ARTICLES Archives - Page 294 of 314

The Crown Jewel of California’s central coast, Hearst Castle is among the most public of all ‘private’ residences on the planet. Its Neptune and Roman pools are among the most photographed, published and familiar watershapes in the world – so prominent that the estate’s brilliant fountains simply don’t get their due. Here, designer and builder Skip Phillips shifts the emphasis a bit, paying tribute to all of Hearst Castle’s watershapes, drop by drop.

The Enchanted Hill

Visiting Hearst Castle is an experience that sticks with you. Long before I became a watershape designer, I know that my childhood visits to this hilltop in Central California inspired and affected my thinking about art and architecture and the creative use of space long before I had any professional interest in those subjects. Every time I go - which is as often as I can - I'm impressed by a collection of art and architecture so rich and varied that I always find something new. For years, I've been amazed by the castle's two pools and their beautiful details, incredible tile and classic style. More recently, however, I've started paying closer attention to the other ways in which water is used on the property - and my appreciation for what I'm seeing grows every time I stop by. A BIT OF HISTORY William Randolph Hearst inherited the 250,000-acre ranch on which the castle was built from his mother, Phoebe Apperson Hearst, in 1919. The remote property hadn't seen much development to that point, but he soon began transforming it into a monument to American ambition and his passion for

The balancing of plant and stone, a layering of views, the use of perspective, a careful plotting of footpaths and the subtle use of water: All these come together in Japanese gardening, a form of expression that accounts for many of the world’s most beautiful and elegant man-made spaces. Among the finest of these works of art, says Douglas M. Roth, publisher and editor of The Journal of Japanese Gardening, one stands out: Katsura Rikyu.

Thoughts for the Eyes

Home to some of the world's greatest outdoor spaces, Kyoto, Japan, is a garden lover's heaven. If you make the trip, however, there is one garden that stands above all others - an aesthetic treasure, a nature-inspired garden masterpiece that is quite possibly the most beautiful place I've ever been. Owned by the Japanese imperial family, Katsura Rikyu (pronounced kah-tsu-rah ree-kyu) is an estate in Western Kyoto near the Katsura River. Rikyu means "detached palace," but that translation is a little misleading to English speakers, because the estate does not

Some objects or places have a unique ability to capture the mood and essence of a time and place. The swimming pool at the Raleigh Hotel in Miami is one of them, a reflection of the lifestyle that has for generations made South Florida a magnet for starlets and stargazers alike. Here, watershape designer and builder Brian Van Bower pays tribute to this classic – one of the most beautiful swimming pools ever built.

A Seaside Classic

It's a grand watershape built at a time and place when "grand" was in fashion in so many ways. Ever since 1940, when the Raleigh Hotel and its beautiful swimming pool opened to the public for the first time, the establishment has made a statement about the sun-drenched glory of a prime South Florida location as well as the glamour of an era gone by. Designed and built by renowned architect L. Murray Dixon, the hotel and pool are located in South Beach, Miami's famed Art Deco district. The pool's curvaceous shape and modern styling reflected the hotel's architecture and the aspirations of the times. As the '40s wore on, it would become a swimming pool that was perfectly in sync with the world around it. When Miami boomed in the years following World War II, the hotel did, too. Vacationers and snowbirds from the great cities of the Northeast arrived in droves, looking for a new kind of excitement and an entirely different sort of glamour of the kind that featured

Water in the Garden

Without any hesitation at all, I can say that Gardening with Water by James Van Sweden (Random House, 1995) is one of the most influential books on design that I've ever read. It's currently out of print, but it's certainly worth a hunt and can still be found on the Internet and in many technical bookstores. All through its 206 beautifully illustrated pages, Van Sweden carefully details his approach to designing with water - an element he says should be used in some form in every garden design. Along the way, he covers his firm's use of swimming pools (natural and architectural) as well as birdbaths, fountains, small watergardens and large ponds. It's an important book from a tremendously influential designer. In fact,

Delicate Dynamics

One of the skills of a good designer is the ability to recognize those situations in which less is more. The detail pictured in these pages, for example, shows how the choice to go with a small volume of moving water (as opposed to a torrent) can add immeasurably to a composition's visual strength. Using this understated approach helps the designer or builder avoid what has become one of the biggest clichés of modern pool design - that is, the outsized waterfall spilling over a single weir from a raised spa into an adjacent swimming pool. My desire to get away from that monotonous

The Fauna Factor

I purchased a home in the late 1980s that backs up to a wooded area inhabited by deer, coyotes, rabbits, rattlesnakes, squirrels and various and sundry other rodents. I didn't believe that any of them would come into my yard, so I boldly left the gate at the top of my slope open to test my theory. I awoke the next morning to the sight of a family of three deer feasting on my azaleas and other delectables. Although they did a fabulous job of pruning the azaleas into perfect rounded mounds, I recognized then and there that they wouldn't coexist with a nicely landscaped garden. I figured that my fence would never be enough to keep the wildlife at bay forever, so I delved into

Are You Smiling?

Whenever I'd call my mother on the phone when I was a kid, she'd start the conversation by asking me, "Are you smiling?" Back then, I never gave her greeting too much thought because that's what young people do: They ignore their parents' wisdom until they realize at some point just how smart the old folks could be. As I've grown older and gained experience in business and life in general, it has occurred to me that my mom's question is important and even a bit profound. At first blush, this notion of smiling on the phone is sort of silly. After all, no one sees your face when you're on the phone, so who cares about the expression on your face? But the truth is, this question of whether or not you're smiling on the phone has everything to do with

The Journey Continues

To be honest, I've never been a huge fan of New Year's resolutions. And I especially don't cotton to all the sentimental windbagging that seems to attend the "dawning" of this new era or that. But on this occasion, and for reasons all too many and obvious, I won't shy away from

Encompassing a wide spectrum of artistic styles and making statements that range from the modest to the magnificent, the fountains of Kansas City are so tightly woven into the urban fabric that the town is justly known as ‘The City of Fountains.’ Here, watershaper and Kansas City resident Curt Straub pays tribute to a tradition of fountain-craft that has shaped so many public spaces of his city – and defined a community’s pride. (Photo courtesy City of Fountains Foundation, Kansas City, Mo.)

Shaped in the Heartland

Kansas City, Missouri, proudly calls itself "The City of Fountains," and it comes by the title legitimately. In fact, more than 150 public fountains grace its plazas, boulevards, parks and public buildings, and the community has long held to a tradition of creative use of moving water and sculpture in developing its public spaces. As a resident of the city, I get a sense of civic history and our collective self-image as I look at these fountains. As a watershaper, I take additional pride in the variety of forms and styles I see and in the course of technological development that has lifted fountains to new heights of

Draped across a mountaintop overlooking Los Angeles, the Getty Center is truly monumental. But if you can wrest your attention from the outsized galleries and imposing offices and endure the always-large population of visitors, you find yourself in spaces uniquely moderated and defined by the use of water – as decoration, as diversion and as counterbalance to the gleaming, hard-edged structures that surround you.

Art for Art’s Sake

The Getty Center is a true multi-media experience: imposing architecture, lots of people, incredible materials of construction, amazing views, diverse spaces, rich and varied sounds - and it's mostly all a bonus, because none of this has much to do with the Los Angeles center's core functions as museum and research institution. Designed by architect Richard Meier, the 750-acre campus is dominated by outsized structures wrapped in travertine, glass and enameled aluminum. It's all a bit cold (maybe time will soften the sharper edges and