ARTICLES Archives - Page 313 of 317

Designing a New Paradigm

There was a time not long ago when the mere thought of pool builders and landscape designers getting together on equal footing and having meaningful conversations about backyard design would have met with skepticism: There is not, it seems, much love lost between the trades. But times are changing, and if the dialogue begun around a table last August is any indication, there's a tremendous amount to be gained by keeping the communications channels wide open.

The best backyards on the planet are a marriage of the setting to appropriate architecture, thoughtful landscaping, tailored hardscape and, of course, a refined watershape. That’s the ideal, and it is a level of artistic performance to which more and more pool designers and builders are striving these days – including those featured in this pictorial. Beyond skill and talent, what these professionals have in common is that all are graduates of the Genesis 3 Design School.

A Tasteful Genesis

Good pool design isn't something that happens by chance. It's the product of a mental discipline applied to the entire setting, from one end of the yard to the other. It's the result of an over-arching vision that incorporates the watershape as a desirable component in a whole tapestry of textures, traditions, shapes, surfaces, highlights, spaces, contours and lines that please the eye, gratify the soul and bring a smile to the face of the observer. Perceiving this integration is often intuitive, but you can tell when it's been done right. You also can tell when the mark has been missed and can spend minutes or hours (or days) unraveling and considering everything from severe challenges and missed opportunities to lapses in focus or simple errors in taste and judgment. If your head's in the right place, you'll probably learn more from the problem pool than you will from the gem. Putting pool-industry heads in that right place is part of the thoughtful, reflective approach to pool design offered in the Genesis 3 Design School, which has convened three times and has now touched the sensibilities of more than 75 designers and builders. While school is in session, participants are immersed in an ocean of information on design principles, technical issues, presentation techniques and, perhaps most forcefully of all, on attitude and mindset. The basic message: Every pool can be special, appropriate and expressive of the

The shape, position, colors and textures of any watershape drive the experience to be had by those who venture near the water’s edge. That in mind, says David Tisherman, the art of managing what is seen from various points around the job site is at the very heart of the designer’s task. Here, he uses a recent project to define his approach to maximizing a space’s potential from all angles.

A Gem from Every Angle

The first thing I tell myself when looking at a prospective job site is that the pool is unimportant. That may sound strange coming from one who has spent years of his life in designing and building the finest pools money can buy, but in a very real sense, I think it's absolutely true: The pool itself means nothing. What's important is the site, its prevailing geological conditions, the visual strength and influence of the house or other structures and the natural elements of landscape and physical setting. All of these directly influence the design of the pool - its shape, size, elevations, materials and position on the property. When all of these elements of the pool's physical structure come into balance with the surroundings, then the experience of someone entering the area can be utterly transforming: They will draw impressions of beauty, elegance, relaxation, tranquillity and even a distinct connection with nature. You're off to a good start simply by recognizing this potential. To maximize it, however, you need to

The Power in Partnering

Construction can be a tough business: Even minor conflicts or disputes often lead to courtroom battles, and you can hardly blame people in the trades for thinking 'potential lawsuit' every time they sign a contract. One way to avoid these lose/lose scenarios, says aquatic consultant Curt Straub, is to implement a simple, up-front agreement designed to foster cooperation among designers, engineers, contractors and clients.

You see them more and more often these days: Streams of water leaping from beneath paved walkways or plazas in a display that adds drama, beauty and interactive fun to any public space. In this feature, system designer and manufacturer Jon Mitovich shows how these projects, known as ‘dry-deck’ fountains, come together as projects and how their very special effects are achieved.

Standing Tall on Deck

It was one of those projects where aesthetics, technology, function and history all came together. Installed on a pier on the waterfront in Hoboken, N.J., right across the river from the Manhattan skyline, the dry-deck fountain pictured on these pages was part of a civic development movement aimed at creating new public areas on both the New York and New Jersey shores. Our company, Roman Fountains of Albuquerque, N.M., first became involved in the project in 1996, when we

From the earliest urban settlements to the most modern architectural settings, watershapes have played both functional and decorative roles in expressing the values of their societies. In the first of a series of articles on the lore of aquatic design, landscape architect and pool designer Mark Holden follows an introductory path that begins in ancient Greece and ends up in modern Las Vegas.

Images in Time

As designers and builders, we might feel with every new project that we have created the most profoundly original setting in the world. In most cases, however, our most likely achievement has to do with adapting an architectural concept developed long ago, putting a modern twist on it and calling it our own. For me, in fact, the more I learn about the history of watershaping, the more I feel connected to ancient watershapers and recognize that we haven't created anything really "new" in a long time. We all know clients, for instance, who want their backyards or public spaces to look like Spanish or Italian villas, French or English formal gardens, or maybe peaceful

The Secret Life of Extension Cords

During our last session, we explored the water-flow/electric-current-flow analogy and summed it up in a few sentences that are worth repeating: • Water: The pressure created by the pump forces water to flow through the pipes and valves, overcoming the friction losses of the system. Higher pressure provides for more gallons per minute. • Electricity: The voltage created by the battery forces electrons to flow through the wires and switches, overcoming the ohmic resistance of the circuit. Higher voltage provides for more amperes. (The short version of that is, "Volts push amps through ohms.") To be truly useful to us, we must know something about the way these three basic units relate to

A Style to Call Her Own

I've had the pleasure over the past few years of working with a client who ultimately has become a good friend - and with whom I created a very unique garden. The process of designing the space was lengthy, but it afforded me time to truly understand my client and her wants. As we progressed, many issues arose that needed to be addressed; over time and at many points, patience was indeed a virtue. Her yard had existing structures as well as large Eucalyptus, Pittosporum and Chorisia trees and other plantings along with

Value by Design

Consider this scenario: You call up an interior designer. In the course of the conversation, you ask him or her to come to your home, walk around, take measurements and listen to your ideas about a new look for your home. That done, you want this design professional to go back to the office, draw up a plan, select materials and price the job. Would you be expected to pay for this service? If you know anything about interior designers, you know the answer is a loud (and not inexpensive) "Yes!" It's a trade where nobody works for free: Whether you buy 100 yards of carpet, a gallon of paint or nothing at all, you have to

Easing Troubled Waters

Just think about what can happen if a customer seeks compensation for some problem that has arisen in the course of installing a watershape: Whether the complaint is