ARTICLES Archives - Page 203 of 312

Successful public art serves many purposes, observes glass sculptor John Gilbert Luebtow: Through form, location, materials and aesthetics, these works can inspire, soothe, excite, guide and enrich the day-to-day experiences of those who see them. True to this vision, he pursued all of those qualities in a recent project – one in which he graced a busy plaza with a sublime sculpture that will elevate the spirits of passersby for generations to come.

Winds of Life

As a sculptor, I always seek ways to use my work to create positive (and sometimes intellectually challenging) experiences for those who have the opportunity to see what I've done. In my case, most of the time I'm not trying to make direct, narrative or literal statements. Instead, I seek to conjure feelings of fascination that lead to appreciation and enjoyment: You don't necessarily have to understand the forms I create to walk away from them with good feelings. When I have the opportunity to work in public settings (as was the case in the project featured on these pages), I'm stimulated by the idea that large numbers of people will be exposed to my sculpture and that, in many cases, those people will be exposed to what I've done over and over again because they'll be passing by at least twice each day as they go to and from their jobs in adjacent buildings. In this case, I was working next to an office tower in Century City - a famous business and entertainment district near downtown Los Angeles - which meant that thousands would repeatedly be walking right past my work and would come to accept it as part of their daily lives. In that light, I see art set amid architecture as a permanent commitment, as a cultural reference that has the potential to resound for generations. This recognition fills me with a heightened sense of

Located in an urban district near downtown Los Angeles, the Echo Park Deep Pool reopened recently after undergoing a $6-million renovation. Rowley International and Frank Webb Architects engineered and oversaw much of the swimming pool’s restoration while the city refurbished the surrounding facility. The result is a complex that’s been fully embraced by locals who now enjoy all the benefits of aquatic recreation and exercise.

Resounding Renewal

Echo Park is one of those places that has come to be defined by an all-too-familiar litany of urban woes: gangs, crime, violence, graffiti and drugs set amid aging buildings and a crumbling infrastructure. Fortunately, the community also has leadership that's working hard to change things for the better. One of the recent and most significant efforts to improve the lives of its citizenry involved renovating Echo Park Deep Pool, the area's only public swimming facility. The $6-million program involved enclosing the big pool with a new

Resounding Renewal

Echo Park is one of those places that has come to be defined by an all-too-familiar litany of urban woes: gangs, crime, violence, graffiti and drugs set amid aging buildings and a crumbling infrastructure. Fortunately, the community also has leadership that's working hard to change things for the better. One of the recent and most significant efforts to improve the lives of its citizenry involved renovating Echo Park Deep Pool, the area's only public swimming facility. The $6-million program involved enclosing the big pool with a new

Working in the arid beauty of the Sonoran Desert, watershaper and landscape artist Kirk Bianchi designed this set of watershapes and hardscape treatments to provide visual transitions between a custom home and its surroundings. He achieved this feat using crisp geometry, striking landscape details, a rich materials palette, sleek perimeter overflows and subtle water and fire features that deftly tie interiors to exteriors and the vastness of the desert beyond.

Desert Rhythms

One of the things I love about working in the southwest is the way the openness and rugged, sculptural appearance of the natural landscape opens the door to those who want to make bold architectural statements in concrete, stone, steel and glass. Even the plants here have an overtly sculpted quality. I appreciate this all the more by virtue of having worked in more tradition-bound places: Here in the southwest, I feel free to use a strong, contemporary design vocabulary in forging unique connections between built spaces and their dramatic surroundings. Although I'm perfectly comfortable working in those traditional styles, I'll admit to being heavily influenced by the masters of Modernism - particularly Frank Lloyd Wright and the German-born American architect Ludwig Mies van der Rohe - and love the way those amazing mid-20th-century designers used clear, sculptural geometries to direct the eye and define intricate spatial relationships. The project depicted here is a direct channeling of their influence, aided and abetted by

Into the Ground

Given the fact that swimming pools and most other watershapes are placed in the ground, I've long been of the opinion that it's incumbent upon all of us who design and build them to have a basic understanding of soils science and geology. As has been stated in this magazine and elsewhere more times than I can count, the nature of the ground we build in (or on) has everything to do with the structures we design. Indeed, the composition and structure of the soils we encounter may well be the most fundamental of all the technical issue we ever face. Simply put, a watershape that's properly engineered in light of prevailing soil conditions will endure, while one that isn't runs a significant and often inevitable risk of structural failure. Relatively few of us who read WaterShapes are civil engineers, soils scientists or geologists, but all of us

Making Headway

What happens when you take a large group of landscape architecture students and, for a solid week, rigorously school them in the fundamentals of watershaping? You might be surprised: Even though that seems like a short span, my charges took to watershaping like fish to water when I introduced them to the subject this past spring - and the results were both remarkable and inspiring. As their instructor, I witnessed not only their keen interest but also saw ample evidence that they were applying highly refined design processes and quality design productions in their watershape-related coursework. So despite what some skeptics have been telling me for years, you actually can

Off the Shelf

I recently began work on a design for clients who live in a historic home just south of Rochester, N.Y. They've asked me to incorporate a pool, entertainment areas, a fireplace and a combined pool house/garage into the available space and make certain it all complements the architecture of the home and its only current outbuilding - a 150-year-old storage shed. Sitting at my drafting table, I was thinking how easy this one would be, conceptually at least. All I needed was there, from the home's architecture and an existing (and much beloved) 100-year-old pergola to the old shed, so the main challenge would come in drawing the details rather than in deciding what to do. Usually, of course, it's the other way around and

Planting Places

Growing as a designer is often a matter of seeing things from fresh perspectives. As one with roots in the pool industry, for example, I once thought first about water and about plants and softscape later (if at all). That bias isn't uncommon, of course: I know plenty of landscape architects and designers who think about plants first and only later consider water. It all has to do with our

Digging the Scene

You never know where and when a good time will unfold. That thought certainly crossed my mind late in July, when I attended "The World's Most Extreme Pond Build" at Aquascape's headquarters in St. Charles, Ill. That company, which manufactures a variety of pond, stream and waterfall systems and accessories, has been remarkably successful through the past decade: In that span, it's built a

Beyond the Edge

Last month, I did my usual annual roundup of books that feature custom residential swimming pools. I must confess that I deliberately withheld one such book from the usual summary treatment because it was just too good for me not to give it a full column's attention this time around. The book - Infinity Pools by Ana G. Canizares (Collins Design, 2006) - is one of the best on pools as a design genre that I've ever seen. In fact, one of the few things I don't like about it is the title, because I've always preferred the term "vanishing edge." That quibble aside, I think she's done a terrific job of presenting what has to be the most powerful, influential design look of the past 20 years. More important, she manages to do so without making these pools seem a visual cliché. As is demonstrated repeatedly