Pools & Spas
In renovation projects, preparation of the pool's interior surface for a new finish is truly where the rubber meets the road - a key step in which what you've planned and what you actually do must come together. With this installment of "Details," we're doubling back to the Los Angeles project we left behind in October as we waited for tile to arrive from Italy. If you'll recall, the pool had been built in the 1920s and graces a property with a magnificent Gatsby-era home. As I mentioned at the outset of this interrupted sequence of columns, the homeowners have been extremely involved, always wanting to know as much as they possibly can about what's going on in their backyard. As I mentioned as well, the challenge
Water moving in all sorts of different directions (but always in controlled ways) is a hallmark of one our favorite designers, architect David Tardiff. We've built the watershapes for many of his projects, and we've particularly enjoyed those that put both his vigor and special subtlety on display. Time and again, his designs have challenged us technically while rewarding our clients with results that always seem to leave them proud, amazed and thoroughly satisfied. As we've discussed in our previous WaterShapes articles, a large part of our business is about executing watershapes for architects and landscape architects in the backyards of mostly affluent clients in southern California's Orange County. Each designer has his or her own creative style and sensibility, leaving us to adapt the work we do to their "idea sets" while lending our years of practical experience in engineering and construction to the process. In working this way, we find that everyone comes out a winner: The designer creates work that is based in reality; we stretch and expand our skills to realize truly spectacular design concepts; and most important, clients gain refined spaces that hit the mark with respect to both functionality and aesthetics. The two projects we'll visit on these pages are
The project I've been working on in the hills outside Hanover, Pa., has just about every feature, bell and whistle one can imagine. That inclusiveness of detail at every level has translated to an unusually intricate construction process, as I mentioned last time in discussing the excavation, forming, plumbing and steel phases. Now we get to the gunite. Where a garden-variety backyard pool involves placement of maybe 30 to 50 yards of concrete and some larger projects may run in the 50-to-70-yard range (and where most of mine tend to fall in the 90-to-130 yard range) - this project needed two gunite rigs shooting for two solid days, 12 to 13 hours each day. The pool shell alone (excluding the waterfall, the grotto and several other features we'll get into later) required a staggering 300 yards of concrete. That's about
The combination of concrete and steel is the currency of most modern construction, and there's a simple economic explanation for that fact: The affordability and availability of the basic ingredients of cement, aggregate, water and rebar have made their combination viable for use in countries the world over. Used together, especially when the cementitious product comes in the form of pneumatically applied concrete, reinforced concrete is incredibly flexible and can be used to create almost any shape we might imagine. And in the case of pneumatic application, those shapes can largely be created without the use of traditional concrete forms. Indeed, it's a construction matrix that can be used in such a way that the contours of the soil dictate the shape of the structure, giving the watershaper almost unlimited flexibility. It's even fair to say that
Designing structures to surround indoor pools offers the watershaper the fundamental challenge of creating an interior space that needs all the functional characteristics of an exterior one. That's so mainly because ordinary residential structures aren't made to enclose anything that even remotely approaches the moisture levels encountered when an indoor pool is surrounded and separated from the open air. This leads to consideration of the air-handing, temperature-control and humidity-related issues covered in another article on this subject (click here), but it almost always leads as well to a need to
Back in November, I described the background of a project on a sprawling estate in the hills near Hanover, Pa. - a spectacular setting for an enormous swimming pool, an island spa, a cascading waterfeature and big expanses of rockwork and stone decking. As was mentioned, our first task was to remove a brand-new system of retaining walls that had been built adjacent to the planned location for the swimming pool. We did so because the wall's large footings reached into a space needed to support a cascade that will appear to tumble into the pool. To ensure
The renovation project I've been discussing for the past couple of issues will be on hold for a few weeks as we await the arrival of a shipment of custom tile from Italy. We'll pick up with that project once work resumes. In the meantime, let's begin coverage of what would have been the next project for "Details" - discussions that will carry us through a good part of the year to come. Everything about this Pennsylvania watershape has been impressive, right from the start. Simply put, it's one of the biggest and most elaborate projects I've ever tackled. As designed, the watershape will
This project is an example of what can happen when you work under ideal conditions. Set in an affluent enclave in Paradise Valley, Ariz., on a spectacular five-acre estate, the home is a model of Old West styling, with the exposed wooden supports and smooth plaster exterior you'd expect to see in a house built in the Arizona Territory in the 19th Century. It's also graced with all the comforts of a modern estate home. The homeowners are repeat clients of mine - and good friends as well. They've owned other properties in the area, and I've had the pleasure of working with them on three other watershaping projects in addition to the one shown here - perhaps our finest collaboration so far. They love art of all sorts, and when it comes to a home's exteriors and especially to its water elements, they view the work as pure creative expression. Typically, their tastes run to the modern, which meant this home was something of a departure for them. It came with beautiful grounds, a winding driveway, gorgeous trees, a man-made brook and pond, all sorts of beautiful views - spacious, yet secluded, an oasis in the midst of crusty, arid, mountainous terrain. The place also had a small, courtyard pool. Typical of work done 20 or 30 years ago, it was something the clients knew they wanted to
It's right up there for longevity in the history of building materials with marble and concrete: The use of glass tile, in fact, dates to the Roman Empire and traces its path through widespread use in Byzantine art in the eastern Mediterranean before finding its way back to a primary role in the art and architecture of Renaissance Italy. From ancient times forward, glass tile has always been associated with beautiful and enduring works of art. Now enhanced by some modern-day manufacturing practices that serve to bring out its incredible gem-like features, the material still holds faith with all those centuries of tradition while reaching
It's not too unusual to replace all of the plumbing, equipment and electrical lines as part of a swimming pool renovation project. It's quite another story, however, when you need to make sure all of it happens without disrupting the deck surrounding the vessel. As mentioned in my last two "Details," that's precisely what we've been asked to do in renovating a 70-year-old pool in the historic Los Feliz neighborhood of Los Angeles. The presence of a beautiful, valuable, imported limestone deck means that we've had to do all of our work from inside
