ARTICLES Archives - Page 290 of 314

A Mexican Master

In his column for the November 2001 issue, David Tisherman mentioned a number of designers who have influenced him through the years. Even with my degree in landscape architecture, I have to concede that I was familiar with only about half the people to whom he called our attention. One of the designers I was unfamiliar with was Luis Barragan, so I picked up Luis Barragan: Mexico's Modern Master, 1902-1988 (published by Monacelli Press Inc. in 1996 and written by Antonio Riggen Martinez) to find out something about him. Barragan is now world famous, but that

Visual Acceptance

In one way or another, visual acceptance is what makes our world go around. Think about the clothes we wear, the cars we admire, the foods we eat - not to mention interior design, home and office furnishings, landscapes and watershapes. So much of our response to these and other features of our environment is based on the visual. It may sometimes be a shallow response, but human beings tend to like things that look good, even if they don't completely understand why some things are visually appealing and others are not. Design education teaches us that

Slippery Slopes

Everyone knows that hanging a pool, pond, or spa off a slope can make quite a dramatic statement, which is probably why so many great watershapers love working on hillsides. But the project doesn't begin and end with the vessel: In fact, placing a watershape on an incline also presents a range of landscape-related issues that must be addressed, whether it's a matter of aesthetics, code or safety requirements or simple

Finding a Way

One of the keys to designing effective spaces for human occupation is to create opportunities for movement from one place to another. This component of mobility adds functionality and utility to just about all spaces while keeping them vital and interesting. In watershape design, we have several options when it comes to introducing mobility to our work, including pathways and bridges that lead to

Choosing Your Path

Even with the broad variations among basic types of watershapes - pools, spas, streams, ponds, waterfalls or fountains - they are all unified by the simple fact that every project must first be

There’s no doubt that the ‘pond craze’ spells opportunity for watershapers. But a hot market can be a two-edged sword, observes pond/stream/cascade specialist Rick Anderson, because it draws in many who lack the technical, artistic and philosophical foundations needed to deliver high-quality work. What he suggests here is that it’s time to step back, consider what’s at stake – and take a long look at fundamentals that will help the market flourish.

Pond Perfection

The watergardening business has exploded in North America in the past few years - so much so that it's easily the fastest-growing segment of the watershaping industry. This wave of interest in naturalistic watershapes means that hundreds of people new to the craft of pond and stream building are now out there, working on all sorts of residential and even a few commercial projects. Some of these are landscape contractors working with water in a significant way for the very first time. Others are pool contractors who've

If there was ever a project that underscored the notion that ‘backyard swimming pools’ aren’t what they used to be, this one by Ron Gibbons Swimming Pools of Islip Terrace, N.Y. is the perfect choice: Built with a dizzying range of functional and aesthetic features, the project was the combined effort of a client whose budget and ambitions were well matched with the talents and resources of a gifted designer/builder.

Stars on the Wetlands

It was one of those projects that demonstrate just how beautiful and exciting swimming pools and spas can be. The clients started by asking for something unique that would make creative use of lighting, hydraulics and sound - something that would maximize and extend the modern styling of their home while making the most of spectacular views available along the shore at Westhampton Beach, N.Y. Their confidence in our capabilities and creativity set the tone for the entire project and let us step well beyond the ordinary in our thought processes. This trust was

From large, deck-level dancing fountains to small, toy-like interactive water effects, the art of enticing the public to participate in aquatic spaces has developed by leaps and bounds in recent years. Here, Pam Pasotti of the fountain consulting firm of CMS Collaborative traces the evolution of these participatory installations with an eye toward distilling the lessons fountain designers have learned along the way.

Public Participations

People don't usually have trouble with boundaries and will honor requests to "Keep Out," for example, or leave certain doors to "Employees Only." But there are also cases where we generally take issue with limitations on behavior whether stated or implied, and I can think of no better instance in which this takes place than with water in public spaces. Despite designers' best efforts over the years to make it clear where bathers are welcome and where they are not, the public has steadily defied boundaries by trespassing into waters that were never directly designed for human interaction. In fact, you might say that formal, decorative fountains are a forbidden fruit from which many of us have taken the occasional bite. During the past two decades, watershape designers have looked very specifically at the irresistible urge we have to touch water in an effort to shape all-new boundaries between public nuisance and design nuance. Along the way, we've learned which elements offer a deliberate, positive signal - a real "permission to play" - and are now wielding this power of interactivity to create and define a broad range of

A New Oasis

William Rowley & Scott Mackey It's one of those places you really have to see to believe. Part indoor waterpark and part competition facility, the Sierra Vista Aquatic Center is owned by the town of Sierra Vista, Ariz., a desert community of approximately 35,000 retirees and military families located near the sprawling Fort Huachuca army base. That's about 50 miles south of Tucson - and about as remote as a town can get. Known locally as "The Cove," the aquatic facility represents the town's commitment to its citizens' quality of life and a nod to the potential recreational water has to transform a community. From start to finish, the project took about four years and cost about $6.7 million, all paid for by the city. Designed by Tucson architect Scott Rumel, the basic facility was built by Lloyd Construction under the management of construction supervisor Leon Davis. Tucson pool builder Mark Ragel of Patio Pools set up the various watershapes, while our firm, Rowley International Inc. of Palos Verdes Estates, Calif., took care of the aquatic design and engineering. The facility opened in

Pooled Resources

Books dedicated specifically to swimming pools are of immediate and obvious utility to a great many watershapers. I've found valuable ideas from such publications through the years - despite the fact that much of the time their content is aimed at consumers rather than professionals. One thing that has disappointed me in many of these pool-focused publications is that the pool industry itself is not very well represented. Instead, what you usually see is the work of landscape architects, architects and other designers. In many cases their work is beautiful and deserving of attention, but the general exclusion of the work of