ARTICLES Archives - Page 68 of 317

The logistics were tough and the technical challenges even tougher, notes Robert Nonemaker. But a systematic approach (and a supportive general contractor) helped him and his staff develop a hydraulically complex fountain system for a corporate client with big ambitions.

Sweeping Beauty

One of the things we value most in our fountain projects is that no two of them are ever the same. I can make that same statement about our custom pool projects, of course, but it's a matter of degree: Where uniqueness from pool to pool is about selecting just the right possibilities among shapes, elevations and materials, for instance, from fountain to fountain it's about inventing and adapting technology and pushing accepted limits to make ideas work. The fountain under discussion in this article is a perfect illustration of that distinction. Making it happen was about

Given the opportunity, Raymond Jungles jumped at the challenge of surrounding a home far from his usual base with water and native plants. As he discusses here, making it work was about identifying a new palette and using it in ways that harmonized with his design instincts.

A Big Sky Statement

My work as a landscape architect is usually recognized for two distinguishing characteristics - first for the inspiration I draw from my friend and mentor, the late, great Brazilian environmental artist Roberto Burle Marx, and then for my driving ambition to preserve and restore habitats, as expressed in projects throughout South Florida and across the Florida Keys and various islands in the Caribbean and the West Indies. This is why seeing the project discussed here comes as something of a surprise to many who are familiar with my work: It's located in Big Timber, Mont., a blip on the road between

Travelin’ Man

I haven't quite started packing my bags for the International Pool|Spa|Patio Expo, which begins soon in Las Vegas, Nev. Truth is, I'll actually need to unpack them first, because right now I'm in Kennett Square, Pa., awaiting the start later today of

Look Back, Move Forward

At this point 20 years ago, WaterShapes was running at full throttle as we prepared to publish our first-ever printed edition in February 1999. In that era, this meant we had to have the final version of our premiere issue in the printer's hands very early in January. From the hatching of the initial concept in

Planting Places

'Growing as a designer,' wrote Brian Van Bower to start his Aqua Culture column in October 2008, 'is often a matter of seeing things from fresh perspectives. 'As one with roots in the pool industry, for example, I once thought first about water and about plants and softscape later (if at all). That bias isn't uncommon, of course: I know plenty of landscape architects and designers who think about plants first and only later

Planting Places

'Growing as a designer,' wrote Brian Van Bower to start his Aqua Culture column in October 2008, 'is often a matter of seeing things from fresh perspectives. 'As one with roots in the pool industry, for example, I once thought first about water and about plants and softscape later (if at all). That bias isn't uncommon, of course: I know plenty of landscape architects and designers who think about plants first and only later

As his watershaping career has progressed, Dave Garton has learned the value of finding ways to help his clients fully express themselves. It makes business sense, he says, but it also leads to odd little challenges that have fostered the constant expansion of his technical capabilities.

Shared Vision

As I've gotten better at what I do as a watershaper, I've found that lots of the maturing has been related to getting really good at listening to my clients. Once I figured out how to attune myself to their visions and voices and set aside my ego (however temporary that might be), I found that my designs crackled with new energy I was borrowing from people who wanted my help in expressing themselves. That's the artistic, inspired side of watershaping, of course, and as my listening skills grew and my projects took on new and sometimes

#31: Piers

I consider myself fortunate to work in a part of the country where the soil holds few mysteries. There's a lot of clay, which means we make our shells stronger than you typically do in the sandy soils of Florida, but we don't generally have the sorts of steep slopes where you have to worry about having a pool

The project started with a touch of mystery, says Chuck Baumann, but not knowing the name of the client up front was no barrier to defining the site's potential -- or to asking for an expanded budget that would take full advantage of breathtaking views of San Francisco and its bay.

A Champion’s Pool

Some of the most intriguing projects begin with an element of mystery. I received a call from a prominent local designer who informed me that he was putting together a Dream Team for a special client and a special site - but for now, no name would be attached: All we were to receive was a reference number (15-LLC) and a location along with a preliminary plan and some photographs. I wasn't alone in receiving this preview: Other top-tier exterior-design professionals had been

The homeowner saw his backyard as an incurable disaster, but Shane LeBlanc found great potential on its open slope -- as well as a golden opportunity to test out some unique design concepts he figured he could use in transforming the unadorned space into something truly spectacular.

The Perfect Perch

We may have wrapped up the project discussed here more than five years ago, but I still see this backyard almost every time I take clients around to see examples of our work. The way I figure it, there's no better way to start a portfolio tour than by knocking prospects' socks off. There's lots of cool stuff going on here, some of which can readily be seen: the sweeping, Lautner-style perimeter-overflow edge around much of the free-form pool; the glorious water-on-water vanishing edge overlooking a large pond; a nice, full-featured spa; and the floating