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Most successful designers have a bit of show business in them. Whether you play the sophisticated artiste or radiate a quiet competence, it's all about making a connection with a client who is asking you to participate in a significant project, whatever your personality or approach. I've always wondered how those at the extremes of the personal-style spectrum find work, but the fact of the matter is that all of us, designers and clients alike, are individuals who respond in different ways to different triggers - and I know for a fact that the way I work isn't for everyone simply based on the fact that we don't win every contract we pursue. For all that, however, we at Lorax Design Group (Overland Park, Kans.) have developed our own pattern and have found that it works for us often enough to
If you'd asked me 20 years ago if I'd ever consider using artificial grass with one of my high-end pool projects, I would've looked at you like you had two heads and three hats: There was just no way on earth that would've been a possibility. A lot has changed in the past few years, however, and it's getting to the point where I'm working with fake turf on a surprisingly number of projects - including
I'm finally at work again, more or less on a full-time basis - and grateful to report that things are going well: My lower back has stabilized and strengthened, I am mostly pain-free and, although I've been slowed by the four-week hiatus, I am back to my work and workout routines and
Well, I've gone and done it again. It was Saturday, June 29, and I'd decided to throw an extra bit of sweat equity into our home-remodeling project by digging up and removing what had become a non-essential gate on one side of our house. It was an old, metal-framed assembly that
'When it comes to just about anything that matters in life,' wrote Brian Van Bower to open his June 1999 Aqua Culture column, 'the difference between success and failure is often your mindset and the attitude you bring to each situation, event or occasion. 'That's a huge generalization,' he added, 'but it's something I consider each and every time I prepare myself for
As you've probably noticed by now, I'm a big fan of Lawrence Halprin's work. I've probably covered a half-dozen of his projects in Travelogues through the past eight years, and I can easily see myself covering a half-dozen more in installments to come. Halprin is perhaps best known for the muscular, rough-hewn stonework that highlights not only the FDR Memorial in Washington, D.C., but also the Ira Keller Fountain in Portland, Ore. Yet his output also featured elegance and a sense of
This story starts with a tree falling in the forest. It wasn't just any tree: It was a huge locust that had stood next to what is now my driveway for years beyond reckoning, and when it came down it did its best to take a tangle of utility lines with it. I wasn't there when all of this happened, but I returned soon thereafter and saw the lingering effects: The utility companies had done a wonderful job of cutting away portions of the tree that had fallen onto the wires and had effectively cleared the road, but
In the course of my career as a landscape architect, I've had the good fortune to work on the full range of possible projects, from residences to commercial and institutional properties and in spaces ranging from the compact to the vast. Through all of this experience, I have to say that working on botanical gardens, in whole or in part, has been about as satisfying as it gets. The first two articles in this three-part series have demonstrated some of the potential these facilities have to
'Some people seem to believe that designing is all about reinventing the wheel every time they go to work on a new project or need to create a new detail of some kind. Truth is, however, that most great design ideas and details are derivative of things that