Other Waterfeatures (from birdbaths to lakes)
There's something in human nature that loves the unexpected. From pulling open gifts wrapped in paper, ribbons and bows to the thrill of rounding a forest trail to come upon a waterfall, the sense of anticipation and discovery adds spice to life and generally keeps things interesting. As designers of watershapes and landscapes, we have a tremendous opportunityto use the excitement that comes along with the process of progressively experiencing an environment. And the nice thing about setting up spaces that unfold as you move through them is that they can be organized around simple elements, from free-standing walls, steps or hedges to trees, fences and just about anything else thatpartially blocks, disrupts or interrupts a view. This project, which was first covered in "Details" in the December 2004 issue, is a perfect example of using a sense of
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
To those who see art as frivolous and ultimately unnecessary and expendable, we offer as a counterweight the following from Austrian poet, Ernst Fisher: "Art is a driving force in bringing humankind to greater quality of life, and it is therefore an absolute cultural necessity." For the artist, tremendous responsibility comes with that necessity. Indeed, those who expose others to art bear a burden in shaping entire cultures as people around them come to accept their artistic output as essential threads in the social fabric. Think of Brunelleschi in Renaissance Florence, for example, or Gaudi in modern Barcelona. When we as watershape or landscape designers seek to expose others to our works of art, we accept a profound moral responsibility whether we work in the public or the private domain. At its core, our responsibility is to seek and communicate truth. As we see it, one and all who fall under the broad umbrella of the watershaping arts should be
Built to function and compete in an era when marketing matters for healthcare facilities, the McKay-Dee Hospital Center was designed to create a soothing, supportive, healing environment for patients, visitors and staff - so much so that the center looks more like a resort hotel than a medical institution. The architecture is open and soaring, offering sweeping views from interior spaces set up for comfort and restfulness. Designed by Jeff Stouffler of HKS Architects of Dallas, the structure is organized around a four-story atrium that runs the length of the building, offering clear lines of sight not only to distant mountain and valley views, but also to nearby landscapes graced with winding paths and beautiful watershapes. The opening of the 690,000-square-foot facility on March 25, 2002, was accompanied by great public fanfare. As people in the community have embraced and begun to seek care there, it's been a point of pride for us at Bratt Water Features to know that the beautiful curving lake that wraps around the exterior of the gleaming building is one of the things people see, enjoy and appreciate the most. BROAD SCOPE Our job was to build all of watershapes, including seven small fountains and the big lake system, based on designs prepared by Waterscape Consultants of Houston and by landscape architect James Burnett, also of Houston. As bidders on the installation contract in 1999, we had the advantage of being a local firm - but we also brought extensive experience with large-scale public waterfeatures to the table. And this project was big. As far as anyone on the design team knows, this is the largest waterfeature/fountain complex ever built in the state of Utah. We refer affectionately to the feature as "Bullwinkle" because, when seen from overhead, its oddly symmetrical free-form shape casts a silhouette resembling the cartoon moose's head and antlers. The antlers wrap around the footprint of the west end of the building, with the nose stretching away from hospital to create a broad lake with a towering geyser at the far end. The 175-foot-wide, 500-foot-long watershape features a 170-foot-long waterfall between the antlers and the crown of Bullwinkle's head that faces an outdoor pavilion/eating area served by an indoor café. The water falls four feet into a teardrop-shaped lower pond that serves as a catch basin - and which turned out to be critical to
The resort opened in 1994 with completion of Phase I of a program that emerged once developer and entrepreneur Sol Kerzner bought the property from Merv Griffin in 1992. Phase II saw another round of construction that was opened to the public in 1998 - and ever since, Atlantis, Paradise Island, Bahamas, has been known around the world as a prime vacation spot for couples and families. The original pre-1992 property consisted of three buildings that had been built about 30 years previously along with one swimming pool and 27 tennis courts. Today, the facility occupies about 70% of Paradise Island's 826 acres on the northern edge of Nassau and is the unabashed expression of
The resort opened in 1994 with completion of Phase I of a program that emerged once developer and entrepreneur Sol Kerzner bought the property from Merv Griffin in 1992. Phase II saw another round of construction that was opened to the public in 1998 - and ever since, Atlantis, Paradise Island, Bahamas, has been known around the world as a prime vacation spot for couples and families. The original pre-1992 property consisted of three buildings that had been built about 30 years previously along with one swimming pool and 27 tennis courts. Today, the facility occupies about 70% of Paradise Island's 826 acres on the northern edge of Nassau and is the unabashed expression of
Long a fixture in San Francisco's Golden Gate Park, the Conservatory of Flowers is one of the most photographed structures in a city famous for picturesque beauty. At 125 years old, the facility is the oldest surviving public conservatory in the western hemisphere. Originally built in 1878 and then rebuilt after a devastating fire in 1883, it's also an architectural and engineering treasure - an extremely rare example of a prefabricated Victorian-era structure that had withstood the test of time. In 1995, however, a severe storm caused extensive damage and led city building officials to deem it unsafe for public use. Despite that decision, a dedicated group of paid staff and volunteers doggedly maintained and managed the site and its plants in a gallant effort to stave off further degradation, all with the hope that someday the Conservatory would be restored. They bit off no small challenge, as many of the facility's "botanical residents" are difficult and expensive to maintain - including a 100-year-old Philodendron with five-foot tall leaves that fills much of the space beneath the Conservatory's towering central glass dome. The ongoing campaign to save
It's striking and even awe-inspiring to observe the ways in which water can shape a desert. Probably the most spectacular example of this phenomenon to be found anywhere on the planet - and unquestionably the most prominent hydrological feature of Arizona's landscape - is the winding course the Colorado River takes through the Grand Canyon it created. The terrain surrounding Pointe South Mountain Resort in Phoenix is another special creation that draws much of its character and interest from the presence of
