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I imagine that many of you said “good riddance” instead of “farewell” to 2008 – and that almost as many of you might want to skip right over the looming uncertainty of 2009 completely and head directly into 2010. Nobody can jump
At a meeting in Phoenix in August 2008, Kirk Butler of Cactus Stone & Tile described watershape designers and builders as practitioners of "the science of selection" when it comes to deciding which products and materials to use in their projects. His observation immediately rang bells for me: At that point late in the summer, we
At a meeting in Phoenix in August 2008, Kirk Butler of Cactus Stone & Tile described watershape designers and builders as practitioners of "the science of selection" when it comes to deciding which products and materials to use in their projects. His observation immediately rang bells for me: At that point late in the summer, we
Sometimes, the main idea that will drive a design jumps to mind as soon as you see the site. That was the case with the project covered here: When I pulled up to the gate of the property - high in the affluent hills of Bel Air, Calif. - what I found wasn't a big, showy home of the sort that have increasingly come to characterize the neighborhood; instead, what I saw was a place defined by subtlety and elegance. It all started with the gate's beautiful brick pilaster, beyond which I could just glimpse a large, lovely home with the distinctive architecture of an English manor house. Even though I hadn't met the clients yet or seen the entire job site, I was already convinced that the project would be
Sometimes, the main idea that will drive a design jumps to mind as soon as you see the site. That was the case with the project covered here: When I pulled up to the gate of the property - high in the affluent hills of Bel Air, Calif. - what I found wasn't a big, showy home of the sort that have increasingly come to characterize the neighborhood; instead, what I saw was a place defined by subtlety and elegance. It all started with the gate's beautiful brick pilaster, beyond which I could just glimpse a large, lovely home with the distinctive architecture of an English manor house. Even though I hadn't met the clients yet or seen the entire job site, I was already convinced that the project would be
Unlike most companies that become deeply involved in exterior environments, we at D'Asign Source of Marathon, Fla., are also happy to get involved in designing and building everything else associated with a given property. When asked by our clients to do so, we tackle it all, from designing and engineering a home and taking care of all the licensing and construction, to furnishing the interiors and providing luxurious details inside and out. And when we're done, we'll happily service
Unlike most companies that become deeply involved in exterior environments, we at D'Asign Source of Marathon, Fla., are also happy to get involved in designing and building everything else associated with a given property. When asked by our clients to do so, we tackle it all, from designing and engineering a home and taking care of all the licensing and construction, to furnishing the interiors and providing luxurious details inside and out. And when we're done, we'll happily service
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another: Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely. In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty. Indeed, architectural ponds can be incredibly appealing when done up in such a way that
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another: Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely. In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty. Indeed, architectural ponds can be incredibly appealing when done up in such a way that
As a rule, those of us who build watershapes meant for purposes other than swimming or hydrotherapy tend to pursue one path or another: Either we make our ponds, streams and waterfalls look as natural as we can manage, or we establish them to reveal the hand of man either partly or completely. In that either/or context, successful design depends at least in part on being perfectly clear with ourselves about what we are trying to achieve. In assessing ponds of these opposing forms, it's my personal practice to look at both natural ponds and formal ponds (or, more accurately, architectural ponds) as being right on par with one another with respect to their potential for beauty. Indeed, architectural ponds can be incredibly appealing when done up in such a way that
