ARTICLES Archives - Page 181 of 315

Presentation Secrets

You hear it all the time these days: Now is the time to improve all aspects of what you do for a living. I’ve taken that message to heart and, in striving to upgrade all facets of my work as a watershaper, have come to a somewhat shocking realization: For all of the countless presentations I’ve made to clients, I’ve never taken a critical, disciplined look at that part of my job. In college, of course, I was forced to make presentations about class projects, but the focus was always on the design and not on the presenting. Indeed, my instructors reinforced the point that it wasn’t how you presented ideas, but instead the

One of the most unusual watershape systems ever built, the AquaTheater on the recently launched Oasis of the Seas is the first theatrical waterfeature ever installed on a cruise ship. In this special two-in-one article, Fluidity’s Jim Garland and Tom Yankelitis begin with a description of the ideas and the design process that led to creation of this shipboard super-fountain, then Crystal Fountains’ Ritesh Khetia discusses the engineering and systems-integration solutions that make it all work.

A Hit on the High Seas

Part I: Setting the Course Theatrical vitality has to do with structuring stories and creating dramatic narratives that establish sensations of expectation, surprise and reward. It also involves the development of sympathetic, interesting characters as well as engagement in “the moment” – the feeling that a special and wonderful entertainment experience is unfolding before the audience in a specific time and place. Mastering all of that is a tall order under ordinary circumstances, so you can imagine how we felt in trying to help make it happen on the exposed, unpredictable stern deck of Oasis of the Seas – a prestigious ship that currently claims the title of world’s largest cruise liner. Fluidity – a Los Angeles-based water design studio – pursues unique, progressive projects for an international clientele that includes architects, landscape architects, civic institutions and real estate developers. Through the years, we’d had considerable experience with theatrical

Casting Nature

Decorative-concrete artist Tommy T. Cook has built a reputation for being able to create almost anything from concrete using an array of highly refined and boldly artful processes. In this feature, he demonstrates a portion of that skill by describing how he uses the gargantuan Gunnera plant to craft watershapes in which replicas of the plant’s outsized leaves serve as uniquely natural fountain basins and spillways. Ask anyone who’s tried and it’s almost certain you’ll hear that replicating nature isn’t easy. That hasn’t stopped artists throughout history from trying, however, or from making natural forms an influential source of artistic imagination and ambition. The great thing about using nature for inspiration is that it’s all around us and all we need to do to draw on it is open our eyes, make good choices and decide how what we see can be used in our creative endeavors. In my case, I’d worked in decorative concrete for a long time before nature crawled under my skin. It began when

The process of installing swimming pools in high-rise buildings presents a number of challenges not found in standard inground projects, notes commercial pool specialist William N. Rowley. To illustrate that point, he discusses what went into crafting two spectacular pools for Los Angeles’ new L.A. Live complex, where special concerns about leaks, noise, weight, maintenance and basic project execution all came prominently into play.

High-Rise Performance

There’s no denying the difficulty of building a high-quality inground pool, but the welcome fact is that the earth can conceal a range of little imperfections, from small leaks to minor structural defects. When you build a pool or some other watershape above grade as an integral component of a multi-story building, however, everything you do is magnified because the work is always exposed. Essentially, you lose the margin for error that might be possible with an inground installation. This past spring, work was completed on two high-rise watershapes our firm engineered as part of L.A. Live, a multi-purpose, entertainment-oriented complex situated near the Staples Center and the Los Angeles Convention Center in downtown Los Angeles. The pool/spa combinations were placed on the fourth and twenty-sixth floors, and although they have simple rectangular forms, they represent the absolute

In the long-awaited conclusion to our coverage of a grand, comprehensive exterior-design project in Texas, landscape architect Michael Percy guides us through a property where his firm dealt with every conceivable detail, from the entry drive and graciously secluded courtyard to the beautiful swimming pool with its unusual spiraling backdrop, the lavish dining and recreation areas and the wonderfully hidden rock-lined spa.

The Finishing Twist

Among the most gratifying of all projects are those in which designers are able to forge links between different areas of a property, creating an unfolding, choreographed experience that generates notes of anticipation along with reassuring sensations of comfort and familiarity. In our work at Root Design Company (Austin, Texas), we’ve found that water is a powerful tool in defining those sorts of connections within a property, whether it is used in bold ways, as with fountains or swimming pools, or as subtler secondary or tertiary elements, including runnels or small waterspouts. In the project depicted here, we used multiple watershapes within architectural spaces that organize those settings and bring motion and continuity to the overall space. It all ties together visually, with each path leading to intriguing destinations that serve as rewarding visual experiences for anyone who visits. As we see it, the key ingredient in this project was our client, who understood

Green Horizons

Although they’re occasionally the focus of media attention in North America, green roofs and their potential benefits are still relatively unknown quantities unless you happen to be a landscape architect or architect. In this commentary, Steven Peck and Damon van der Linde of Green Roofs for Healthy Cities aim to expand that base to include all watershapers – professionals, they say, who can play key roles in spreading the influence of these systems. Just think of it: There’s a design approach that improves energy efficiency, reduces the urban “heat island” effect and provides much-needed green space in places where opportunities for natural stress relief are

Speaking to Authority

The following is the text, somewhat altered for this audience, of a letter I’ve sent a number of health departments in the course of working on projects for our clients. There is no doubt that the recent wave of legislation, codes and standards regarding suction entrapment has caused confusion – not just in the pool and spa industry, but also among lawmakers, inspectors and contractors as well as pool and spa owners. These mandates, however well intended, have all too often been confusing or contradictory and frequently reflect neither

Up Right

Have you ever noticed how often the costliest part of a project turns out to be something that will ultimately be hidden from view? This happens quite frequently in projects involving any sort of slope, where the piers and grade beams beneath swimming pools, for example, can cost far more than the rest of the overall project. In my own work, I’ve noticed this budgetary quirk most frequently when it comes to retaining walls, where providing the foundation they need to withstand the forces applied by a slope can be startlingly extensive and expensive. It’s not what you’d call glamorous work, but it certainly is important – and will vanish completely from view. Most often, we’re called on to build these walls when

Broad Boundaries

Not long ago, I was reminded in a big way of the importance of understanding the international nature of our industry. It was July, and my Genesis 3 partners Skip Phillips and David Tisherman and I were on the Gold Coast near Brisbane, Australia, presenting a program at the Splash! Conference – an experience that, once again, underscored the fact that ours is not just a North American business, but is instead a global industry in which people worldwide share

Transferable Skills

To excel as professionals, watershapers need to develop a good working knowledge of a range of technical disciplines – hydraulics, materials science and geology, for example – and know the ins and outs of structural, electrical and mechanical engineering. No single person needs to have certified expertise in all of those fields, but it’s becoming increasingly clear that anyone who enters the watershaping realm needs to be conversant in the mix of disciplines he or she must coordinate if the goal of