ARTICLES Archives - Page 313 of 317

The Power in Partnering

Construction can be a tough business: Even minor conflicts or disputes often lead to courtroom battles, and you can hardly blame people in the trades for thinking 'potential lawsuit' every time they sign a contract. One way to avoid these lose/lose scenarios, says aquatic consultant Curt Straub, is to implement a simple, up-front agreement designed to foster cooperation among designers, engineers, contractors and clients.

You see them more and more often these days: Streams of water leaping from beneath paved walkways or plazas in a display that adds drama, beauty and interactive fun to any public space. In this feature, system designer and manufacturer Jon Mitovich shows how these projects, known as ‘dry-deck’ fountains, come together as projects and how their very special effects are achieved.

Standing Tall on Deck

It was one of those projects where aesthetics, technology, function and history all came together. Installed on a pier on the waterfront in Hoboken, N.J., right across the river from the Manhattan skyline, the dry-deck fountain pictured on these pages was part of a civic development movement aimed at creating new public areas on both the New York and New Jersey shores. Our company, Roman Fountains of Albuquerque, N.M., first became involved in the project in 1996, when we

From the earliest urban settlements to the most modern architectural settings, watershapes have played both functional and decorative roles in expressing the values of their societies. In the first of a series of articles on the lore of aquatic design, landscape architect and pool designer Mark Holden follows an introductory path that begins in ancient Greece and ends up in modern Las Vegas.

Images in Time

As designers and builders, we might feel with every new project that we have created the most profoundly original setting in the world. In most cases, however, our most likely achievement has to do with adapting an architectural concept developed long ago, putting a modern twist on it and calling it our own. For me, in fact, the more I learn about the history of watershaping, the more I feel connected to ancient watershapers and recognize that we haven't created anything really "new" in a long time. We all know clients, for instance, who want their backyards or public spaces to look like Spanish or Italian villas, French or English formal gardens, or maybe peaceful

The Secret Life of Extension Cords

During our last session, we explored the water-flow/electric-current-flow analogy and summed it up in a few sentences that are worth repeating: • Water: The pressure created by the pump forces water to flow through the pipes and valves, overcoming the friction losses of the system. Higher pressure provides for more gallons per minute. • Electricity: The voltage created by the battery forces electrons to flow through the wires and switches, overcoming the ohmic resistance of the circuit. Higher voltage provides for more amperes. (The short version of that is, "Volts push amps through ohms.") To be truly useful to us, we must know something about the way these three basic units relate to

A Style to Call Her Own

I've had the pleasure over the past few years of working with a client who ultimately has become a good friend - and with whom I created a very unique garden. The process of designing the space was lengthy, but it afforded me time to truly understand my client and her wants. As we progressed, many issues arose that needed to be addressed; over time and at many points, patience was indeed a virtue. Her yard had existing structures as well as large Eucalyptus, Pittosporum and Chorisia trees and other plantings along with

Value by Design

Consider this scenario: You call up an interior designer. In the course of the conversation, you ask him or her to come to your home, walk around, take measurements and listen to your ideas about a new look for your home. That done, you want this design professional to go back to the office, draw up a plan, select materials and price the job. Would you be expected to pay for this service? If you know anything about interior designers, you know the answer is a loud (and not inexpensive) "Yes!" It's a trade where nobody works for free: Whether you buy 100 yards of carpet, a gallon of paint or nothing at all, you have to

Easing Troubled Waters

Just think about what can happen if a customer seeks compensation for some problem that has arisen in the course of installing a watershape: Whether the complaint is

Designing and building a stream is no small task. The usual scale of these projects, along with typically high customer expectations for a convincingly ‘natural’ look, combine to ratchet the difficulty level up several notches. Here, landscape designer Rick Anderson, who specializes in streams, shares his expertise in approaching these challenges as a guide to watershapers who aim to please with wandering waters of their own.

Where Streams Live

As I see it, there are six main types of watershapes: pools, spas, fountains, ponds, waterfalls and streams. Although there is tremendous variety within each category, I think most of us in the business would put pools, spas and fountains in one sub-group and ponds, waterfalls, and streams in another. Obviously, there's room for overlapping here - waterfalls installed with pools, for example, or fountains in the middle of ponds. The key distinction for me, however, is the closeness with which a pond, waterfall or stream must imitate

Easier by Analogy

Several years ago, I was asked to conduct a seminar on basic electricity for the members of a small homeowners' association. They were working their way alphabetically through the various trade disciplines with which a homeowner might come in contact. As I recall, they had covered attic fans, brickwork, cabinetry, carpeting, decks and doors at previous meetings. I learned that I was to be followed in coming months by fences, fireplaces and

Searching for Style

Among the most complicated tasks you'll encounter in designing a watershape is determining your clients' style and how it applies to the project. How important is it to know what style they want? That's a complicated