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Every once in a while, I run across an area of design theory or philosophy that is so fundamental that I'm left to wonder how I've been able to do what I do for a living without a complete understanding of it. Color theory is one such field of study. For a long time now, I've known that the factor that very often makes or breaks a project is not the price of the materials or the presence of bells and whistles, but rather how well the colors work, both with each other and in the context of the overall setting. Even simple projects with modestly priced materials can be ranked among the beautiful if the colors work. By the same token, there are extremely elaborate projects that fail to live up to their potential (or fail altogether) when color choices are off base. My sense that this was something I needed to know more about led me to
One of the things I've referred to repeatedly through the years is my interest in quality forming for watershapes. I look at it this way: If the job is about creating quality reinforced-concrete structures, then precisely controlling their dimensions and contours stands at the very heart of the art and craft of watershaping. And all I'm recommending here is simply following the lead of the experts who install building foundations and structural walls by using completely rigid materials and support frameworks. To drive that point home, I want to discuss the forming of one specific detail - and define a right way of getting it done. One of my trademarks is the fact that I build many pools that are
One of the things I've referred to repeatedly through the years is my interest in quality forming for watershapes. I look at it this way: If the job is about creating quality reinforced-concrete structures, then precisely controlling their dimensions and contours stands at the very heart of the art and craft of watershaping. And all I'm recommending here is simply following the lead of the experts who install building foundations and structural walls by using completely rigid materials and support frameworks. To drive that point home, I want to discuss the forming of one specific detail - and define a right way of getting it done. One of my trademarks is the fact that I build many pools that are
Most of my clients don't know a Pittosporum from a Loropetalum - nor would I expect them to. Unfortunately, however, this often leaves me to describe plants to them, a process that often makes me feel like I'm reenacting that television commercial where the homeowner tries to mimic the creature seen crawling across the kitchen floor for an exterminator: I'll stand there with my arms up or out, attempting to look like the botanical specimen I'm suggesting for use in their garden. One of the easiest groups of plants to describe in this or any other way is a collection I call the strappy-leaf plants. I didn't make up the term, and I'm sure many of you have also used it yourselves to describe plants with foliage that looks like straps - generally long strips that emerge from a central clump and arc up, sometimes flopping over to create
Most of my clients don't know a Pittosporum from a Loropetalum - nor would I expect them to. Unfortunately, however, this often leaves me to describe plants to them, a process that often makes me feel like I'm reenacting that television commercial where the homeowner tries to mimic the creature seen crawling across the kitchen floor for an exterminator: I'll stand there with my arms up or out, attempting to look like the botanical specimen I'm suggesting for use in their garden. One of the easiest groups of plants to describe in this or any other way is a collection I call the strappy-leaf plants. I didn't make up the term, and I'm sure many of you have also used it yourselves to describe plants with foliage that looks like straps - generally long strips that emerge from a central clump and arc up, sometimes flopping over to create
Something inspired and inspiring is happening in the watershaping industry - something I doubt has ever really happened before: In almost every encounter I have with industry people lately (and believe me, I've seen a lot of you in the past few months), I get the palpable sense of a passion that is driving all of us in a process of creative and professional growth. I see it in the enthusiasm my fellow watershapers have for what they're doing, and I see it being directly translated into their projects and, perhaps most important, being conveyed to their clients and the attitudes everyone has about the results. From where I sit, this is a spectacular time to be in this business, and that notion has been reinforced countless times in the recent past. I received a concentrated dose of this broad impression during the
Something inspired and inspiring is happening in the watershaping industry - something I doubt has ever really happened before: In almost every encounter I have with industry people lately (and believe me, I've seen a lot of you in the past few months), I get the palpable sense of a passion that is driving all of us in a process of creative and professional growth. I see it in the enthusiasm my fellow watershapers have for what they're doing, and I see it being directly translated into their projects and, perhaps most important, being conveyed to their clients and the attitudes everyone has about the results. From where I sit, this is a spectacular time to be in this business, and that notion has been reinforced countless times in the recent past. I received a concentrated dose of this broad impression during the
The 19th Century poet Eden Phillpotts once wrote, "The universe is full of magical things, patiently waiting for our wits to grow sharper." I've always loved that line and the way it shines a light on the rewards of
The 19th Century poet Eden Phillpotts once wrote, "The universe is full of magical things, patiently waiting for our wits to grow sharper." I've always loved that line and the way it shines a light on the rewards of
I believe it's fair to say that many of us who are now in the business of creating naturalistic watershapes have been intensely influenced and inspired by experiences we had as children playing near streams, waterfalls and ponds. That was certainly true for me as a kid growing up on Long Island, N.Y., where I was constantly exposed to beautiful natural bodies of water. When I grew up, I found myself in the entertainment industry for several years. It was exciting at times, but no matter where I went, I always felt myself being drawn back to
