Fountains

Distant Drama: Paul L’Heureux’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Stone Poetry: Richard Hansen’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Italian Dreamscape: Villa d’Este as a Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Timeless Impressions: Maya Lin’s, William Hobbs’s and Wayne Pierce’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Rethinking a Monument: Lynn Wolff’s and John Copley’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Elevated Expectations: Janet Rosenberg’s and Glenn Herman’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
When Music Meets Water
At a time when scores of American cities are still looking for ways to revive the faded glory of their urban cores, possible approaches are as visionary (and numerous) as can be.  The process has resulted in new parks, major redevelopment, architectural restorations and a long list of other solutions - including the unique watershape commissioned by the city of White Plains, N.Y. A town with 54,000 full-time residents whose population swells to more than 200,000 during the day when office workers, shoppers and visitors come calling, White Plains made the decision to invest $4.5 million of public and private grant money in resurrecting a small downtown park.    Appropriately named Renaissance Plaza, the park surrounds a state-of-the-art musical fountain unveiled in October 2003 for the specific purpose of luring people back to the downtown area - and it has worked.  In fact, the plaza has become such a hub of activity that nearly 1,700 units of new residential housing are now under construction in its downtown neighborhood. URBAN OBJECTIVE First settled by British colonists who bought it from the Mohican tribe in 1683, this historically rich city located 25 miles north of Manhattan has truly been reborn, and it's with no small measure of
Function Before Form
Have you ever wondered why watershapes are at the heart of so many venerable courtyards and plazas?   In a modern context, we might start answering that question by thinking about the natural human fascination and connection with water and then conclude that, like us, those who built the public spaces of ancient Mesopotamia or Athens or Rome simply liked being in the presence of water for emotional and spiritual reasons. But the truth behind the prominent role of water in these spaces isn't as romantic as all that.  Indeed, there's
The Codes Less Traveled
Composition of this article began with an e-mail I received a while ago from a colleague working in Australia.  "What," he asked, "is the maximum allowable depth for a fountain in the United States?"  As simple as it sounded, when I took the time to research the issue I found that there was a noticeable lack of definition.   I took the next logical step and called various people I know in the watershaping industry and asked them the same question.  Surprisingly enough, nobody could point me to any code, regulation or standard that defined what depth a waterfeature's pool could
Urn Points
It's unusual to think of such a wonderfully decorative watershape in this way, but the one featured in this edition of "Details" was the result of a client's desire for a measure of safety for the front of his home. The house is located on an intersection in a hilly part of Manhattan Beach, Calif., where the steep, downhill orientation of the streets occasionally lead cars to make turns at unwisely high speeds.  Given the orientation of his front door, my client was concerned that, with a bit of very bad luck, he might someday find an out-of-control-driver's car in his foyer. As is the case with many