ARTICLES Archives - Page 242 of 312

Setting Botanical Scenes

Done properly, planting design is much like painting: It involves setting frames, backgrounds, screens and stages in a garden, thus creating a living scene with the plants as features of the composition. Just as a painter adds layers of colors to a canvas to create a work of art, the garden designer combines plants for visual delight. But the garden designer has an advantage in that scent, texture, motion and even taste can be experienced in gardens in ways that can only be suggested by a painting. (As a former painter, I can attest to this point and credit my artistic adventures in

Our Daily Tread

Beauty enhances our lives by changing our perceptions, and what we do as landscape professionals plays an important part in setting that perceptual stage. As the mystic poet Rumi wrote in the 13th Century, "Beauty surrounds us, but usually we need to be walking in a garden to know it." The steps we take in moving to and from our homes are important in that context, both for us and for our clients: These daily treads affect our perception of the world and influence our moods. While we can't always change the part of the journey that continues beyond the garden gate, we can do much to shape the sense of welcome, beauty and ease by

The Forensic Landscaper

I'm endlessly fascinated by project failures. Just like a driver slowing down to view a traffic mishap, I'm irresistibly drawn to collapsed retaining walls, sunken patios, rows of dead trees, out-of-level decks and various other landscape catastrophes. Whatever has happened, these projects capture my attention. To be sure, these failures don't approach the gravity of problems that might arise with large architectural structures, but that doesn't lessen our

Pausing to Reflect

Beautiful gardens make us happy. When we walk through or by them on the way to our daily activities; when we happen upon them while driving from one place to another; when we deliberately make them our destination - whatever the circumstances, beautiful gardens bring smiles to our faces and a sense of balance and serenity to

At their best, say landscape artists and educators Cynthia and Gary Kinman, watershape and landscape design and construction are integrated reflections of the clients’ personalities and desires – and even their feelings about family and life itself. A case in point is the huge project profiled here, in which the pair used their technical skill, patience and personal ideals to transform a steep, forbidding hillside into a client-centered celebration.

Emotional Foundations

In most projects, great work requires the watershaper's personal understanding of who the clients really are, deep down. That doesn't mean we have to become our clients' best friends or marry into their families. Rather, creating watershapes at the highest level involves a different kind of relationship, one in which a shared vocabulary and common vision develop through discussions of water, stone, art, plants and the orchestration and staging of experiences that will occur in given spaces. Take the project covered here as an example: The scope of the work, an unlimited budget and a mandate for the highest possible levels of quality were enough on their own to force us to explore the limits of our skills and creativity. More important from our perspective, however, is that we

Through the past four decades, indoor and outdoor shopping malls have become dominant fixtures of the retail landscape. As the ‘mall phenomenon’ has matured and the number of facilities has risen, notes fountain expert Paul L’Heureux, so has the need to differentiate these properties to attract shoppers. In lots of cases, he says, the marks of distinction are watershapes of one sort or another – yet another creative outlet for imaginative designers.

Market Variations

The shopping mall as we know it first emerged in the United States in the 1960s and since then has become a dominating retail presence on both the urban and suburban scenes. They started out in larger cities but soon were found just about everywhere - indoors or outdoors, small and large, visually appealing and, well, less visually appealing. Some are organized around upscale shopping and recreational activities, others around discount centers and manufacturers' outlets. There are many that are filled with mom-and-pop boutiques, while a few are integrated with amusement parks. Whatever seems likely to succeed, mall developers have certainly been willing to give it a whirl. At their core, however, every mall of any type has the primary mission of pulling people together so they can spend money on all kinds of merchandise; all the entertainment, dining and socializing are, in other words, secondary activities. In this sense, today's retail forums are a modern version of marketplace traditions that reach back to ancient times and almost every human society - with lots of modern conveniences added for good measure. Today's malls, in fact, are

Among all of the popular architectural, landscape and watershaping styles, few have either the history or persistence of the Spanish Colonial Revival, which burst on the scene early in the 20th Century and continues to this day to define huge swaths of the contemporary suburban scene. Here, watershaper and design historian Mark Holden traces the style’s roots, defines its main features and explores its special relevance to watershapers.

Inside a Classic Style

The history of residential architecture took a real turn toward mass production with the emergence of the modern suburb early in the 20th Century. Especially in the years after World War II, middleclass families increasingly left urban congestion behind and headed for open outlying areas where developers were hard at work in preparation for their arrival. Some developers put distinct stylistic stamps on the neighborhoods and communities they were building. Among the most popular and recognizable of these styles was the Spanish Colonial Revival - a look that has special prominence on the West Coast but that has surfaced throughout the United States and in places as far flung as Europe and China. This style is so popular and has been used so much in so many variations that it is, these days, tough to nail down exactly what is or is not true to early Spanish Colonial motifs and ideas. That's not surprising, because this malleable style itself represents a cobbling together of ideas borrowed from Roman, Islamic and even Native American cultures. Those deep roots, coupled with a scattering of design focus that has blurred borders and distinctions and any sense of stylistic purity, makes it tough for 21st-century watershapers and other designers to

Class in the Tropics

I recently had the pleasure of taking a brief trip to Costa Rica. Beyond a little sightseeing and some rest and relaxation, my purpose was to consult with watershaper Juan Roca to determine the feasibility of creating planting plans to complement his incredible watershapes. I always do my homework when I travel to an unfamiliar area for business purposes, learning as much as I can ahead of time about local vegetation and climate. As a rule, I contact nurseries, check inventories, inquire about the possibilities of bringing in plants the nurseries may not already carry and in general try to figure out

Where the Waters Meet

I've been using the word "confluence" a lot lately - so often, in fact, that I decided to look it up to be sure that I wasn't misusing it in some way. According to Webster, the first definition of confluence is "a flowing together of two or more streams," with a second meaning of "a gathering, flowing, or meeting together at one juncture or point." To me, it's a perfect word to describe a trend that's redefining the watershaping industries - that is, a growing confluence between the pool/spa and pond/stream industries. Coming from the pool/spa side of the discussion, I can recall a time not very long ago when ponds and streams were only rarely if ever considered by anyone in my business. What could pools and spas possibly have in common with

Elemental Insights

Sometimes the simplest ideas shine the most brilliantly. Take water, for example: For all the complexity of "shaping" it with hydraulics, chemistry, structural engineering and dealing with the hard-line issues of technology and craft, it's the hypnotic, aesthetic and even spiritual qualities of the material that ultimately