ARTICLES Archives - Page 268 of 325

On the Beam

Let me make an important point: As interesting as some of the details I discuss in these columns may be, many of the more significant ones wouldn't have any substance or value to my clients without the contributions of one very important person: my friend Mark Smith of Tarzana, Calif., whose firm takes care of my structural engineering. I'd go so far to say that he and his staff are critically important external members of my design team - professionals who know more than I will ever know about steel, concrete, tension and compression. Every single project I design and build is fully, individually engineered, and I refuse to make any assumptions on my own about what might be

All About Bark

As an artist, I tend to look at the world with an eye to "distinction" - that is, what makes certain objects stand out, what makes them appear round, what makes them catch my eye, what makes me notice them. By contrast, most "civilians" notice overall appearances. If they're in a garden, for example, they will enjoy the sea of shapes and colors and will generally respond to a particular plant or design element only if it really stands out in some way. Knowing this, I like to play in my garden designs with elements of visual control and on finding ways to direct what the viewer will look at first, then second and so on. In lots of my gardens, I use trees to capture this sort of attention. Even uninspired observers will take note of

Too Busy to Care?

Almost everyone I've talked to recently is busier than ever these days. And it's across the boards, from landscape architects and designers to pool and spa builders and subcontractors of every type: Everyone is swamped, and this year in particular they all seem to be having trouble just keeping up. The odd thing is that nobody I've spoken with has an entirely clear idea why this year is so busy. At best, the economy is mixed: oil and gas prices are through the roof, the stock market has been extremely inconsistent and consumer confidence has been shaky. Yet watershaping projects just seem to keep on rolling, no matter the news. One undeniable factor seems to be driving this demand - that is, the

Heritage

It's been a subject of discussion among my parents and siblings that bodies of water - swimming pools in particular - have been an unusually important part of the lives of my own immediate family. I've spent the greater part of my career writing about all things aquatic while my

Taking great pride in developing watershape and landscape designs that combine an appreciation for the setting with an understanding of the clients’ tastes, Roger and Sheri Soares have prospered for years on the high end of the hotly competitive Phoenix marketplace. In this project, they took advantage of spectacular views, blended their work into a hillside and worked out all the harmonic links between the desert and the home’s modern style.

Completely Contemporary

It's a rare project in which a watershaper has the opportunity to execute a complete design without compromise. In our Scottsdale, Ariz.-based business, we often work with upscale clients on custom pool and spa installations, and it seems that there's always some element or other in the design that ends up being altered or left out. It sometimes reaches the point where we start to feel as though the result, although it may be satisfying to the client, is not fully reflective of our talent, our vision or our best effort. The project pictured in these pages, however, is a dramatic exception to that rule. Although the clients were involved with general suggestions during the design process and construction project, when it came down to details of the plan, they let us go ahead and create an environment that fully reflected our creative vision. They'd seen one of our projects in a local "Street of Dreams" program in which area contractors were selected to build spec homes on the same street in a town just north of Scottdale called Troon. Once the row of home was completed, there were tours, awards and lots of media coverage - quite the high-profile affair. The clients had been in contact with four or five different pool builders in the area, but they'd

As specialists in highly customized backyard environments, Scott Cohen and his staff at The Green Scene are known for adding elements of whimsy and fun to their work. Here, he guides us through three recent projects that turn thematically on his clients’ love of entertaining and desire to set a stage for sharing their good fortune with friends. As the tour demonstrates, they’ve found ways both bold and subtle to build a party atmosphere.

Libation Sensations

Most people I know have a favorite vacation spot, a favorite leisure-time activity and a favorite form of self-indulgence. In creating backyard environments for these folks, we as watershapers and landscape designers often find ourselves able to roll elements of one, two or all three of those "favorite things" up in a single package in ways that closely reflect our clients' passions and personalities. At my company, we strive to make a direct connection with those preferences by letting our prospective clients know that we want to enable them to vacation in their own backyards and come home to outdoor environments that epitomize the good life. In some cases, that means

The works of sculptor David Curt Morris often combine moving water with simple yet striking shapes in glass or metal. His meticulous compositions speak to observers by juxtaposing the kinetic potential of water against static structures – perhaps something as simple as water flowing over glass surfaces – to exploit what he calls the ‘colors’ of water in motion in a philosophy and a design approach that cuts to the essence of what watershaping is all about.

Water in Sculpture

I'm particularly interested in the behavior of water. To me as a sculptor, differing water flows and their textures are like "colors" to a painter: I find a color that holds meaning for me and then look for a structural form that can present it. To this extent, my artistic medium is the behavior of water and the means to make it behave. The sculpture in this case is water combined with a structure in steel, stone and equipment. The work is abstract: abstractions of feelings related to the movement of people, animals, fish and the flows of water in streams, rivers, rain - even the flow of numbers. As a result, I need metaphors and feelings to drive my creative expressions, then use water and other sculptural elements in much the same way a choreographer might use line and gesture to express a feeling or a composer will use chord changes and musical phrasing. My hope is that, in creating forms that are meaningful to me, other

The hills of Bel Air, Calif., are replete with steep slopes, lush greenery, winding streets and luxury estates – the perfect setting for one of Mario Abaldo’s elaborate naturalistic compositions in artificial rock and water. The work took months to complete, during which time he and his crews of artisans spent countless hours creating a pool and spa, streambeds, ponds, landscapes and a 40-foot waterfall set amid towering eucalyptus trees.

The Pleasure Garden

In designing and constructing naturalistic projects for residential clients, I keep two thoughts uppermost in mind: First, the only way to create a successful, natural-seeming illusion is to base my work on the observation and study of nature; second, the only way to build fun into such an environment is to fill it a child-like sense of wonder that draws old and young alike to the natural beauty. For the project pictured in these pages, those two thoughts were always front and center. The homeowner first contacted us about his desire to place a dramatic waterfall in front of some striking, 120-foot-tall eucalyptus trees. That vision soon expanded to include additional watershapes now woven through the majority of the steep, terraced, heavily wooded site. Some work had already started on a set of streams and a hillside pool by the time we became involved, but when the client became acquainted with our work and saw the sort of realistic, highly detailed projects we execute, he wanted us to pick up and take the entire project to completion. Built during the unusually wet winter southern California experienced this past year, the project was challenging in logistics, scope, variety and detail. Some of the practical challenges included hand-carrying 400-pound rock panels down 100 yards of steep, switch-back paths - and occasionally dodging rogue golf balls shanked over from the adjacent Bel Air Country Club. Despite such annoyances,

Minding Maintenance

In my work as a landscape architect and designer/builder of mostly residential swimming pools, I concede that I've never really given much thought to the subject of maintenance. Sure, the watershapes I've designed have proper hydraulic and circulation systems as well as correctly sized filtration systems, the proper number of skimmers and so forth, but beyond that, the specifics of swimming pool care have been beyond my concern. So I've let the terminology of water chemistry, for example, become a foreign language to me, and I've never known much about things like water testing, pH or sanitizer residuals. Through the years, however, I've come to believe that this is not a situation for a designer/builder in which ignorance is bliss. This is partly because I now work for a firm that runs a retail store with a service department and I interact with those folks on a regular basis; but it's also because more and more of my design/installation clients are asking me

Turkey Revisited

It's a truism that almost all contemporary works of art are derivative: The ideas have already been expressed in one way or another at some point in history, and all we can succeed in doing is to apply those enduring forms as creatively as we can. We can't invent the wheel, but we can redraw it, embellish it, place it in context and, in our own ways, improve upon it through the choices we make in using it. To be effective in that sort of downstream effort as watershapers, it is essential that we understand the nature and origins of the basic building blocks of aquatic design. For years, people have asked me where I get my ideas - pools raised out of the ground, the small spillways, the drain details, the modular deck treatments, the color usage and the use of reflection, to name just a few. "Through my design education" is the short answer, of course, but I can get more specific if we