Travelogues & History
It's one of the most famous buildings in the world, but few people know that Frank Lloyd Wright designed Fallingwater in a matter of hours. In 1935, when Wright first received the commission to design and build a vacation home for Pittsburgh retail tycoon Edgar J. Kaufman and his family in Mill Run, Pa., he didn't get to the project right away. After several months of preliminary discussions and delays, Kaufman decided to force the issue, telephoning the architect and saying that he was going to visit Wright's studio to see what had been done. It was at that point Wright decided he'd better design the house. He had a weekend. The construction process was no more direct, but it took longer. Work began in 1936 and was completed by 1939 in a series of costly fits and starts. The project was originally set to cost in the neighborhood of $40,000, but the final tally rose to nearly ten times that amount - not inconsiderable in post-Depression America. The result of the dramatic (and, at times, traumatic) process of design and construction is nothing less than one of the greatest achievements in American architecture, a work so compelling that it never stops
It's one of the most famous buildings in the world, but few people know that Frank Lloyd Wright designed Fallingwater in a matter of hours. In 1935, when Wright first received the commission to design and build a vacation home for Pittsburgh retail tycoon Edgar J. Kaufman and his family in Mill Run, Pa., he didn't get to the project right away. After several months of preliminary discussions and delays, Kaufman decided to force the issue, telephoning the architect and saying that he was going to visit Wright's studio to see what had been done. It was at that point Wright decided he'd better design the house. He had a weekend. The construction process was no more direct, but it took longer. Work began in 1936 and was completed by 1939 in a series of costly fits and starts. The project was originally set to cost in the neighborhood of $40,000, but the final tally rose to nearly ten times that amount - not inconsiderable in post-Depression America. The result of the dramatic (and, at times, traumatic) process of design and construction is nothing less than one of the greatest achievements in American architecture, a work so compelling that it never stops
In 1921, a flood rolled into Pueblo, Colo., submerging the civic center beneath 11 feet of water and leaving more than 100 people dead. To prevent the recurrence of such disasters, engineers came to town, diverted the river along a different path and encased it in underground levees several blocks away. Seventy years later, a grand project known locally as HARP – the Historic Arkansas Riverwalk of Pueblo – undertook to restore the historic course of the Arkansas River and make it the centerpiece of a 26-acre downtown park. HARP re-creates 2,220 linear feet of the historic river in concrete-lined (yet naturalistic) channels. Nearing completion after ten years, the urban park will include 3,300 linear feet of navigable waterway for use by water taxis and pleasure boats as well as dramatic fountains; more than a mile of promenades and other walkways; a two-acre lake; and an outdoor environmental-education center. It has been a massive undertaking, as befits a project aimed at revitalizing an entire city. For the watershaping community, the project stands as an example of the truly transforming effect that
A little more than 100 years ago, in the first big growth spurt in the use of electricity, the harsh realities of the hazards involved with it quickly became apparent. Fires were common occurrences everywhere electricity was distributed, and serious (and often fatal) accidents made daily headlines wherever people came into contact with this wondrous phenomenon. Virtually all of the electric works being built in those early days were set up to provide lighting for a population tired of living in the gloom of candles, gas lamps and coal-oil lanterns. That meant that
There is no doubt about it - during the later years of the 19th Century, Thomas Edison was "Mr. Electric" in this country, and the electricity he promoted was direct current (DC). Last month, we took a look at the shortcomings of his DC system versus the alternating current (AC) distribution system that now serves us all so well. Now let's take a look at the personalities involved. In 1876, using
We're all advised to change the batteries in our smoke detectors once each year. This is truly good and affordable advice, and most of us are happy to comply. If you were to decide on a whim to replace all of the batteries in all of your battery-powered appliances or other devices that incorporate battery backup in their design on that mandated day, however, you might find the number of replacements surprising, the day a long one and the
Ever since the hydraulic principles of ancient Persia were 'rediscovered' by Europeans during the Renaissance, the sky has literally been the limit for watershape designers. At the 17th-century Dutch Palace of Het Loo, for example, fountain jets that trace their developmental history at least as far back as 8th-century Persia make an emphatic statement about the power of those who commissioned them. We all marvel, and rightly so, at the waterfeatures of Renaissance Italy, the pools of Versailles in France, the fountains of the
In the spring of 1941, my mom and dad, my sister and I moved into our brand-new house on Ardmore Avenue in one of northwest Detroit's real estate developments. It was a thoroughly modern house, with all of the latest high-tech features - the garage door moved upward to open, instead of swinging left and right like barn doors, and the furnace in the basement was operated by natural gas, eliminating forever the need to shovel coal. The house cost $5,550. From an electrical standpoint, the house was up to the codes and standards of its day - albeit a far cry from what is required today. The wiring was a two-wire system with no ground. All of the receptacles had two equal-size slots, and that was just fine because anything we wished to plug into these receptacles had a two-pronged plug at the end of its cord. A fuse panel in a bedroom closet contained four 15-amp fuses. That was it: four fuses to
As adults, we too often forget one of the great joys of childhood - the sense of wonder and discovery we experienced when we first saw the ocean or flew in an airplane and the world opened and unfolded before our very eyes. As designers, I believe we similarly forget about the excitement that comes with discovery. Too often, we lay out beautiful lines and incorporate interesting and unusual plant and hardscape material for everyone to see all at once. The work may be beautiful, but it leaves little or nothing to the imagination and offers no surprises. I can't help thinking how much more our landscapes, public and private, would be savored if they were to be explored and discovered bit by bit. This is especially true for spaces containing watershapes, which by themselves lend interest and drama to almost any space: The magic of water can (and I believe should) be exploited by concealing it at first and then revealing it in a way that gives the viewer a brief moment of visual revelation. To see what I mean with respect to watershapes and waterscapes, let's explore an approach that makes seeing everything immediately an impossibility. Instead, this approach offers glimpses that tantalize and intrigue - and can be seen in the work of thoughtful garden designers who've manipulated sights and sounds around the
Each year, the National Spa & Pool Institute offers special programs in conjunction with its International Expo. Most years, these programs include tours of local places of interest, such as notable museums, historical sites, outstanding examples of local architecture and the like. With the Expo in Las Vegas last December, NSPI took advantage of the location and included a tour of Hoover Dam and Lake Mead, a scant 30 miles from the glitz and glitter of The Strip. More than100
