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Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
I've been playing with clay for a long time - ever since 1968, when I took my first ceramics class in high school. Clay has captured my imagination mainly with its flexibility: I can carve it, build with it and even color it. For years, I've sculpted pieces of tile out of stoneware and porcelain clay. The individual pieces are then combined to create mosaic compositions, which, among other things, means that I'm able to create works of art that can go just about anywhere and are especially at home in and around water. Now, more than 30 years into working with this wonderful medium as a potter, then as an art student in the United States and Italy and especially in
Finishing up a project of any size is all about the details. From the final touches on the artificial rockwork and the placing and adjusting of lights to the fine tuning of the circulation system and signing off on the equipment room, the art of fine watershaping ultimately boils down to applying the same stringent standards for excellence that you bring to the beginning and middle of the project straight through to the end. Of course, it's virtually impossible to complete a project of this magnitude without
The Shenandoah Valley of western Virginia is one of the most beautiful places I've ever been. The site to which we were summoned in January 2004 - a 220-acre estate set amidst its rolling hills - confirmed that opinion in every possible way by offering incredible views of nearby valleys, forests, farmland and mountains. We'd been called to take over a grand-scale swimming-pool project, one as outsized as the property with respect to scope and complexity - and one that required constant, detailed interaction with
A number of you have asked me, with varying degrees of urgency but no outright threats of bodily harm, to lighten up on what you see as
I'm steadily reminded of one key point: No matter how talented any one of us might be, the work ultimately is not about us. For intensely creative people equipped with the necessary measures of self-confidence and ego, that point can be tough to accept and absorb, but it's true: For all our skills, we nonetheless work with our clients' visions, and the reality is that creating sympathetic designs for them takes time, patience and lots of effort. As a result, I'm passionate about uncovering what my clients are truly after in their garden and watershape designs. It's an investment of time and energy at the onset of the relationship that always
A tremendous amount of synergy and teamwork went into the making of "The Ultimate Family Home." Initiated by Builder magazine (the official publication of the National Association of Home Builders) and Pardee Homes (the Los Angeles-based developer of the Nevada Trails neighborhood in which the home was built), the project unfolded as a partnership between the magazine and the developer's Las Vegas office along with Bassenian-Lagoni Architects (Newport Beach, Calif.), Color Design Art (Los Angeles) and Lifescapes International (the Newport Beach-based landscape-architecture firm). "The Ultimate Family Home" opened in January 2004 in conjunction with
The late, great architect John Lautner is believed to have been among the first to conceive of and build a vanishing-edge swimming pool as a means of more directly tying views across the water into distant vistas. It's a landmark of modern aquatic design that has been emulated thousands of times in the 45 years since he designed "Silvertop" in Los Angeles, and it's wonderful to know that his spirit of innovation survives to this day in the company he started. The home and watershapes seen here are the work of Lautner's protégé and longtime collaborator, Helena Arahuete of John Lautner Associates (Hollywood, Calif.), who composed it all as a spectacular exploration of organic design principles and the use of water to express and magnify details of a setting while leading the
The late, great architect John Lautner is believed to have been among the first to conceive of and build a vanishing-edge swimming pool as a means of more directly tying views across the water into distant vistas. It's a landmark of modern aquatic design that has been emulated thousands of times in the 45 years since he designed "Silvertop" in Los Angeles, and it's wonderful to know that his spirit of innovation survives to this day in the company he started. The home and watershapes seen here are the work of Lautner's protégé and longtime collaborator, Helena Arahuete of John Lautner Associates (Hollywood, Calif.), who composed it all as a spectacular exploration of organic design principles and the use of water to express and magnify details of a setting while leading the
