ARTICLES Archives - Page 289 of 314

The watershapes for the Colony at White Pine Canyon were intended to mimic nature as closely as possible. That’s not an unusual goal, says Land Expressions’ project manager Clayton Varick, but it was one made more difficult by three factors: a tight schedule, the need to work at very high altitudes – and the fact that the surroundings being imitated were the staggeringly beautiful slopes of the Wasatch Mountains above Salt Lake City.

Field of Streams

Landscaping has to be something special to harmonize with the amazing natural surroundings of places such as we encountered with the Colony at White Pine Canyon: Set on 4,000 acres near the famed ski slopes at Park City, Utah, the resort/homestead project was to have watershapes second to none when it came to their natural beauty. Indeed, water was central to the entire plan. We at Land Expressions of Mead, Wash., were engaged by the developer, Iron Mountain Associates of Salt Lake City, to execute an 830-foot stream, a 34-foot cascading waterfall and a sprawling quarter-million-gallon pond. All of this came along with an array of natural plantings, pathways, a 500,000-gallon water tank surmounted by a five-acre meadow, and a guard shack made from rocks, sod and a fallen tree. Projects of this sort don't come along very often - and when they do, they call for creativity, preparation and planning on a grand scale. In this case it, also meant working at (literally) breathtaking altitudes and in a small window of opportunity between snow seasons - all while infusing the work with intricate detail. Here's a look at

A View from Abroad

It's a simple fact: There are real differences in the way designers and builders do things in different parts of the world. This is particularly true for swimming pools and other forms of decorative water: In some areas, for example, the focus seems to be mainly on the water and on details associated with the watershape itself. In others, the focus seems to be less on the water and more on the surrounding details, such as decks, walls or architectural features. Whichever way it goes, it's always beneficial for designers to expose themselves to the work of watershapers from around the world. The best way to do this, of course, is to

Controlling Elements

Throughout recorded history, people have tried to control the elements in every which way they can. We plant trees to block the wind, build levees to hold back rising river water and dikes to hold back the seas. We build skyscrapers that defy gravity, winds and earthquakes. For all of this ingenuity, however, we sometimes don't do a very good job. When our efforts to control the elements fail on a large scale, we witness catastrophes that

Covering Ground

Last time, we talked about planters, terracing and a couple other techniques for stabilizing slopes and making them look great as backdrops or foregrounds for hillside or hilltop watershapes. We left for this column the important discussion of what to plant in these spaces. In making these suggestions, I'll discuss soil-binding plants and other ground covers that contribute specific desirable qualities to landscape settings. My reasoning is simple: Although sod is a great ground cover and is certainly versatile, I believe that having a broader and more decorative

On the Road

Working outside your home region is exciting stuff. It opens you to a broader and often more dynamic arena for doing business and lets you work with new sets of clients and their architects, landscape architects and designers. The projects are typically interesting and often unusual, and you can make a good dollar while reaping the personal benefits that come with travel to faraway places. On the one hand, being in demand for long-distance projects represents a measure of success in your business and shows the high degree of confidence others are willing to place in your skills. The simple fact that clients are willing to

Right from the Start

Back in June 2000, WaterShapes publisher Jim McCloskey and I traveled to Montecito, Calif., to have a look at a project being installed by our friend Mark Holden. Just the drive up the long private road from sea level to

When construction-savvy designers join forces with design-sensitive contractors, say Randy and Martha Beard, the results can be spectacularly satisfying. That’s one reason they’ve focused so much of their work at Pure Water Pools on forming alliances with local landscape architects; another is the fact that the give and take with creative people involves them in projects that are a distinctive cut above anyone’s definition of the ordinary.

Both Sides Now

The way we see it, the most successful watershapes take two participants: a visionary designer who can express the clients' desires, and an accomplished builder who can turn that creative vision into reality. Sometimes, the designer and builder are one and the same person or organization. In many other instances, however, it is the collaboration of two professionals from opposite ends of a project that makes the difference between a watershape that is simply a watershape - and a watershape that is truly a

The relationship between watershape design and watershape construction is obviously crucial, observes landscape architect Mike Heacox – but it’s often misunderstood, which means that working out the balances can be crucial to success. Here, he offers a designer’s perspective on the relationship, outlining his views on the dynamic, delicate and potentially awesome partnerships that can develop between the pencil and the backhoe.

Bridging the Design Gap

As a contractor, do you ever wish that you could avoid fussing with clients about design and could instead just get down to the business of building watershapes and getting all the details right? Do you ever think you're wasting the time you spend on design, because you know your prospects might go with another contractor despite the time you've spent drawing pretty pictures? Not every watershape contractor will answer "yes" to the first question, but I'm sure most of you have at least thought "yes" about the second one. That's because most contractors I know don't charge for design, at least not directly. As necessary, you'll hire

A skimmer is at its best when it’s set up to do a good job of removing debris from the water’s surface – and your client or a service technician never has to do much more than give it an occasional cleaning. No matter how low key, however, a skimmer’s role in ensuring water clarity is very important, says hydraulics expert Steve Gutai, who continues his series on basic hydraulics with a look at the function and proper installation of these devices.

The Skinny on Skimmers

Skimmers are found in just about every type of watershape imaginable, including gunite, vinyl-lined, fiberglass and aboveground pools as well as in-ground and portable spas - not to mention ponds, stream and fountains. In each case, specific skimmers have been designed to serve the individual applications. For purposes of this discussion, let's keep things simple by sticking to skimmers' most familiar application - in gunite swimming pools. A KEY ROLE The main function of a pool's skimmer is removal of debris from the surface of the water. To do so, the skimmer is connected to the suction-side plumbing of the pool's pump and draws water across a weir (or a float) as a result of the vacuum created by the pump. The weir (or float) is buoyant by nature and allows only a

The York Street Millennium Fountain in Canada’s capital city is a modest marvel, a compact monument that says something about the city’s history and urbanity in ways that something grander perhaps never could have done. But the scale of the fountain is the only thing ‘small’ about the project, recalls landscape architect John Altorio, who found the work of balancing national- and local-government interests to be a challenge indeed.

A Modest Monument

A watershape doesn't need to be immense to be either beautiful or monumental. Nor does it need to be outsized to serve its community as a gathering place or point of pride. Those are a couple of the lessons we learned in shaping the York Street Millennium Fountain in the heart of one of the highest profile tourist areas of Ottawa, Ontario, Canada. Using an inventive approach that balanced the needs of the neighborhood, a range of national and local government officials and the general citizenry's desire to celebrate the new millennium, the project also embraced the city's own rich history. The new fountain sits at a significant crossroads of pedestrian traffic between the Byward Market and the government district in downtown Ottawa. Indeed, the traffic island surrounding the fountain stands just blocks from Parliament Hill, the seat of Canada's national government, and was intended from the start to serve as a focal point and gathering place. Although small and comparatively simple, the project was complicated by the need to satisfy both local and national officials, which meant we had to incorporate