details
It's not too unusual to replace all of the plumbing, equipment and electrical lines as part of a swimming pool renovation project. It's quite another story, however, when you need to make sure all of it happens without disrupting the deck surrounding the vessel. As mentioned in my last two "Details," that's precisely what we've been asked to do in renovating a 70-year-old pool in the historic Los Feliz neighborhood of Los Angeles. The presence of a beautiful, valuable, imported limestone deck means that we've had to do all of our work from inside
If the art of watershaping is ultimately about visuals, then creating a situation for yourself in which you're virtually guaranteed to create visual disruptions is something you certainly do not want to do. That's the situation I currently face in the renovation of a pool at a stunning, 1920s-vintage home in the heart of Los Angeles. As I indicated in my last column, it's a remarkably beautiful setting that features a 70-year-old pool that was well designed, expertly installed, well worth keeping - and surrounded by
Take it from someone who has ripped out and replaced more than his share of old and failed swimming pools through the years: Some things are worth keeping! That's why it's so wonderful to find an old pool - a product of the industry's infancy - that has stood the test of time and has won the right to be left in place. This is the first in a series of columns on one such pool. It's also the start of a story about clients who appreciate art and style and have surrounded themselves with objects and spaces of true value and beauty. I knew right away that
For the most part, the designers and builders of pools, spas and other watershapes visualize their projects in full sun, install them during daylight hours and seldom (if ever) see them after the sun goes down. That's both a problem and a shame, and it's reflected in the fact that the run of projects you encounter by mainline pool-industry folks - and, to a lesser extent, by people from the landscape trades - tend to treat the lighting of exterior spaces as an afterthought if it's really thought about at all. In fact, I'll go so far as to say that
If you've been following this column for the past several issues, you already know a good bit about the magnificent (and magnificently difficult) project I completed late last year in the Malibu Colony. Many times in those columns, I mentioned (mostly in passing) a system of four deck-level laminar jets we planned on installing. As was the case with just about everything else on this project, incorporating the system of jets into the courtyard environment turned out to be far more complicated and challenging than we ever thought it would be. When all was said and done, however, we all agreed that meeting this particular challenge was
It's impossible to know why some people change their minds the way they do or to predict exactly when it might happen, but in working with opinionated clients who demand the extraordinary, it's a fact that accommodating their changes in direction can come to define and redefine a project more than once as you move from start to finish. In many ways, our ability as watershapers to adapt and adjust midstream is at the heart of what we do - and no one says it's easy! The Malibu Colony project I've been writing about in several recent columns is absolutely
To make a pond or stream successfully "natural," the designer and installer must know what it takes to produce a convincing illusion that the end product is actually a naturally occurring body of water. It's no secret in the trade that this illusion is made or broken at the edges, where the physical boundaries between waterway and the hardscape and plantings must be both precisely controlled and completely concealed. Necklaces of stone won't cut it, nor will waterlines sharply defined by lines of terrestrial plants. In fact, the challenge here is to make visually linear boundaries disappear, and that's a tall order for even the best pond/stream designers and builders. In my own projects, I work almost every day in tweaking and refining my approaches to these margins and edge treatments, and I've come up with many ways to enhance the natural appearance of my ponds and streams. In recent years, I've been honing a technique for landscaping in and around the water that's given my work an entirely new dimension: It's a type of planting container I call a "dirt pocket" - a simple structure that lets me plant a broad range of non-aquatic plants directly in contact with
I spent ten days this last December traveling in Turkey - my second visit to the country in the past several years and a trip that reinforced vivid memories of just how mind-expanding a place it is. The Greek, Roman, Byzantine and Ottoman empires all held sway over this patch of land at times during the past 2,500 years, and throughout that long history, these and other great civilizations of both East and West have made their marks on the place. Situated at the crossroads of land- and sea-trade routes between Europe and Asia, Turkey has vast, rich reserves to drawn upon when it comes to
One of my guiding principles has to do with the fact that early decisions my clients and I make about materials have a huge influence on how my watershapes ultimately are designed and built. The project we've been following through the past few issues is a perfect case in point: The choice of the bluestone coping and of the one-inch glass mosaic tile for the pool's and spa's interiors started the wheels turning and definitely drove the early stages of the design process. As I've mentioned before, this project and its unforeseen problems (as well as clients who were at times unsure of exactly what
Last time, I described a series of unfortunate revelations that complicated the early stages of an elaborate pool renovation project in Malibu, Calif. By the time all of those enormous structural issues had been addressed, the pool project had been on hold for about six months. When we finally returned to the site to resume our work, we were greeted by a "courtyard" that was basically a neat, seven-foot-deep hole surrounded by a beautiful home in one of the most exclusive neighborhoods in the country. Although the most significant of the troubles were now behind us, the tasks that followed were far from simple. In the intervening six months, my clients had
