fountain

Objects of Desire
  When you execute complex projects for sophisticated clients, your ability to satisfy them and their tastes by bringing something different or interesting or unique to the table can make all the difference.  As our firm has evolved, we've increasingly come to focus on identifying these compelling touches, which for us most often center on old-world influences that resonate, sometimes deeply, with our clients. I've always loved to travel and have spent extended periods in Asia, Latin America and Europe.  At some point, it occurred to me that by working not only with the principles of classical  European and Asian garden design, but also with authentic,  imported materials and art objects, the work would take on greater meaning and interest for me - and for my clients as well. To that point, our firm had followed a path of influence that still reflects itself in our replication of ancient stone-setting techniques.  While traveling in China and Japan, I began spotting stone pieces and other objects we could use directly in our watershapes and gardens and started acquiring pieces for that purpose. This step beyond evoking not only the style but actually using elements of authentic design quickly turned into a powerful element in our work.  As we moved further in this direction, the channels opened wider, the creative possibilities blossomed and we soon began incorporating more and more of the materials and ideas that I'd encountered
Comfortable Adjustments
Wonderful projects often proceed at their own paces.   More often than not, high-end clients on either the commercial or residential side will require us to spend a great deal of time and effort in developing, adjusting and revisiting designs so they wind up with exactly the watershapes and spaces that best suit their needs and desires. Sometimes that process is tremendously involved, as has been the case with a project I discussed in a previous "Aqua Culture" installment (May 2004, page 10).  The clients are creating what they're calling a "world-class pampering spa" as a major expansion of an existing facility in Jacksonville, Fla. Our work on the project includes a broad range of
A Point Well Made
Serenity, comfort, repose.  Delight in harmony with nature. These were the guiding principles behind The Point, one of 114 elegant homes gracing the 145-acre Hybernia development on the western boundary of Highland Park, a celebrated Chicago suburb located about 25 miles from downtown on a stretch of Lake Michigan known as the city's North Shore. We were initially called to Hybernia by a true visionary, David Hoffman, president of Red Seal Homes, the prime contractor for the development.  He told us how his firm had struggled for years to acquire the parcels included in the development and wanted us to see that he was sensitive and attuned to the special nature of the setting and the history of its community. His first request:  a design for a building that would house a pool and hydrotherapy spa for two of his most discriminating clients as a safe, secluded, calming harbor from their heavy international business travels.  As it turned out, however, this was just the beginning of what would
Progressive Surprise
There's something in human nature that loves the unexpected.  From pulling open gifts wrapped in paper, ribbons and bows to the thrill of rounding a forest trail to come upon a waterfall, the sense of anticipation and discovery adds spice to life and generally keeps things interesting. As designers of watershapes and landscapes, we have a tremendous opportunityto use the excitement that comes along with the process of progressively experiencing an environment.  And the nice thing about setting up spaces that unfold as you move through them is that they can be organized around simple elements, from free-standing walls, steps or hedges to trees, fences and just about anything else thatpartially blocks, disrupts or interrupts a view. This project, which was first covered in "Details" in the December 2004 issue, is a perfect example of using a sense of
The Platinum Standard
Watershaping has come a long way in the past half dozen years – a journey…
Shapes of Things to Come
To know where you're going, you need to have a sense of where you've been. That phrase is a bit shopworn, but it
Stone Poetry: Richard Hansen’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Italian Dreamscape: Villa d’Este as a Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Timeless Impressions: Maya Lin’s, William Hobbs’s and Wayne Pierce’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Rethinking a Monument: Lynn Wolff’s and John Copley’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…