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If there's one thing most designers of all types have in common, it's that we tend to possess built-in senses of personal independence. I believe that's why most of us, at some point or other in our careers, consider taking the big step of going out and starting our own practices. I haven't done that as yet, and a big part of the "why" has to do with knowing that a great many of those who do hang their own shingles wind up failing - often sooner rather than later. Yet even though I enjoy the security of working for a company rather than running one myself, I must confess that, for a long time now, the idea has intrigued me - if for no other reason than I want to know what it takes to make a go of it. That's how I came to pick up a copy of How to Start and Operate Your Own Design Firm by Albert W. Rubeling, Jr. (2nd edition, Allworth Press, 2007). This 240-page text offers a wonderfully thorough discussion of the challenges I'd always imagined, and I think it would be of use even to those who are already up and running in addition to those who are only contemplating or curious about taking the plunge. The author obviously has a
Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked, it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. I confirmed for her that, yes, those products had come a long way. But I wouldn't let her stop there, suggesting that there was much more than a run of technical advancements behind the explosion of interest in watershapes in the recent decades. What we've also been seeing, I said, is a latter-day Renaissance of interest in classical notions of
Not long ago, I was asked by a reporter from The New York Times to define the main difference between swimming pools now compared to what they were 20 years ago. As we talked, it became clear that she was mostly thinking about technological breakthroughs in pumps and chemical treatments and the like. I confirmed for her that, yes, those products had come a long way. But I wouldn't let her stop there, suggesting that there was much more than a run of technical advancements behind the explosion of interest in watershapes in the recent decades. What we've also been seeing, I said, is a latter-day Renaissance of interest in classical notions of
I've always believed that an unlimited budget is not essential to making design magic. While having clients with deep pockets and a willingness to dig deeply into them is always nice and allows us a bit more leeway when it comes to artistic license, I've always observed that having relatively few constraints also tends to make some designers creatively lazy. By contrast, I've often found small-budget, small-space projects to be creatively stimulating. A couple of columns ago, for example, I discussed a project we'd been working on that posed challenges with its sunken deck footings and the need to accomplish a lot with
I've always believed that an unlimited budget is not essential to making design magic. While having clients with deep pockets and a willingness to dig deeply into them is always nice and allows us a bit more leeway when it comes to artistic license, I've always observed that having relatively few constraints also tends to make some designers creatively lazy. By contrast, I've often found small-budget, small-space projects to be creatively stimulating. A couple of columns ago, for example, I discussed a project we'd been working on that posed challenges with its sunken deck footings and the need to accomplish a lot with
I've written several times in the past about the fact that more and more landscape architects and designers are getting into watershaping. As evidence, all you need to do is look at design-award competitions in the pool and spa industry and note the increasing number of submissions from landscape professionals: It's even getting to the point in some programs where they're outnumbering participants who come from the traditional pool and spa industry. You'll find even more evidence of this phenomenon on the web sites of landscape-focused companies, where you'll see watershapes of all shapes and descriptions in most of their photo galleries. Moreover, many I know in the pool and spa industry have had the experience of
I've written several times in the past about the fact that more and more landscape architects and designers are getting into watershaping. As evidence, all you need to do is look at design-award competitions in the pool and spa industry and note the increasing number of submissions from landscape professionals: It's even getting to the point in some programs where they're outnumbering participants who come from the traditional pool and spa industry. You'll find even more evidence of this phenomenon on the web sites of landscape-focused companies, where you'll see watershapes of all shapes and descriptions in most of their photo galleries. Moreover, many I know in the pool and spa industry have had the experience of
For years now, the power of teamwork and the communication it requires have been recurring, primary themes in the pages of WaterShapes. It's no secret that, more than ever before, the design, engineering and construction of custom watershapes of all sorts is a multi-disciplinary undertaking that involves
For years now, the power of teamwork and the communication it requires have been recurring, primary themes in the pages of WaterShapes. It's no secret that, more than ever before, the design, engineering and construction of custom watershapes of all sorts is a multi-disciplinary undertaking that involves
Throughout ancient times, water was central to the thinking of Arab, Persian, Moorish, Moghul and Turkish architects and designers, with largely anonymous representatives of each civilization preparing elaborate spaces with fountains, reflecting pools and other watershapes at their hearts. In the past, these societies' greatest architectural works almost invariably featured elaborate watershapes that bespoke their technical skills as well as a general love affair with the beauty, luxury and necessity of water. With new developments burgeoning across much of the Middle East these days, fountains and watershapes of all varieties are once again playing important roles in design as
