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Only three percent of the world’s water exists as fresh water – that is, water with low salinity and total dissolved solids of the sort found in lakes, rivers, reservoirs, ponds, streams and aquifers. It is arguably our most precious resource because, quite simply, we can’t get along without it. As populations grow around the world, the amount of fresh water available for drinking, irrigation, bathing and sanitation annually decreases on a per capita basis. These fresh-water supplies are replenished only by precipitation, so when droughts disrupt historical weather patterns, there’s trouble ahead – especially if the shortages hit highly populated areas. Today, it is estimated that one in six people on our planet lacks access to an adequate water supply. While the vast majority of those who endure this disadvantage live in other parts of the world, we in the United States are becoming more and more subject to supply shortages when localized droughts occur. Recent conditions in the southeastern United States are a prime illustration of what this entails: In Georgia, for example, water supplies recently hit 50-year lows. These conditions resulted in the imposition of all sorts of restrictions on water use, in some areas leading to bans on the installation of new watershapes. At Aquascape (St. Charles, Ill.), we’ve long believed that it’s our responsibility as professional watershapers to act responsibly in such circumstances, meaning in our case that
I recently read a short article in a construction magazine in which the writer described a fairly convoluted process by which he had “protected” a tree on the site where he was working. Basically, what he did was wrap the trunk in two-by-four studs, securing them in place vertically with some loops of metal strapping. In his estimation, this was just what he needed to keep the tree from being damaged by accidental equipment bumps – the boards, in effect, would suffer and the tree
If you’re paying even the slightest bit of attention to the world at large, you’ve probably heard more than you ever wanted to know about current economic conditions. Indeed, everything that has happened in the past year or so with both our national and the global economy has made it hard for some people to think optimistically about the future. These are perilous times, as some say, and in one way or another, I know we’re all being affected by what’s going on. But that doesn’t seem to be the whole story. In fact,
I imagine that many of you said “good riddance” instead of “farewell” to 2008 – and that almost as many of you might want to skip right over the looming uncertainty of 2009 completely and head directly into 2010. Nobody can jump
At a meeting in Phoenix in August 2008, Kirk Butler of Cactus Stone & Tile described watershape designers and builders as practitioners of "the science of selection" when it comes to deciding which products and materials to use in their projects. His observation immediately rang bells for me: At that point late in the summer, we
At a meeting in Phoenix in August 2008, Kirk Butler of Cactus Stone & Tile described watershape designers and builders as practitioners of "the science of selection" when it comes to deciding which products and materials to use in their projects. His observation immediately rang bells for me: At that point late in the summer, we
Sometimes, the main idea that will drive a design jumps to mind as soon as you see the site. That was the case with the project covered here: When I pulled up to the gate of the property - high in the affluent hills of Bel Air, Calif. - what I found wasn't a big, showy home of the sort that have increasingly come to characterize the neighborhood; instead, what I saw was a place defined by subtlety and elegance. It all started with the gate's beautiful brick pilaster, beyond which I could just glimpse a large, lovely home with the distinctive architecture of an English manor house. Even though I hadn't met the clients yet or seen the entire job site, I was already convinced that the project would be
Sometimes, the main idea that will drive a design jumps to mind as soon as you see the site. That was the case with the project covered here: When I pulled up to the gate of the property - high in the affluent hills of Bel Air, Calif. - what I found wasn't a big, showy home of the sort that have increasingly come to characterize the neighborhood; instead, what I saw was a place defined by subtlety and elegance. It all started with the gate's beautiful brick pilaster, beyond which I could just glimpse a large, lovely home with the distinctive architecture of an English manor house. Even though I hadn't met the clients yet or seen the entire job site, I was already convinced that the project would be
The Home Front