ARTICLES Archives - Page 235 of 312

Wall Wonders

Elegance, romance, subtlety, tranquility: All these words speak to a potential of watershaping that is realized far too infrequently. If ever there were a common detail that typifies these missed opportunities, I'd have to give the prize to the standard waterfall/waterwall effects seen on too many pools and other watershapes these days. I can think of nothing less compelling than the typical sheet of water spilling down the face of a wall or in front of some other structure on its way into a pool or spa. This look is not only overused, but

That’s Just Wrong

I'm not a big believer in conformity, strict rules and absolutes, but sometimes in my travels I'll come across something that, well, is just wrong. These aren't matters of taste, style, or visual appeal: What I see is just plain wrong! Whether we classify ourselves as watershapers or landscape professionals, we collaborate with our clients to create spaces that appeal to them both visually and emotionally - environments that fit sets of needs and wants they have conveyed to us. Generally, we will find that there are certain colors that appeal to them, design styles they prefer, budgets they can afford, physical limitations to the site and codes by which they must abide. For all that, it's our professional responsibility to guide them within those parameters to a design that

The Big Picture

Anyone who runs a good business knows that day-to-day operations are so all-consuming that it's difficult to step back and scope out where you fit within your corner of the industry let alone within the context of national and international business conditions and trends. We can't give those daily details short shrift or step away from balancing the needs of our clients, our projects and our employees and/or subcontractors. We invest in the here and now and in our futures with blood, sweat and tears. Still, it occurs to me that, like all major investments, our daily endeavors need to be protected by an understanding of the entire range of factors that influence

Healthy Pursuits

When you talk to clients about why they want a swimming pool or spa, which benefits generally top their lists? Are they after beauty, luxury or a relaxing lifestyle accessory? Or is it the sound of moving water, a focus on entertaining or a place to play? Through the years, I've spoken with lots of you about how important it is to understand precisely what

Mastering the Greens

Creating watershapes and landscapes that are natural in appearance is always a challenge, says Ken Alperstein of Pinnacle Design, a firm that specializes in high-end projects related to top-flight golf courses. For this project in Shady Canyon, however, the ante was upped considerably by the site's location in an environmentally sensitive coastal canyon in southern California - a design challenge intensified by regulatory scrutiny every step of the way. It was a job that forced everyone involved to be on exactly the same page at all times. The landscapes and watershapes at the Shady Canyon Golf Club in Irvine, Calif., were developed by the Irvine Company as the heart of an upscale residential community. The wilderness area set aside for the course and its immediate surroundings had a subtle, bucolic charm all its own - a character the design team needed to

As renovation projects go, this one was far from ordinary. It started with a fantastic setting and great clients frustrated by eight years of searching for just the right watershaper and came to a satisfying conclusion when they teamed up with David Tisherman, who saw what they were after and was able to deliver on all counts. Let’s take a tour of a project where fun and children at play take their place alongside great beauty and true sophistication.

Whimsical by Nature

Many of the projects I tackle are largely about beauty and elegance and striking just the right balances between my watershaping and the setting, the architecture of the home and the character of my clients. In the case of the project depicted here, however, a couple of other considerations jumped into the mix - including impulses for fun and excitement as well as an overriding need to raise the visual energy level to align with the clients' personalities and a glorious setting. The result is an exquisitely adorned watershape that stands as one of the purest expressions of whimsy and unbridled joy I've ever produced. Truly, it all flowed from the clients and the setting. The clients are quite educated, well-traveled and sophisticated and had both the resources and the desire to do something special. Moreover, they're about as nice a couple as you could ever hope to meet and had refined tastes to match. As for the setting, we're talking beauty in the extreme: The home is a modern masterpiece perched atop a bluff in Malibu, Calif., with 180-degree ocean views and spectacular distant vistas. The only clinker on the property was the existing pool and the surrounding decks - an aggressively plain, kidney-shaped drag surrounded by equally boring decks. It was time for

As water resources become more and more precious, xeriscaping is regaining popularity in many parts of the country, says landscape designer Rick Laughlin of Salt Lake City. In fact, his practice is increasingly about water-wise plantings and finding ways to create unique, beautiful and ecologically friendly landscapes arrayed with drought-tolerant plants.

On the Dry Side

With greater force than ever before, water conservation is back on the minds of governments, landscape professionals and property owners these days - and for good reason: The combination of growing demand and recurring periods of drought has sensitized people in many parts of the country to the fact that water isn't an infinite resource. Even this new magazine is part of the dialogue: In the September/October 2006 issue of LandShapes, James Minnich defined the need for landshapers to become more

As equipment sets have become more complex in recent times, observe Mark Holden and Donovan Brown, the challenge of setting them up efficiently has likewise increased dramatically. Recognizing a need to treat these features as much more than improvised afterthoughts, these designers are using three-dimensional drafting techniques to create exact renderings of their pads – a common approach in other industries but something new in watershaping. (Illustrations by Richard Ceja & Donovan Brown)

A New Dimension

There are some things that are better seen than described. In the case of pool and spa equipment, for example, there are situations in which manufacturer instructions or two-dimensional plan drawings simply do not give the installer all the information needed to get things right the first time. As a result - and as everyone who installs equipment sets knows - the plumbing and layout of the equipment usually requires some level of on-site improvisation. In our work of designing hydraulic systems for complex watershapes - everything from commercial pool facilities to interactive waterfeatures and fountains - we've seen the need to find a way to specify precisely how we want our equipment sets to be installed. No two-dimensional plumbing schematic or manufacturer-supplied manual does that part of the job. That is, they do not completely delineate the way

Landscape architect/illustrator Richard E. Scott has spent years considering colors and how they work together in landscapes – a refined expertise he shares with students and professional designers in classrooms around the country. Here, he concludes a two-part series on basic color theory by focusing on fundamentals that will help designers organize, simplify and understand colors – and effectively design with them in landscapes.

Working with Color

We live in a multi-dimensional world. Most people understand that space has three dimensions: height, width and depth. But relatively few people look at color in the same way - that is, as a three dimensional phenomenon. Understanding these three dimensions of color can become the key to unlocking your creativity as a designer. We began our study of color in LandShapes' May/June issue ("Designing in Color," click here), where we explored the scientific nature of color and its first dimension - hue, the name of a color (red, yellow, blue, orange, green or violet) - and learned that each hue has a temperature range (from warm to cool). We also learned that all six hues may be organized and better understood through the use of a helpful tool developed by color scientists called the color wheel. We will now continue our study of color by exploring the second and third dimensions of color and then by discussing contrast, analogous and complementary colors and color harmony. This will enable us to begin applying these fundamentals as landshapers and see in practical terms how understanding these fundamentals can help us become better

The watershapes for the Smithsonian Institution’s National Museum of the American Indian came with a high-minded design mission as well as a significant set of technical challenges. Here, design-team member Dominic Shaw surveys the history of the project, discussing the many details that make the watercourse and wetland area surrounding the newest facility on the Capitol Mall a fitting tribute to those the facility seeks to honor. (Photo by David Lloyd, courtesy EDAW, San Francisco)

Native Vision

Whether we function as designers or builders or both, we watershapers tend to be flexible folk: We mold ourselves to projects and situations and tasks when we're called on to apply our skills and experience, and this often leads us to perform in unanticipated ways. This sort of adaptability is a way of life for most of us: It's a talent we use to produce success. But even the most adaptable practitioners of the watershaping arts will, every once in a while, encounter a project that shocks the system, alters all formulas and breaks down familiar parameters. In these rare cases, just surviving the process is an accomplishment that brings a sense of relief as well as a sense of amazement that both you and the project made it through to completion. I was recently fortunate enough to be part of just such a project - a fascinating set of challenges now known as the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. It's the last museum that will be