool/spa side of the watershaping business, it's so difficult to find much by way of truly workable plans and specifications? In residential work, of course, the tone is set by local building inspectors and plan checkers, whose needs seem to vary tremendously from place to place.  But that's no excuse for the fact that the plans used in a great many residential projects are grossly inadequate - especially when compared to the far more detailed and precise plans and specifications required by
Higher Purposes
Lately I've noticed a fascinating trend among the projects we've been approached to publish - a string of articles about watershapes that, for want of a better term, have been designed with
Pocket Change
To make a pond or stream successfully "natural," the designer and installer must know what it takes to produce a convincing illusion that the end product is actually a naturally occurring body of water.   It's no secret in the trade that this illusion is made or broken at the edges, where the physical boundaries between waterway and the hardscape and plantings must be both precisely controlled and completely concealed.  Necklaces of stone won't cut it, nor will waterlines sharply defined by lines of terrestrial plants.  In fact, the challenge here is to make visually linear boundaries disappear, and that's a tall order for even the best pond/stream designers and builders.   In my own projects, I work almost every day in tweaking and refining my approaches to these margins and edge treatments, and I've come up with many ways to enhance the natural appearance of my ponds and streams.  In recent years, I've been honing a technique for landscaping in and around the water that's given my work an entirely new dimension:  It's a type of planting container I call a "dirt pocket" - a simple structure that lets me plant a broad range of non-aquatic plants directly in contact with
Kitchens of Distinction
What started as a slow simmer has now come completely to a boil. Ten years ago, precious few of our clients had little or no interest in setting up outdoor cooking areas to go along with their pools, spas and waterfeatures.  That's certainly not the case today, when fully 90% of our clients want us to set up some sort of kitchen amenity as part of their deck and patio areas. You don't have to be a marketing genius to see what's happening:  It's great fun to
Helping Habitats
It was a rainy Wednesday morning in January when I first toured the Clearwater Marine Aquarium.  I was on hand to inspect the recent installation of a pair of our horizontal sand filters for the facility's marine-mammal pool and see just how well the pool-filtration products were faring in this somewhat unusual (but not unheard of) application.   Located on Island Estates in Clearwater, Fla., the aquarium was bustling with activity from the moment the doors opened at 9 a.m.  On this day, a group of pre-school children had arrived to see the aquarium's newest dolphin, Presley, and his friend, Panama.  The staff also explained to me that the aquarium, like other indoor attractions, is always busier when the rain falls.  I joined right in with the crowd, fascinated by everything I was seeing. My guide, the aquarium's director of life support and marine facilities, Bill Meier, led me to the marine mammal pool - currently home to Presley and Panama but with the capacity to hold several more.  This was the vessel on which my company, Pentair Pool Products of Sanford, N.C., had installed the sand filters.  As I watched the children's faces as they in turn watched the dolphins, I began to realize that we were
Explaining Architecture
A paperback edition of Francis D.K. Ching's book, Architecture:  Forms, Space and Order, had been sitting on my desk for less than a day when my colleague and friend Mark Webb spotted it and became pretty animated. He started talking about the book in a way that made it seem it was a given that we both should be completely familiar with it.  I had, in fact, just picked up my copy at a used bookstore without ever having heard of Ching or knowing anything about his highly influential body of work. I soon learned that Webb and many other architecture and landscape architecture students (beyond yours truly) read Ching's work early on in their studies.  Feeling as though I'd missed out on something important in my education, I dove into the text and soon came to understand why my friend
Crossroads of Culture
I spent ten days this last December traveling in Turkey - my second visit to the country in the past several years and a trip that reinforced vivid memories of just how mind-expanding a place it is. The Greek, Roman, Byzantine and Ottoman empires all held sway over this patch of land at times during the past 2,500 years, and throughout that long history, these and other great civilizations of both East and West have made their marks on the place.  Situated at the crossroads of land- and sea-trade routes between Europe and Asia, Turkey has vast, rich reserves to drawn upon when it comes to