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In the parlance of those who know best, it's time to discuss "mud" - the concrete material out of which most watershape shells are made. Mud enters the scene after the steel, plumbing, electrical conduits and forms have been placed and, in some jurisdictions, all work to that point has passed careful inspection. The concrete itself can take any of four forms: concrete block or poured-in-place concrete (neither of which is used very often), or gunite or shotcrete (far more commonly used). In my three decades of building watershapes, I've worked with all of these materials. If a very specific set of circumstances calls for the use of
Those of us who are designers and builders of full-scale outdoor environments (you know who you are) face a distinct challenge: In our work for our clients, we are expected to provide the outline and details for a huge range of project elements, from watershapes and patios to plantings and walkways and more. That list, at least so far as clients are concerned, also includes appropriate lighting, but that is not always something on which we focus. Indeed, lighting design is seen as a specialty even by those who tackle almost every other project feature - and there's no problem with that unless
Those of us who are designers and builders of full-scale outdoor environments (you know who you are) face a distinct challenge: In our work for our clients, we are expected to provide the outline and details for a huge range of project elements, from watershapes and patios to plantings and walkways and more. That list, at least so far as clients are concerned, also includes appropriate lighting, but that is not always something on which we focus. Indeed, lighting design is seen as a specialty even by those who tackle almost every other project feature - and there's no problem with that unless
I've always believed that one of the keys to happiness is enjoying what you do for a living and savoring each day in one way or another. Yes, we all want to make good money and have the sense that we've risen to a place of status and respect within our profession and, yes, we all know that meaningful work provides many different types of rewards, but for me, the greatest of these accrue to those who don't simply work to live, but instead live to work. When I get up in the morning and assume my role as a watershape designer, I invariably greet each day and its tasks with joy. And it's not simply that I love this business (which I do); more important, it's that I genuinely, honestly appreciate my
I've always believed that one of the keys to happiness is enjoying what you do for a living and savoring each day in one way or another. Yes, we all want to make good money and have the sense that we've risen to a place of status and respect within our profession and, yes, we all know that meaningful work provides many different types of rewards, but for me, the greatest of these accrue to those who don't simply work to live, but instead live to work. When I get up in the morning and assume my role as a watershape designer, I invariably greet each day and its tasks with joy. And it's not simply that I love this business (which I do); more important, it's that I genuinely, honestly appreciate my
If there's one thing about the world of watershaping that never ceases to amaze me, it's the wide spectrum of skills, styles and project types that define the boundaries of what people engaged in this industry do for their clients. Recognizing that breadth and depth is always encouraging (as I've mentioned before in this space), but in today's marketplace it's becoming
If there's one thing about the world of watershaping that never ceases to amaze me, it's the wide spectrum of skills, styles and project types that define the boundaries of what people engaged in this industry do for their clients. Recognizing that breadth and depth is always encouraging (as I've mentioned before in this space), but in today's marketplace it's becoming
Some projects start out on the right foot and stay that way: the right client, the right ideas, the right combination of skills on the design/construction team and a setting that inspires everyone involved to bring his or her very best to the table. The project profiled here is a case in point and is very specifically an example of teamwork at its finest. The result is a tasteful design executed to near perfection in a project that’s beautiful visually while being extremely functional through the fun and luxury it affords the clients. All in all, it’s one of those rare and wonderful projects in which all the right notes were hit. Located on an island off the Connecticut coast, the property is a second home for fun-loving family that had the resources to create a great venue for outdoor gatherings. The site is indeed spectacular, seven acres in all graced by a beautiful 12-bedroom house and
I first became an admirer of Roberto Burle Marx while I was a student in landscape architecture at the University of Florida: His remarkable work, which combined a special brand of modernism with the lush potential of Brazilian settings, was incredibly powerful and the major formative influence on my own professional career. I'd learned how to draw in school and had acquired the technical skills it took to be a landscape architect, but it was seeing how Burle Marx approached his landscapes and paintings - not to mention the way he lived his life - that gave me the spark I needed to define my own approach. My personal relationship with him began soon after I graduated in 1981. I'd read an article in the Miami Herald about Burle Marx turning 70 and began writing to him in hopes he'd invite me to visit his home in Brazil. A couple of months later, I received a call from my friend Lester Pancoast, a well-known Miami architect. Burle Marx was in town and was staying as his houseguest, Pancoast explained, suggesting that since Burle Marx had a free evening I might want to take him to dinner. My future wife and I spent a nice evening with Burle Marx, who was reserved but very polite and seemed all the while to be sizing us up. After dinner, we went to Pancoast's home, where Burle Marx showed us
A Master at Work