ARTICLES Archives - Page 302 of 317

Generation G

Since the beginning, we at WaterShapes have made no bones about the philosophical connection between our magazine and

Watershapers who tackle projects in older communities often face the necessity of fitting their new designs in with historic architecture and long-established landscape tastes and styles. It can be a challenge, says landscape designer Bruce Zaretsky, but if you’re sensitive to tradition and work carefully with your surroundings, it’s possible to add beautiful and even surprising features to classic homes.

LeRoy, N.Y., is an historic village that's most famous (or most notorious?) for being the birthplace of Jell-O. Far more significant to me, however, is the fact that the town is filled with beautiful 19th-century homes that run the architectural gamut from Colonial to Italianate to Victorian in style. It's a beautiful place, and the site of one of my firm's most unusual projects in recent memory. The home featured in this article is a Second Empire Italianate estimated to be about 140 years old. It's a prime example of 19th-century craftsmanship, from the Mansard roof with its scrolled cornices to the drive-through porte-cochere and the wraparound porch with its beefy wood railings. It's definitely an architectural treasure, filled with the kinds of details that have been lost as far as today's custom-built homes are concerned. Mindful of those special touches, we set about designing a similar level of detail into the landscaping in creating gardens and watershapes that brought real tranquility to

Among the most intriguing watershapes that have ever been built are those designed to move water in sequence – spouts that dance to music, jets to tease playful children, streams that toll the hours. Making these effects work, says fountain designer and manufacturer Paul L’Heureux, takes skill in mechanical and hydraulic engineering as well as an advanced sensitivity to ‘liquid aesthetics.’ Here’s a look at what he means.

Dancing Water

In the ballet of sequenced water, you'll find a repertoire of effects for watershapes of all kinds. Like individual dance steps, these water effects can be beautiful on their own - or they can be used in combination with other effects to create elaborately choreographed shows that dazzle, delight and entertain. From simple to complex and from small to utterly huge, sequenced-water effects are truly amazing, and the nice thing is that they can be incorporated into all kinds of watershapes. We'll take a look at some of the possibilities here as a means of defining why you and your clients should think about incorporating the devices needed to make them work in your projects. There are practical issues, of course, so we'll also cover the process of designing for sequencing and the considerations involved in the creative effort, as well as discussing the ins and outs of programming and commissioning for sequenced watershapes. In an extensive sidebar, we'll also take a look at available technologies and their strengths and weaknesses. Before we get into

When watershapes and sculpture are both to be included in a garden, the designer faces the challenge of making each component look as though it truly belongs in the setting. Here, Chicago-based landscape designer Rosalind Reed explores what is involved in pulling off this balancing act for a small urban space. The result is a careful interweaving of artistic and aquatic forms that blend serenely in the heart of a bustling city.

Gallery Views

Looking for inspiration in an urban environment can leave a designer with precious few useful references. Take downtown Chicago, for example, where our indigenous waterfeature is Lake Michigan and our public art is too often plopped in the middle of concrete plazas. Be that as it may, I do my part by trying to introduce both water and art into my projects. So I was thrilled to be retained by Mary O'Shaughnessy, owner of the Wood Street Gallery in Chicago, to design a sculpture garden. I knew it would give me the chance to create a balanced, beautiful space - even though I also knew the job wouldn't be easy. What she wanted was a garden environment in which she could display and sell contemporary American sculpture - a place that would help clients visualize the way the art might look in their own gardens. As we dug deeper, we uncovered additional goals: It needed to be a space that would accommodate a changing variety and number of pieces; it had to be functional for large parties; and it had to incorporate and acknowledge the garden's urban neighborhood while still providing a sense of enclosure for gallery visitors (and, of course,

Safe Arbor

Contrary to the impression that might be given by the headline, this isn't an article about building arbors that are safe. Rather, it's about how you can protect your clients and their guests from the sun by building beautiful structures in their yards. (Safety is part of the discussion, too, but not its focus.) I bring this up because many clients put piles of money into building spectacular pools but fail to give much thought to their surroundings. That's a shame, because those surroundings almost certainly will be seen much more than the pools will be used in the course of the average year. Several things need to be

The Educational Imperative

It's great that more and more people in the watershaping business are interested in becoming custom designers. The way I see it, the future of the industry rests in the hands of those who strive for creativity and excellence in their work. Unfortunately, however, there are those out there who are brash enough to declare themselves "designers" without any sort of credentials to back up the claim - that is, without having done what it truly takes to

Are You Experienced?

In October 1999, I wrote an Aqua Culture column titled "Value by Design" in which I explained my belief that watershape designers should be paid for their designs in the same way interior designers and landscape designers are paid for theirs. Since then, I've been contacted by lots of people who are interested in knowing more about how this works; I've also had the privilege of traveling throughout the United States and abroad to talk about watershape design and construction and have met hundreds of people with the same need for information. On the one hand, it's exciting to see the notion of a watershape-design specialty catching on: It isn't a foreign idea to people the way it used to be, and

Choice Words

What do you call the effect of water falling over the edge of a pool? Do you say it has a negative edge? An infinity edge? A vanishing edge? Or do you have

Inspired by a source no less prominent than the hugely popular San Antonio Riverwalk, the citizens of an old Colorado steel town have invested $24 million in a project they call HARP – the Historic Arkansas Riverwalk of Pueblo. The project has transformed the town’s rusty image, says landscape architect Donald Brandes, and sums up the benefits of thoughtful watershaping on the grandest possible scale.

Down to the River

In 1921, a flood rolled into Pueblo, Colo., submerging the civic center beneath 11 feet of water and leaving more than 100 people dead. To prevent the recurrence of such disasters, engineers came to town, diverted the river along a different path and encased it in underground levees several blocks away. Seventy years later, a grand project known locally as HARP – the Historic Arkansas Riverwalk of Pueblo – undertook to restore the historic course of the Arkansas River and make it the centerpiece of a 26-acre downtown park. HARP re-creates 2,220 linear feet of the historic river in concrete-lined (yet naturalistic) channels. Nearing completion after ten years, the urban park will include 3,300 linear feet of navigable waterway for use by water taxis and pleasure boats as well as dramatic fountains; more than a mile of promenades and other walkways; a two-acre lake; and an outdoor environmental-education center. It has been a massive undertaking, as befits a project aimed at revitalizing an entire city. For the watershaping community, the project stands as an example of the truly transforming effect that

Picture Perfect

In February 1999, the cover photo on the premiere issue of WaterShapes showed a steel cage for a subgrade piling being lowered into the ground. That image was taken from a feature article by designer/builder David Tisherman, the first of many that he has contributed to the magazine. In that article and in another that followed in April 1999, he detailed the design and construction of an elaborate residential swimming pool project that he