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With the many questions he's asked in classrooms and in conversations with fellow watershapers, Paolo Benedetti is constantly reminded of things he wishes he'd known when he started his business. In the first of two articles, he begins by discussing ten of these key observations.
'Watershaping carries us onto the properties and into the private lives of our clients, and it does so to such a personal, even intimate level,' wrote Brian Van Bower to start his February 2010 Aqua Culture column, 'that I see the value and importance of getting to know them to the best of my ability. Invariably, that means asking the right questions and knowing how to
When my wife and I made the long drive from St. Louis to Los Angeles in October 2017, I knew that once we crossed the Missouri state line in Kansas City (the glorious "City of Fountains"), we weren't going to see any significant watershapes on the path we'd selected.
We stopped in some great non-aquatic spots in Kansas, memorably the Wizard of Oz Museum in Wamego and S.P. Dinsmoor's Garden of Eden in Lucas. But mostly we set our sights on pushing through at an unwavering pace to Durango, Colo., with thoughts of the natural wonders we'd find thereabouts dancing in our heads.
As we approached the Kansas/Colorado border, we had a stroke of luck: I received a call from a friend in Colorado Springs who, upon hearing where we were, offered to put us up if we'd take a little detour and head north rather than south once we reached Pueblo. It immediately put me in mind that a fountain I had long carried on the list of waterfeatures I wanted to see and discuss in WaterShapes was right there.
I knew about this fountain because on the few occasions when we published a feature article in which an artist used a helical or circular form as the core of a sculptural fountain, I'd get a note, call or email from someone telling me that what we'd published was great, but if we really wanted to see something transformative, the Julie Penrose Fountain in Colorado Springs was beyond description and well worth a visit.
Here was my opportunity at last: Our first day in Colorado Springs was filled with blustery winds, hoodoos and the Garden of the Gods, which let us reserve the whole of our second and final day for America the Beautiful Park, where the Julie Penrose Fountain occupies a special place.
The winds relented and the day was fair and warm - but I was blown away just the same: The Julie Penrose Fountain stands more than 40 feet tall, and although I'd seen photographs, I had no idea either how large it was or that it turned on its axis four times an hour. I was overwhelmed - and moderately drenched when an unexpected breeze lashed us with water and mist shortly after our arrival.
When we were safely back home, I put a note about the fountain on my long list of coverage candidates - and in the press of business a Travelogue I was truly keen to write slipped into a crack from which it has only now been rescued.
As I began my usual research on the fountain's creation and history, I came across the video linked below. It offers such a detailed perspective on the fountain that I'm going to let it do the rest of my work this time. Although the narration is almost painfully low key, the video itself captures the majesty of the sculpture, the transient beauty of the fountain effect and the sheer joy of hanging out in America the Beautiful Park with the mountains as a backdrop - even if you get soaked!
To see a video on the Julie Penrose Fountain in Colorado Springs, click here.
This was a fun one - a project that was fully within our comfort zone but pushed us into new territory and gave us an opportunity to shine in a unique design context. We had worked with the property-management firm before, and they called us in to have a look at a large space behind a multi-story office building in Overland Park, Kans., where we were also to meet with the building's owner and some of the project's stakeholders. We had done well in our
It's a class of projects I'm coming across more and more often these days: Clients with homes in new developments want swimming pools and spas for their backyards, but the buildings are so big and consume so much of the available real estate that finding places to put worthy watershapes is a real challenge. The difficulty, of course, is that these homeowners are just like the owners of larger properties in wanting more than just pools and spas these days: They're thinking about generous seating and dining areas, outdoor
Through the years, I assembled a pair of large computer files containing links to two specific sorts of news items. At the time, I considered them to be never-the-twain-shall-meet categories that I would eventually write about separately. But now I see them as interwoven,
There are two common options when it's time to design the wall for a vanishing-edge swimming pool: cut it in or cut it away. With a cut-in approach, the top of the wall is cut down into the pool so that the water surface extends to the outside edge of the wall - effectively submerging it even when the water is not flowing over the edge. By contrast, a cut-away wall is one where the top of the wall angles down and away from the pool so that the water surface terminates at the inside edge of the wall. This results in the
This project started with an unexpected phone call. The clients, who live in Iowa much of the year but have a second home on the water's edge in Tampa Bay, had spotted a Wall Street Journal article in which a photograph of a swimming pool with a "floating" fire pit had been included. They loved the look and figured they could use it to dress up the poolscape that had come with their Florida retreat - if only they could find a local company to do it! Looking through the text, she spotted a reference to the fact that we at Ryan Hughes|Design|Build had designed and competed the project that
Pond installation offers lots of opportunities for straying off the naturalistic path, but to me, there's no more problematic detour than the unfortunate "string-of-pearls" effect. When this happens, the edge of a pond looks more like Wilma Flintstone's rocky necklace than it does like the banks of a natural body of water. And it's a double shame, because the installer went to all the trouble of sourcing and placing natural material - but ended up with completely unnatural results. I've seen too many of these nightmare ponds through the years. Some are the result of a do-it-yourselfer's lack of awareness. It also happens with
Deficits of Trust