ARTICLES Archives - Page 270 of 314

Code requirements for public pools and spas are well established in most jurisdictions, but specific guidelines governing the creation of decorative watershapes are far less widely developed, notes fountain specialist Dominic Shaw. Having spent a career designing and building high-end fountains here and abroad, he has grappled with the fragmented state of fountain-related codes and offers a personal guide to keeping things straight.

The Codes Less Traveled

Composition of this article began with an e-mail I received a while ago from a colleague working in Australia. "What," he asked, "is the maximum allowable depth for a fountain in the United States?" As simple as it sounded, when I took the time to research the issue I found that there was a noticeable lack of definition. I took the next logical step and called various people I know in the watershaping industry and asked them the same question. Surprisingly enough, nobody could point me to any code, regulation or standard that defined what depth a waterfeature's pool could

A project with charitable as well as commercial ambitions, ‘The Ultimate Family Home’ was created to showcase state-of-the-art home design – both indoors and out. A key force behind the show home’s exterior design was Julie Brinkerhoff-Jacobs, whose firm, Lifescapes International, was responsible for creating outdoor spaces and watershapes with a well-considered variety of deluxe, family-friendly features.

Luxury on Parade

A tremendous amount of synergy and teamwork went into the making of "The Ultimate Family Home." Initiated by Builder magazine (the official publication of the National Association of Home Builders) and Pardee Homes (the Los Angeles-based developer of the Nevada Trails neighborhood in which the home was built), the project unfolded as a partnership between the magazine and the developer's Las Vegas office along with Bassenian-Lagoni Architects (Newport Beach, Calif.), Color Design Art (Los Angeles) and Lifescapes International (the Newport Beach-based landscape-architecture firm). "The Ultimate Family Home" opened in January 2004 in conjunction with

Thieves of History

I don't know who first expressed it, but I've always welcomed the notion that "great designers are great thieves." That nugget rings so true because very few among us ever have completely original ideas and, in fact, the best designs are generally derivative of something that came before. To my mind, if some degree of larceny is part of our game as watershape designers, then one of the very best places to find borrowable ideas is a book entitled The Annotated Arch by the historian Carol Strickland (Andrews McMeel Publishing, 2001) - a wonderful and inspiring 180-page, beautifully illustrated book that offers a

Urn Points

It's unusual to think of such a wonderfully decorative watershape in this way, but the one featured in this edition of "Details" was the result of a client's desire for a measure of safety for the front of his home. The house is located on an intersection in a hilly part of Manhattan Beach, Calif., where the steep, downhill orientation of the streets occasionally lead cars to make turns at unwisely high speeds. Given the orientation of his front door, my client was concerned that, with a bit of very bad luck, he might someday find an out-of-control-driver's car in his foyer. As is the case with many

Sage Advice

In preparation for creating plant palettes for my projects, I typically spend hours poring over my Sunset Western Garden book. I thrive on finding plants I haven't tried before, and I look especially for those I haven't seen in anyone's garden. Before I'll try any of these discoveries out on someone else, however, I'll pick up a sample plant and bring it home to my own garden - part science project, part proving ground to see how the plants perform away from the nursery. I've had many successes through the years and probably as many failures, but I learn something from every attempt. What I sometimes find are plants that are

Virtual Realities

As watershape designs become ever more creative and adventurous, there's an increased need to help clients and other project participants visualize our plans. Indeed, presentation is a topic of great importance these days for designers from both the pool/spa industry and the landscape trades, so much so that it's become a fixture on educational calendars and one of the cornerstones of the Genesis 3 curriculum. What has everyone excited about upgrading the way they present their ideas is that there are various good ways to get the job done. To be sure, having the ability to draw is a tremendous asset - some would say an absolute necessity - but fortunately for those who are

Impressing with Simplicity

While discussing his column for this issue, I visited one of David Tisherman's projects and observed one of the most dramatic examples I've ever seen of the

There is no way to describe this home other than as ‘art,’ says watershaper Steve Dallons. It was a mountain of a project that demanded every bit of skill and craft he and everyone else who worked on site could muster, but the opportunity to work on a world-class project designed by a renowned architect made everything worthwhile, even enjoyable. And the proof of the achievement is in the photographs, as these pages amply demonstrate.

Viewing a Dream

The late, great architect John Lautner is believed to have been among the first to conceive of and build a vanishing-edge swimming pool as a means of more directly tying views across the water into distant vistas. It's a landmark of modern aquatic design that has been emulated thousands of times in the 45 years since he designed "Silvertop" in Los Angeles, and it's wonderful to know that his spirit of innovation survives to this day in the company he started. The home and watershapes seen here are the work of Lautner's protégé and longtime collaborator, Helena Arahuete of John Lautner Associates (Hollywood, Calif.), who composed it all as a spectacular exploration of organic design principles and the use of water to express and magnify details of a setting while leading the

Viewing a Dream

The late, great architect John Lautner is believed to have been among the first to conceive of and build a vanishing-edge swimming pool as a means of more directly tying views across the water into distant vistas. It's a landmark of modern aquatic design that has been emulated thousands of times in the 45 years since he designed "Silvertop" in Los Angeles, and it's wonderful to know that his spirit of innovation survives to this day in the company he started. The home and watershapes seen here are the work of Lautner's protégé and longtime collaborator, Helena Arahuete of John Lautner Associates (Hollywood, Calif.), who composed it all as a spectacular exploration of organic design principles and the use of water to express and magnify details of a setting while leading the

Nestled in the sprawling, 210-acre Garvan Woodland Gardens in Hot Springs, Ark., are four acres of rocks, plants and water assembled by landscape artist and Japanese-garden specialist David Slawson. It’s a space that serves as the garden’s centerpiece and springs from what he calls his ‘triangle of accord,’ an approach that combines sensitivity to the site with the character and desire of the client as well as the beauty of indigenous rock and plant materials.

Striking a Chord

When I first walked the four acres of wooded ravines of what would later be christened "The Garden of Wind and Pine" at the heart of the Garvan Woodland Gardens in Hot Springs, Ark., I was both delighted and daunted by the experience. The delight came in the site's sublime natural beauty, which reminded me of tromping through the woods as a child - an activity I enjoy to this day. As for my sense of unease, I don't know which was more significant: the expansiveness of the dry drainage ravines that were to be converted to ever-varying cascades and streams, or the omnipresence of ticks and poison ivy. When I made my first visit in the fall of 1999, the site was part of an undeveloped 210-acre woodland parcel on the shore of Lake Hamilton given to the Department of Landscape Architecture at the University of Arkansas in Fayetteville by Verna Garvan. She had long seen the peninsula as the ideal setting for a botanical garden and had spent two decades developing her vision, planting camellias and azaleas and a rose garden and commissioning a pavilion by the architect Fay Jones and his partner, Maurice Jennings. I had worked in Fayetteville before, crafting a