The Wilds of Whimsy: Colleen Holmes’ Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
Eclectic Edge: Ben Dozier’s Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
A Cityscape Reborn: Claire Kahn Tuttle’s Platinum Standard Project
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
Eastern Eclectic
  One of the compliments we appreciate most at Root Design Co. is when people say that no two of our projects look alike.  Indeed, we pride ourselves on being able to work effectively across a broad spectrum of styles and use both time-tested and innovative building methods in ways that let us focus on details and on making certain we’re always generating work that speaks directly to our clients’ unique tastes and desires. To maintain our edge, we limit the number of projects we tackle each year and, at the same time, seek out clients whose enthusiasm matches our own when it comes to pursuing
A Buccaneer’s Brew
A small town set in the suburban vastness of southern California, the city of La Mirada seems an unlikely setting for a leading-edge aquatics facility – let alone the grand one that now occupies 19 prominent acres within the city’s sprawling regional park. We were first introduced to the project in September 2005 by the city’s public works director, Steve Forster, who invited us to sit in on a meeting to discuss the city’s ambitions.  At this gathering, key city officials let us know that they’d already secured much of the $30 million plus the project would require and expressed their desire to begin moving right away with a very aggressive project schedule.  What was needed now, they told us, was a company that had
All the Right Angles
Every once in a while, a project comes along that gives you a chance to step up and demonstrate your company’s capabilities. The construction of the swimming pool seen here was just that kind of exercise for our firm.  Located in Potomac, Md., the property is just west of Washington, D.C., in an exclusive neighborhood remarkable for the outstanding caliber and quantity of its watershaping and landscaping projects.  We became involved here through a custom homebuilder who was remodeling the property and wanted to do something special in the backyard.    This represents a perfect example of how our firm, Alpine Pool & Design of Annandale, Va., thrives in this market.  Through the years, we had already worked not only with the homebuilder, but also with the architect as well as the landscape architect.  When it came time to consider watershape construction, all three recommended us for the job – testimony to the fact that ever since we opened shop in 1986, we’ve done all we can to establish a reputation for high-value collaboration as part of a community of like-minded designers and contractors. We pride ourselves on being able to execute the most challenging designs and
A World at Play
For all the “importance” attached to creating works of art in outdoor environments, there’s no denying the fact that, in the majority of cases, the root of much of the appeal of watershape designs (and exterior designs in general) still has much to do with having a good time.   In my own practice, for example, I’d estimate that somewhere around 85 percent of my clients are inspired by the desire to build watershapes and pool environments as sources of play for their children or grandchildren – or, as some put it, because they’re still big kids at heart and “just want to have fun.” This is why I couldn’t resist picking up
Toward a Standard
I think we can all agree that design communication between architects, engineers, designers and contractors should be clear and concise.  If that’s the case, it follows that plans and other construction documents should be uniform in their organization and layout – in other words, that they should follow a set of standards to which everyone in the design/construction community can and will adhere. Why the bother?  The plain fact is that any given project involves a cast of characters that will be different – sometimes completely so – from just about any other project.  This is why I’m such a strong advocate for
Wings of Whimsy
In the often wild and woolly world of custom landscape and watershape design, it’s sometimes impossible to predict the sources of the most interesting and challenging projects – or anticipate how we manage to find our ways into the middle of them.  It’s all part of what makes this profession so uplifting at times – and so confounding at others. I’ve worked hard to accept and embrace the strange tides of fortune this business entails.  As a case in point, this month (and next) I’m going to relate a story that captures the essence of what it can take to accommodate the unexpected and enlist the nerve it sometimes takes to
The Light of the Long View
I’ve always believed that pessimism is useless. At times, I think it can even be destructive, which is why I personally beat the drum for positive thinking every chance I get.  Sure, there are always going to be those who accuse optimists like me of seeing the world through rose-colored glasses, but I counter that by saying that I also believe that optimism is worthless if positive thoughts aren’t backed up by equally positive actions. That this is the foundation of my philosophy should be obvious to