ARTICLES Archives - Page 71 of 312

It's not how he usually works, notes Ben Lasseter. But on this occasion, the opportunity to bring someone else's exceptional design to fruition made taking a secondary role the right move -- even with the awkward scheduling, unusual access issues and a few tricky alignments.

All in the Details

In most of our projects, we do the lion's share of the work related to our clients' backyards. We'll design and build the pool and spa, set up the landscape and take care of all of the components of outdoor living from laying decks to installing outdoor kitchens. We like having that level of control over exterior environments, and our clients seem to appreciate the single-source service we're able to provide. Every once in a while, however, we'll come across a project so outstanding that we're perfectly happy to join a great team, interpret someone else's plans and

On the Verge

‘In discussing coping and decking,’ noted David Tisherman in his February 2008 Details column, ‘ I invariably combine them because, in my view, they are truly inseparable: For a design to succeed, both must work together because they play such important roles in

Finding Touchstones

‘Many great artists are best known for working in identifiable genres, styles or modes or with specific materials, themes or some other defining detail. From Picasso’s cubist abstractions to Mozart’s cascading melodies or Rodin’s bronzes to Frank Gehry’s sweeping architectural forms, geniuses of all stripes are in one way or another known for qualities that are

The Future for Pools?

To gain a larger perspective on what tomorrow holds for our planet and our watershapes, writes James Robyn, start by looking beyond our day-to-day lives to see what history, science and astronomy can tell us -- then consider what it'll take to ensure a long, safe, prosperous future.

Rendering Aid

Mike Gannon is always gratified when a do-it-yourself pond owner trusts him enough to seek his professional help. But as he relates in introducing this video on one such transformation, there's a single point he keeps very much in mind as he approaches the various tasks at hand.

Color Clashes

If you don't prepare your clients for what will almost certainly happen to the appearance of this flashy form of decking and coping, writes Paolo Benedetti, you can find yourself facing unpleasant consequences -- from encounters with peevish homeowners to meetings with their attorney.

Chasing Inspiration

You should take a look at the article linked below: It's about a Florida home called Woodsong that architect Alfred Browning Parker built for himself in 1968. I know that if the article had not mentioned the year and named the architect, I would've thought this place was of more recent vintage. Parker, who passed away in 2011

The Main Ingredient

‘As you spend your days creating structures that contain and control water,’ wrote Brian Van Bower to open his January 2003 Aqua Culture column, ‘it’s easy to lose sight of the water itself. Yes, we’re conscious of the fact that we have to filter, treat and sometimes heat it, but in its role as the defining feature in our products, water is so familiar a participant that in some ways it almost becomes invisible.’ ‘I’d like to heighten our general awareness by

A Monumental Fix

While in Venice, Italy, last summer, I came across a most unusual fountain in the Biennale Gardens near the city's historic Arsenale: It's a tall, slightly overgrown tribute to Giuseppe Garibaldi, the Italian general, politician and nationalist who is counted among the founding fathers of the modern Italy. I almost put the word fountain in quotation marks in the first sentence above, because the structure's water flows in an unusual way: While I'm reasonably certain the imposing tower of volcanic stone, granite boulders and bronze statuary once had internal plumbing and flowed with the greater elegance befitting such a tribute, it now flows through bands of black tubing interrupted in places by dribbling spouts. The odd effect is that the monument seems to be watered by an ordinary drip-irrigation system that keeps its plants green and aerates the turtle-filled basin at its base. I know that resources for restoration of even relatively intact artworks are scarce in Italy in general and especially in Venice, where life is a constant struggle to keep everything operational in the face of a combination of rising seawater and subsiding ground. But it's sad and a bit dispiriting that funds apparently aren't available for more than a stop-gap fix for a monument of this prominence and grandeur. But no matter: The fix works, and I still enjoyed seeing the monument, which was completed between 1885 and 1887 by Augusto Benvenuti, a local artist and sculptor. My guess is that it stands nearly 30 feet tall, with Garibaldi, flamboyantly attired, standing at its peak. Beneath him is a lion - the most accessible and impressive figure in the composition - as befits its being in Venice, where these beasts are iconic fixtures almost everywhere. Behind and below Garibaldi is a soldier attired in a uniform of the sort worn by Garibaldi's troops. I haven't been able to determine if there are any plans to repair the fountain and restore it to a more elegant form, but I'll hold onto that hope. In the meantime, the monument is worth a visit - if only to marvel at the beautiful turtles!

A Plastering ‘Watch List’

Taking control of the plastering process is within reach of any quality-oriented designer or builder, declares Kim Skinner. To help you on your way, he offers this step-by-step guide to managing what should happen on site before, during and after plaster application takes place.