ARTICLES Archives - Page 273 of 314

Site Lines

It's painfully obvious that too many mainstream watershapers are satisfied to treat each site in basically the same way. By contrast, I go to great lengths to examine each space from a variety of perspectives, and the fruits of that effort are reflected in the design work that follows. In fact, if I had to point to a single aspect of my design work that most often sets me apart from my competition, it's the detail I go into when examining a site. Certainly the best book I've ever read about site planning and analysis is the one I first encountered during my second year in college. Written by John Ormsbee Simonds, a distinguished instructor at Harvard Design School and Michigan State University, Landscape Architecture: A Manual of Site Planning and Design (McGraw Hill, 1983) is one of the most complete treatments of

Glass Tasks

A great many wonderful things can be said about all-tile pool finishes once they're done, but you can't lose sight of the fact that that such finishes require lots of planning, are difficult to apply and, as your clients will tell you, are far from inexpensive. And by "far from inexpensive," I mean that the price tag will usually give pause even to people of great means. This is all especially true with glass tile, which is applied using different (and generally more complicated) techniques than is ceramic tile and costs proportionately more. But that cost brings with it a great and stunning beauty that

Design Decisions

I was hired recently to work on a substantial restoration project in a prominent Los Angeles neighborhood. I'd worked previously with the architect on a large estate, and he had referred me to the homeowners. After a couple of meetings, we determined we were all a good fit, and I was hired to design the exterior spaces of the home in collaboration with the architect, the contractor and the decorator. About a month into the project, the interior decorator was let go in favor of a restoration specialist. By that time, it was clear that many of the design decisions being made were not in keeping with

Operating on a Higher Level

Over and over at seminars and trade shows, watershapers ask me three distinct but interrelated questions: "How do you get into the high-end market?" and "How do you deal with wealthy customers?" and "How do you handle those kinds of jobs?" The short answer to all of them is that I've set myself up for it and am prepared to tackle these projects and clients as they come. To me, it's as natural as breathing. The deeper answer is much more complicated, obviously, and has to do with my understanding that working with upper echelon clients means accommodating an entire range of issues that

Sympathetic Connections

One of the themes that weaves its way through a great many of the articles and columns we've run in WaterShapes through the years turns on the thought that watershape design

The watershapes that literally embrace the McKay-Dee Hospital Center in Ogden, Utah, were crucial to the success of the facility’s self-consciously relaxing, curative environment, says Derk Hebdon, president of Salt Lake City’s Bratt Water Features. Highlighted by a 65-foot water plume and a soothing, 170-foot-wide sheet waterfall, the complex was designed with the needs of patients, visitors, staff and the community very much in mind.

Good Medicine

Built to function and compete in an era when marketing matters for healthcare facilities, the McKay-Dee Hospital Center was designed to create a soothing, supportive, healing environment for patients, visitors and staff - so much so that the center looks more like a resort hotel than a medical institution. The architecture is open and soaring, offering sweeping views from interior spaces set up for comfort and restfulness. Designed by Jeff Stouffler of HKS Architects of Dallas, the structure is organized around a four-story atrium that runs the length of the building, offering clear lines of sight not only to distant mountain and valley views, but also to nearby landscapes graced with winding paths and beautiful watershapes. The opening of the 690,000-square-foot facility on March 25, 2002, was accompanied by great public fanfare. As people in the community have embraced and begun to seek care there, it's been a point of pride for us at Bratt Water Features to know that the beautiful curving lake that wraps around the exterior of the gleaming building is one of the things people see, enjoy and appreciate the most. BROAD SCOPE Our job was to build all of watershapes, including seven small fountains and the big lake system, based on designs prepared by Waterscape Consultants of Houston and by landscape architect James Burnett, also of Houston. As bidders on the installation contract in 1999, we had the advantage of being a local firm - but we also brought extensive experience with large-scale public waterfeatures to the table. And this project was big. As far as anyone on the design team knows, this is the largest waterfeature/fountain complex ever built in the state of Utah. We refer affectionately to the feature as "Bullwinkle" because, when seen from overhead, its oddly symmetrical free-form shape casts a silhouette resembling the cartoon moose's head and antlers. The antlers wrap around the footprint of the west end of the building, with the nose stretching away from hospital to create a broad lake with a towering geyser at the far end. The 175-foot-wide, 500-foot-long watershape features a 170-foot-long waterfall between the antlers and the crown of Bullwinkle's head that faces an outdoor pavilion/eating area served by an indoor café. The water falls four feet into a teardrop-shaped lower pond that serves as a catch basin - and which turned out to be critical to

Peter Cattano has built a distinguished watershaping career by creating quality swimming pools in many of the Northeast’s most beautiful settings. Here, he profiles a project he counts among his firm’s finest achievements: a vanishing-edge pool in a spectacular woodland setting – and the product of an artful collaboration among the clients, Cattano’s staff at Paco Pools and the talented landscape architects at Schlick Design Group.

An Elegant Edge

I've always believed that great projects require three key elements: a beautiful design, knowledgeable and careful construction, and a good client. For the project pictured here, all three of those pieces were in place, and the result has become a significant point of pride for our firm. The site consists of three sloping acres in the upscale community of Mill Neck on the north shore of Long Island, N.Y. The home sits at the highest elevation of the property, which reaches down to a large, brackish pond fed by the waters of nearby Mill Neck Bay. The swimming pool and surrounding hardscape and landscape were

On a busy corner in downtown Palm Springs, Calif., stands an unusual sculpture that artfully moves water through the hot desert air. The work of New York sculptor David Curt Morris, ‘The Rainmaker’ was commissioned by community leaders who hoped the fountain would become a landmark celebrating the life-giving power of water in the driest of climates while providing passersby with a place to cool off, relax and play.

Spirited Waters

In 1997, the City of Palm Springs Arts Commission held a national competition for a sculpture to be placed in a prominent public space, the Frances Stevens Park. I was intrigued by the site's high visibility - and by the fact that the California city wanted a sculpture that used water in a desert setting. Working from my studio on the East Coast, I put together an initial proposal that included a number of ideas - provocative to me, but not yet fine-tuned. It wasn't until I actually visited the site in Round Two of the selection process that I knew just how perfect a setting was being offered - a wide-open space in the center of town, ringed by tall palm trees and low-lying buildings with the stunning

Always on the lookout for deluxe natural and man-made finish materials but frequently frustrated by the hunt, designer Barbara Zigann took matters into her own hands a few years back. After extensive research and experimentation, she brought an unusual and flexible blend of seashells, fossils, glass and cement to market – an environmentally friendly product that brings something unique to any watershape or architectural setting.

Artistry in a Seashell

As a designer, I've always sought out exceptional finish materials to use in my projects. My background is in fine arts, and I've worked in the design/build business for years, creating high-end exterior and interior spaces and taking pride in finding surfacing products that excite my clients and beautify the work. Operating in south Florida, however, I kept running into so many limitations on what was available that it had the effect of limiting my creativity. Natural stone can be hard to come by in adequate supply where I live, for instance, and as much as I like tile, it doesn't fill the bill for every job. Anything's available at a price, of course, but even

Fish Tales

Watershaping can be so demanding a profession that it's easy to lose sight of the fact that what we do should really be fun and enjoyable. That's why I bring up two books this month that make a case for approaching your work in ways that encourage a daily sense of joy and adventure for both you and your clients. The first is simply titled Fish! Written by Stephen C. Lundin, Harry Paul and John Christensen (Hyperion, 2000), it's a modern parable about a woman named Mary who has taken over as manager of her company's toxic-waste management division. It's a job with horrid potential, but as the story goes, Mary is helped by a visit to the famous (and very real) Pike Place Market in Seattle, where she's captivated not only by the wonderful fish on sale, but also by the joy and pleasure she derives from shopping there. What Mary learns is how to