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Relatively speaking, building a Koi pond is often the easy part. The tough part? Working with clients to select the fish who will call the new watershape "home." I have to say that I've been bitten hard by the Koi bug and have spent countless hours learning as much as I can about these beautiful fish. It's a level of involvement that
When you step up to tackle what might possibly be the most challenging job your company has ever pursued, there's definitely a gut check involved. Do you have the required staff? Can you call on top-flight subcontractors? Do you have the stamina to get involved and stay involved for the duration of a seriously long, seriously complex project? As we found in building the seven watershapes
Before I walk away from my little series of blogs on big transitions, I want to call attention to renovations, which I consider to be both a generational phenomenon as well as the greatest potential source of projects and market growth through the next
After years of serving as an expert witness in construction-defect cases, Paolo Benedetti knows what can happen when contractors fail to deliver the expected results. Here, he covers a set of practices aimed at keeping builders on the right path -- and out of the courtroom.
It's been many years since I spent any time wandering in the mid-Atlantic states, but I warmly remember multiple visits to cities from Washington, D.C., all the way down to Savannah, Ga. - mostly related to business but with generous helpings of great food and southern hospitality added in for good measure. I particularly recall a couple days I spent in Charleston, S.C., in
The lighting of pools is much more challenging than it once was, notes Graham Orme, mostly because their contours are so much more intricate than they were even 20 years ago. Here, he starts a new series that will guide all of us toward more 'enlightened' results.
Ever since I completed my last WaterShapes World entry - the one on the passing of Herman Silverman and John Kelley, Jr. - I've found myself thinking about the coincidence of their having been 30 years apart in age - that is, with a conventional "generation" between them. It reminded me that
Bruce Zaretsky opened his very first On the Level column back in August 2007 with a question: ‘Does the size of a project or its budget correlate with its creativity or quality?’ ‘I know many of us have clients who think that way, believing the more money they spend, the better product they’re going to get,’ he wrote. ‘And my best guess is that there are