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Some people seem to believe that designing is all about reinventing the wheel every time they go to work on a new project or need to create a new detail of some kind. Truth is, however, that most great design ideas and details are derivative of things that have been done before. This is why I'm such a strong advocate for education - especially the sort that involves venturing out into the world and seeing things with your own eyes. You can see pictures of things in books and watch slide shows in classrooms, and that's extremely valuable for the way it opens your eyes to
I never really thought much about the plants and trees surrounding me until I started edging my way toward the landscape-design business. Growing up, I'd look out my bedroom window and into our backyard and see plants and trees, but I didn't know that they were called Junipers or Giant Birds of Paradise or Ficus trees. They all looked pretty much the same to me - a generic veil of greenery. My path of discovery began when I bought my first house on Long Island. All of a sudden, there were rules about
We've all heard the phrase "less is more" so often that it's become a cliché, but there are still situations where there is powerful truth in those words. There is no question, for example, that watershapers can create tremendous beauty by using simple shapes and quality materials to accentuate and magnify a setting. This is particularly so when the watershaper exploits the alluring, reflective qualities of water itself to create a strong focal point while effectively blending the vessel into its setting. A case in point is the
Now we come to the finishing touches - little details that make a big difference in the ultimate appearance of the renovated pool we've been watching develop here for the past several months. Through those many months, we've taken a pool that's more than 70 years old, rerouted all of its plumbing through cores cut in the old shell, added a circular spa in the shallow end, raised the floor in the deep end, reshaped the steps, added lights in a new, pool-long bench, installed all-new equipment and laid down gorgeous glass tile throughout - all without disturbing the beautiful limestone decking that surrounded the pool. As the project came to a close, we turned to a final
Here in America, our idea of history goes back only so far. That's particularly true in southern California, where "older" architecture is anything before about 1960 and very few structures date to a time before 1920. But it's also the case for most of the rest of the country with reference to architecture: We don't have the "ancient" structures that still set the tone and architectural vocabulary the way they do in Europe, Asia and other places. For those who prefer modern or contemporary styles, this lack of history may be irrelevant. For those who feel an affinity to older styles, however, there's a tendency to cringe every time an older house is torn down to
I've always loved the word "pamper." I love its meaning, I like the way it sounds and, most of all, I think it's the perfect verb for us Baby Boomers, because I know as we slide through middle age and head toward retirement, a word that means "to treat with excessive indulgence, gratify desires or coddle" will only grow in usage and importance. As I've pointed out many times, I'm a big proponent of indulging in the good life and gratifying one's needs for pleasure and enjoyment. One of the places you can go to plunge headlong into such indulgence is what some people call
A great many wonderful things can be said about all-tile pool finishes once they're done, but you can't lose sight of the fact that that such finishes require lots of planning, are difficult to apply and, as your clients will tell you, are far from inexpensive. And by "far from inexpensive," I mean that the price tag will usually give pause even to people of great means. This is all especially true with glass tile, which is applied using different (and generally more complicated) techniques than is ceramic tile and costs proportionately more. But that cost brings with it a great and stunning beauty that
I was hired recently to work on a substantial restoration project in a prominent Los Angeles neighborhood. I'd worked previously with the architect on a large estate, and he had referred me to the homeowners. After a couple of meetings, we determined we were all a good fit, and I was hired to design the exterior spaces of the home in collaboration with the architect, the contractor and the decorator. About a month into the project, the interior decorator was let go in favor of a restoration specialist. By that time, it was clear that many of the design decisions being made were not in keeping with
Over and over at seminars and trade shows, watershapers ask me three distinct but interrelated questions: "How do you get into the high-end market?" and "How do you deal with wealthy customers?" and "How do you handle those kinds of jobs?" The short answer to all of them is that I've set myself up for it and am prepared to tackle these projects and clients as they come. To me, it's as natural as breathing. The deeper answer is much more complicated, obviously, and has to do with my understanding that working with upper echelon clients means accommodating an entire range of issues that
One of the themes that weaves its way through a great many of the articles and columns we've run in WaterShapes through the years turns on the thought that watershape design
