ARTICLES Archives - Page 248 of 315

Teamwork is about different things on different projects, say Martha and Randy Beard. As contractors specializing in the construction of watershapes conceived by top-flight architects, landscape architects and designers, they sometimes simply follow a plan. In the project covered here, however, their involvement was much broader – and reflects their increasing ability to step up and participate as valued members of the design team.

Continental Class

When we first began collaborating on projects with top-flight architects, landscape architects and landscape designers several years ago, for the most part our role in terms of design was fairly limited: We'd receive requests for bids and proposals based on plans of varying detail, and our role was that of faithful installers of the design. On occasions, of course, we'd also refer our own prospective clients to those same designers, who would generate plans that we would in turn estimate and very often install. We still work that way, but as we've built our ties to these accomplished artists, we've become aware that our role in their projects has been growing, even to the point where we are now being asked in many situations to offer our own design ideas. We're also seeing that, when on-site decisions must be made, these designers are

Essential Analysis

If you've yet to read any of the works of business guru Tom Peters, you're in for a real treat. A few years ago Peters wrote Re-Imagine, a book that established his reputation as a leader in the field of business philosophy and education. Last year, he released a trilogy of new books that expand on the themes and discussions that have made him both well known and hugely respected. Although published in three separate volumes, this series - Tom Peters Essentials: Leadership, Tom Peters Essentials: Talent and Tom Peters Essentials: Trends (all from DK Publishing, 2005) - is basically a single, remarkably well-written treatise loaded with

Crime at the Gate

Plagiarism. Copyright infringement. Theft of intellectual property. We hear and read about these crimes in the media all the time and don't think they'll ever affect us. But I can bear witness to the fact that we have people in our midst who seem to think that committing these crimes is no big deal. Setting aside any other criticism I've ever lain at the feet of the watershaping trades, if there's one intolerable problem the industry has, it's that there are people within it who are apparently willing to steal to get ahead. I'm not talking about job-site incidents where materials or tools mysteriously vanish. That's a real problem, but even more damaging in my eyes is the surprisingly common practice that some people have of representing the efforts of others as their own. In a phrase, I'm talking about

Powers of Observation

Most people move easily through the world, enjoying the scenery without really thinking about what makes those surroundings visually appealing (or not). Science tells us that the human eye can see about seven million colors and that our minds instinctively perceive depth and dimension. This visual capacity enables most of us to move around without bumping into things, some of us to swing at and somehow hit a golf ball and, in the case of a beautiful garden (we can hope), all of us sense pleasure and maybe a bit of

First Do No Harm

Elevating the way we do things in this industry means addressing our gaps in knowledge on several levels. First, excellence means understanding the aesthetic side of watershaping - design traditions, art history and the nature of visual appeal. Second (and right in step) is the need to know how to build various types of systems properly. As an industry, in other words, we need to know how to avoid mistakes. In February, Genesis 3 staged a construction school in Orlando - and what follows isn't a commercial; rather it's a point of departure for a discussion long overdue in our industry. What struck me is that

The Anxiety of Influence

A teacher I respect once told me that there's a fine line between research and plagiarism. He explained that using the ideas of others to construct your own creative expression is perfectly acceptable - desirable, in fact - and a practice that's been part of

The Heart of the City

The plaza island at Columbus Circle in New York is an example of urban and civic design at its best. Encircling the heart of this grand space is a subtle fountain system that has turned a busy traffic hub into a welcome gathering place for the city’s residents and visitors. Here, principal designer Claire Kahn Tuttle of WET Design in Sun Valley, Calif., describes the project and the philosophy the company brought to bear in bringing it to fruition. Tradition has it that, in measuring the distance a place is from New York, the geographical tape measure is placed at the center of Columbus Circle. This makes it easy to see this southwest corner of Manhattan’s Central Park (and the intersection of Broadway, 59th Street and Eighth Avenue) as the true heart of the city. A massive 70-foot obelisk topped by Gaetano Russo’s statue of Christopher Columbus has stood at the center of the bustling traffic circle since 1892, when it was installed to celebrate the 400th anniversary of the explorer’s arrival in the Americas. The circle itself was part of Frederick Law Olmsted’s

Plans on Design

Watershaping has changed dramatically through the past several years, and we all could probably come up with a hundred different reasons why. Here's the upshot: Clients are no longer merely asking us to build pools, spas or other bodies of water. Instead, they're asking us to create complete settings that include water. And when you compare where we are now to where we were, say, seven years ago, it's as though everything is different. What the changes mean is that many of us have been or are being forced to seek out more sophisticated approaches to the design process. I recently finished a book that provides amazing insight into exactly that process: Basic Elements of Landscape Architectural Design by Norman K. Booth (Waveland Press, 1990). The book was recommended to me by fellow landscape architect and watershaper

Standard Bearers

I want to clear up a misconception: Although the programs my colleagues and I stage through Genesis 3 are easily associated with the "high end" and the work of several people associated with our programs may be said to exist at the cutting edge of watershape design, it is simply untrue that we are promoting construction standards that somehow go above and beyond what the rank-and-file industry should be practicing. When we talk about watershape "design" and "construction," it's important to understand that although those two things go hand in hand, they are completely separate considerations. Design is what makes pools and spas either ordinary or extraordinary and is about materials selection, shape, color, elevations, lighting, water effects and location in a setting - basically a whole range of

The Butterfly Garden

With everyone's thoughts turning to spring, it's an opportune time to think about new ways to enhance our garden designs. In addition to considering basic components that lay the groundwork for designs, I'd like to suggest looking for more specific ways to define and personalize our clients' spaces. You might explore gardens made for entertaining, for example, or spaces free of allergy-aggravating plants. One prospect I've been considering lately (and will discuss here in detail) is ways of attracting beneficial insects to my gardens - specifically butterflies. I enjoy watching butterflies float through my backyard, gently land on their favorite flowers and then spread their wings to reveal