fountain
We've always based our work as tile artists on refusing to allow existing rules and conventions to get in the way: We push at all boundaries and always seek something more exciting to create. That undaunted spirit of breaking new ground started with my parents, who established Craig Bragdy Design Ltd. in Wales just after World War II. Jean and Rhys "Taffy" Powell met in art school, had four rowdy boys and started the business by producing decorative ceramic products - coffee and tea cups, dishes, salt and pepper sets and a host of other smallish daily items. Even then, they were swimming against the tide: In the postwar United Kingdom, most people were interested in purely practical products and certainly
All artists and designers have to come from somewhere, creatively speaking. In our case, we came to watershaping via the world of glass arts and crafts, a starting place that led us first to create unusual sculptures in glass and light - and then to carry our work out into landscapes and especially into settings that feature water. In collaborating mostly with architects and landscape architects and designers, we at SWON Design in Montreal have found what we believe to be an incredibly rich vein of aesthetic potential. Indeed, we have come through the years to recognize with greater and greater profundity that water
Fifteen years ago, aquatic play attractions were found mainly in commercial waterparks in the form of large, multi-level, themed structures. Some smaller elements were found in the shallow ends of swimming pools, but they were generally limited to a few play apparatuses such as water umbrellas. Much has changed in recent years, and aquatic play systems are now featured in a greater variety of settings including city parks, recreation centers, resorts and a range of other recreational spaces. This trend did not burst forth overnight: For more than ten years, our firm and others have been helping things along by focusing attention on the value of concepts related to zero-depth aquatic play. We at Vortex Aquatic Structures in Montreal, for example, have designed our "Splashpads" to bring the joy and recreational value of aquatic play to almost any space. Among our objectives is bringing a measure of the commercial waterpark experience to places such as neighborhood parks, housing developments, campgrounds and other facilities, thereby allowing everyone within a community to experience
Our firm has always focused on the creation of watershapes and landscapes for championship-level golf courses. It is work on an enormous scale in beautifully conceived settings, and the clients are extraordinarily demanding. On occasion, our work has reached beyond the links and into the grounds and homes that surround them. That makes sense, because the lion's share of our work on fairways, tees and greens runs parallel to development of adjacent luxury homes. This means that we often expend considerable energy in considering the views from future home sites and the ways our watershapes and landscapes visually interact with what are often
It's a point I'll probably make to the end of my days: There is no substitute for travel and exploration of the historic world to learn about design. In my "Details" column in the June 2005 issue of WaterShapes, for example, I discussed my recent trip to Turkey and made the point that the ruins and intact structures we examined while there were full of specific details that I and other watershapers use in our work - whether or not we recognize that what we're doing actually derives from ancient original works. Showing what I mean in the clearest possible terms is what this pictorial article is all about. As you will see, I've included
Most people I know have a favorite vacation spot, a favorite leisure-time activity and a favorite form of self-indulgence. In creating backyard environments for these folks, we as watershapers and landscape designers often find ourselves able to roll elements of one, two or all three of those "favorite things" up in a single package in ways that closely reflect our clients' passions and personalities. At my company, we strive to make a direct connection with those preferences by letting our prospective clients know that we want to enable them to vacation in their own backyards and come home to outdoor environments that epitomize the good life. In some cases, that means
The Crown Fountain in Chicago's Millennium Park is an ingenious fusion of artistic vision and high-tech water effects in which sculptor Juame Plensa' s creative concepts were brought to life by an interdisciplinary team that included the waterfeature designers at Crystal Fountains. Here, Larry O'Hearn describes how the firm met the challenge and helped give Chicago's residents a defining landmark in glass, light, water and bright faces. In July last year, the city of Chicago unveiled its newest civic landmark: Millennium Park, a world-class artistic and architectural extravaganza in the heart of downtown. At a cost of more than $475 million and in a process that took more than six years to complete, the park transformed a lakefront space once marked by unsightly railroad tracks and ugly parking
One of the great things about working with different architects and designers the way we do is that, as builders of pools, spas and other watershapes, we enjoy opportunities to work across a broad range of design styles and sensibilities. In this instance, we're focusing on one of our favorite Southern California architects, Mark Singer. He's known regionally for crisp, clean, minimalist designs and is well regarded for his work on breathtaking lots along the coast in Laguna Beach, Newport Beach and other well-heeled cities overlooking the Pacific Ocean. To our good fortune, most of his projects include pools, spas, courtyard waterfeatures, outdoor sculptures and other amenities that enhance and extend his contemporary designs. Our most recent project with Singer was completed in the summer of 2004 at an older home in the beautiful beach community of Corona del Mar. The house itself was not originally designed by Singer, but it had been remodeled by him several times in the years since. In fact, so much has been done at this point that it's practically impossible to distinguish this residence from projects he has pursued from the ground up. COMPLETING A SCENE The homeowner is a wealthy land developer, a self-made man and a major fan of
For many of us in the watershaping business, the design and creation of fountains and water displays follows a predictable set of functional patterns. Given the traditional tools of the trade and our repertoire of nozzles and spray apparatus, for example, we tend to fashion effects and shapes from the ground up, literally throwing water in the air in a more or less uncontrolled manner. From a design standpoint, the problem with this tradition is that it eats up space like nobody's business: The pools needed to catch free-falling flows of any noteworthy height need to be large enough to capture water subject to the effects of splash, wind drift and overspray. The higher the spray, the larger must be the footprint of the pool to contain it adequately. As a rule, these pools need to have diameters of twice the height of the spray - by any measure a significant contribution of expensive commercial real estate to the creative effort at a time when property owners are motivated to make every available square foot an income producer. As an alternative in this space race, watershapers have found dry-deck or curbless fountains to be a great way to