pond
Tucked into a small cove in the mountains behind La Quinta in California's lower Coachella Valley, The Quarry Golf Club is hidden, ultra-private and basically unknown to all but members of the golfing elite and the wealthy few who play the course. First conceived by entrepreneur Bill Morrow and designed by renowned golf course architect Tom Fazio, the course is a prime example of just how beautiful golf courses can be - and of how critical a role landscaping and watershapes can play in defining their character and aesthetics. Our challenge was to embroider the course's 18 PGA-sanctioned, championship-caliber holes with
The process of designing a watershape or garden usually requires the designer to answer a number of questions - the vast majority of them having to do with seeing the water and the landscape. Indeed, from considerations of color and scale to managing views and ensuring visual interest within the space, much of the designer's skill is ultimately experienced by clients and visitors with their eyes. But what if your client is blind or wheelchair-bound or both? How do you design for them? What colors do you use in your planting design? Would you even care about color? How will they move through the space and what experiences will await them? What would be the most important sensory evocation - sound, fragrance or texture? These are the sorts of special questions we asked ourselves after being approached by clients who had the desire to create a sensory garden for visually impaired and physically handicapped people. The experience shed a whole new light on the power of non-visual aesthetics and prompted me to
The site was chosen because the existing water, terrain and natural landscape were a perfect fit: Like no other available space, the design team saw that this setting could be used to symbolize the character of Vietnam’s landscape – wetlands and bogs, water crossings, hills and forests, meadows and plains – and shaped into a memorial to casualties of a war that ended in Southeast Asia nearly three decades ago. It’s a beautiful and peaceful space, one that now encompasses four acres of land around the perimeter of Duck Pond, a small and scenic body of water nestled in the gently rolling landscape of
To make a pond or stream successfully "natural," the designer and installer must know what it takes to produce a convincing illusion that the end product is actually a naturally occurring body of water. It's no secret in the trade that this illusion is made or broken at the edges, where the physical boundaries between waterway and the hardscape and plantings must be both precisely controlled and completely concealed. Necklaces of stone won't cut it, nor will waterlines sharply defined by lines of terrestrial plants. In fact, the challenge here is to make visually linear boundaries disappear, and that's a tall order for even the best pond/stream designers and builders. In my own projects, I work almost every day in tweaking and refining my approaches to these margins and edge treatments, and I've come up with many ways to enhance the natural appearance of my ponds and streams. In recent years, I've been honing a technique for landscaping in and around the water that's given my work an entirely new dimension: It's a type of planting container I call a "dirt pocket" - a simple structure that lets me plant a broad range of non-aquatic plants directly in contact with
Take the world's most prolific consumer technology company on one hand and, on the other, its desire to augment its corporate headquarters with a natural exterior environment intended to capture geological processes that span millions of years: It's a collision of present and past, of technology and nature, that is filled with meaning as well as exciting potential. Those sorts of thoughts and paradoxes were somewhere on everyone's minds as we approached the design and installation of a grand-scale watershape at Microsoft's Redmond, Wash., corporate campus. Our aim: to create a spectacular and entirely
Sometimes it's the small things that give a project its character and value. In the case of landscape design and installation at the Cross Valley Water District facility, we were able to take a relatively modest property and transform it into a demonstration campus that illustrates how man-made environments can be used to enhance the natural surroundings and meet the needs of human beings - and do it all with grace and harmony. I became involved in this project in June 1998, when I was approached by Brandt McCorkle, Lee Beard and Galen Page of Page & Beard Architects. That firm had been chosen to design the water district's new headquarters building and had developed a craftsman-style structure that blended perfectly with its rural, wooded surroundings. Set on five acres in Clearview, Wash., the district office serves
We've all heard and read how important it is to study the achievements of our predecessors in watershape design and engineering. Indeed, exploring these historic works is vital for the role it plays in emboldening our sense of artistic tradition and inspiring our creativity by offering rich galleries of design ideas. When considering Villa d'Este in such light - its extraordinary architecture, otherworldly gardens and daring watershape designs - it's easy to see why this grand estate is so important to us now. It's widely considered to be the most significant residence surviving from the Renaissance and has every right to claim to be the most beautiful and influential as well. Surely there's no substitute for traveling there and lingering with eyes wide open, but even from afar, we can and should turn to this amazing estate as a source of artistic inspiration and, in many respects, as a technical blueprint. A COMPREHENSIVE PROGRAM These days, most of us are more familiar with Bellagio than we are with Villa d'Este, upon which the spectacular Las Vegas hotel was patterned. Even with
The Pacific Northwest is full of spectacular scenery. From where I live near the Puget Sound, for example, you can see the Olympic range running along a peninsula to the west and the Cascade range off to the east. Looking southeast, Mt. Rainier is a silent, majestic sentinel silhouetted against an ever-changing sky. It's a beautiful place to live and perfect when it comes to design inspiration - especially when your work is creating naturalistic gardens and watershapes. One of the most spectacular waterfalls in the entire northwest is just a short drive up Interstate 90 from me, a place called Snoqualmie Falls. Local hiking trails are dotted by scores of perennial waterfalls that cascade down mountainsides. For me, there is nothing more refreshing than clambering up a steep grade and rounding the corner to find a misty, shady waterfall. It invigorates the soul and encourages one and all to keep climbing in the hope of seeing even more spectacular scenery. The attractions of nature and its inherent beauty are much enjoyed by people who live around here. In recent years, I've seen a trend toward bringing slices of that grandeur down to a residential scale in gardens that use water in motion as a key feature. It's the water that
Landscaping has to be something special to harmonize with the amazing natural surroundings of places such as we encountered with the Colony at White Pine Canyon: Set on 4,000 acres near the famed ski slopes at Park City, Utah, the resort/homestead project was to have watershapes second to none when it came to their natural beauty. Indeed, water was central to the entire plan. We at Land Expressions of Mead, Wash., were engaged by the developer, Iron Mountain Associates of Salt Lake City, to execute an 830-foot stream, a 34-foot cascading waterfall and a sprawling quarter-million-gallon pond. All of this came along with an array of natural plantings, pathways, a 500,000-gallon water tank surmounted by a five-acre meadow, and a guard shack made from rocks, sod and a fallen tree. Projects of this sort don't come along very often - and when they do, they call for creativity, preparation and planning on a grand scale. In this case it, also meant working at (literally) breathtaking altitudes and in a small window of opportunity between snow seasons - all while infusing the work with intricate detail. Here's a look at
The watergardening business has exploded in North America in the past few years - so much so that it's easily the fastest-growing segment of the watershaping industry. This wave of interest in naturalistic watershapes means that hundreds of people new to the craft of pond and stream building are now out there, working on all sorts of residential and even a few commercial projects. Some of these are landscape contractors working with water in a significant way for the very first time. Others are pool contractors who've
