ARTICLES Archives - Page 211 of 312

When a St. Louis-area developer wanted water to be a prominent part of a new project in nearby St. Charles, Mo., says Anne Gunn, it made sense for him to contact Hydro Dramatics, a local firm that has created an impressive list of fountains and other waterfeatures throughout the region. In this case, the need was for a set of floating fountains to set the tone for his development while linking it to history – and a pair of famous rivers.

Local Pride

Sometimes finding just what you need is as easy as looking in your own backyard. That’s what happened for Greg Whittaker of Whittaker Homes, one of Missouri’s largest home builders, when he began searching for the right partner to provide dramatic watershapes for New Town, an innovative community in St. Charles, Mo., a suburb of St. Louis. Situated on the site of what had been a farming community, New Town is intended to invoke and embody a comfortable lifestyle for the 21st Century. Parklands filled with water were the key to Whittaker’s vision not just for aesthetic and thematic reasons, but also for stormwater management. While visiting St. Louis’ Forest Park, a venerable civic treasure, Whittaker saw the

As watershaping becomes an independent design discipline, says architect Greg Danskin, there's increasing cause for watershapers to interact with and more fully understand what architects do and how they do it. Here, he offers his suggestions toward building that familiarity, starting by defining the nature of his profession and exploring the common ground upon which watershapers and architects operate.

The Architect Connection

Those of us in the design and construction industry are engaged in a singularly complicated human endeavor. To make things work, it’s common for many technical disciplines to come together, including soils and structural engineers and contractors and subcontractors as well as architects, interior designers, landscape architects, lighting designers and watershapers – all working in concert to bring form to the goals and aspirations of the clients. These professionals unite in designing spaces that people use and occupy – a simple yet profound thread that ties all of us engaged in any given project together. Through our combined efforts, we

As a watershaper who frequently executes designs based on unusual requests, Randy Beard know the role clients’ daydreams and cherished memories can play in the process. In the project discussed here, for example, he helped a young couple turn their travels and spirit of adventure into a design that accommodates a variety of recreational activities for their children – and swashbuckling fun for themselves as well.

Imagination at Play

With every new project, we always strive to create unique watershapes that reflect particular clients’ wants, needs, dreams and imaginations. What this means, given the fact that every client is an individual, is that no two of our pools are ever quite the same. In the case described in this article, for example, the clients’ distinctive personalities led us to create something that’s more like a waterpark than a residential pool/spa combination. In a very real sense, it reflects their personalities and a sense of the magic they find in certain chapters of our history – a special space for them to enjoy with their children. The clients purchased the newly built home on a hill overlooking the ocean in

The Color of Sales

As a rule, I’ve resisted the temptation to cover books about sales in these columns. I’ve read a great many of those books through the years, and I’ve always tended to think of them as buffets where I pick up useful insights, wisdom or motivation – and ignore suggestions that don’t seem as useful. But no single book I’ve run into has proved to be so helpful that I’ve felt compelled to share it with you here. At last, however, I’ve found an exception – a wonderful book by emerging sales guru Jeffrey Gitomer called The Little Red Book of Selling (Bard Press, 2004). I picked up a copy of this compact 220-page volume two years ago at an airport bookstore (and have picked up a couple more since then), and I see why Gitomer is becoming one of the leading voices when it comes to sales. He may not have reached the same status as Zig Ziglar or Dale Carnegie (both of whom I admire greatly), but his star is

Forward Motion

There’s truth to the notion that the only thing that’s permanent in human endeavors is change. For the past seven years, I’ve had the privilege of sharing with you scores of details, insights, opinions and descriptions of the watershaping process, always hoping that, through words and images, I might influence the way some of you approach your work. It’s been a pleasure throughout, but the time has come for me to change things up, step aside and let other

Making Meadows

My part of New York hasn’t been hit too hard so far, but it seems these days as though much of the United States is in the throes of a sustained and (in places) severe drought. Even where I am, we’re in what the meteorologists are calling a “moderate” dry spell. This turn of events has made me determined to design landscapes requiring as little water as possible – one consequence being that I now do all I can to avoid using large expanses of

An Edgy Detail

It’s true for any watershaper: No matter how varied the work you do, it never hurts to be known for the ability to do something special – and for doing it exceptionally well. Through the years, for example, my firm has polished its ability to provide our clients with watershapes reflecting a wide variety of tastes, styles and features, but to an extent that sometimes surprises even me, we’re known among prospective clients for

All Good Things

It seems strange to write these words: In this issue, please find the last of David Tisherman’s “Details” columns. After seven years, he has decided that these monthly discussions have run their course and that it’s time to step aside. During those seven years, David has

Even for a watershaper who previously specialized in the largest, most complex sorts of commercial installations, the challenges James Atlas ran into with this multi-faceted residential project stretched him to his operational limits. Designed for an intensely creative client on a property in suburban Chicago, the work took more than five years to complete and grew to include a wildly elaborate palette of design elements and details.

Shell Games

It all started in 2002, when I was contacted by an architect who’d been retained to design a recreational complex for a huge estate in a wealthy Chicago suburb. I knew at the time that this would be big, but in those early days I had no clear idea exactly what it would ultimately entail. It’s a familiar story: Before the call came in, the homeowner had spoken with a number of pool-contracting firms in the area and had visited a number of projects that failed to impress her. The unusual thing is, at the time she called I was focused exclusively on pursuing large-scale commercial projects and waterparks and didn’t see anything even approaching a

When designed and installed properly, a landscape lighting system enables clients to enjoy their watershapes and landscapes well after the sun goes down. But achieving those satisfactory results, says lighting expert Mike Gambino, requires an understanding not only of the aesthetics of lighting design, but also an appreciation of the technology behind the beauty and an ability to lay components out in ways that electrically balance the system.

The Science of Lighting

As I see it, successful landscape lighting is a two-part process: First, the designer applies aesthetic principles that create the art, then he or she supports that artistic vision with scientific and technological savvy. One without the other doesn’t work: You can’t effectively practice the art until you’ve mastered the science. In my 17 years as a lighting designer, I’ve encountered lots of professionals who have the artistic part of the equation down pat but fall well short when it comes to working with electricity. The plain fact is, you can use the best fixtures in the world and understand the aesthetic issues like the back of your hand, but if you can’t consistently deliver power to those fixtures at correct, reliable voltages, the overall system will not perform properly and has the potential to become a maintenance nightmare. There’s no way a single article can bring anyone up to speed with all of the issues involved in the science lighting. Instead, my intention here is to introduce watershapers to a basic, commonsense approach to laying out low-voltage, halogen lighting systems, the goal being to enable you to converse intelligently and persuasively with lighting designers in the interest of helping