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Many years ago, a gentleman by the name of Jack McNairy said something during a meeting of the National Spa & Pool Institute's Board of Directors that has always stuck with me. It was in the late 1980s or very early '90s, when Jack was running his distribution business in Texas and also publishing a
1965 Harvard Swimmers Defeat 2015 Swim Team in Relay Race!
I lived in Cleveland at a point when I was too young to remember a thing about the place: We moved there when I was ten months old and stayed for about a year. But I've always considered it as one of my several "home towns" and have been back there twice since we moved away in 1957, both times on business - and both times before I became involved with watershaping.
Just the same, as an art history enthusiast and fan of impressive sculpture, I had my breath taken away by "The Fountain of Eternal Life." Dedicated in 1964, it was designed and executed by Marshall Fredericks, a resident of Michigan but a 1930 graduate of the Cleveland School of Art. The fountain serves as an inspiring memorial to residents of the city who died in conflicts reaching all the way back to the Spanish-American War.
It wasn't that inclusive when I first saw it in 1978 and again a few years later: Originally, the bronze plates surrounding the rim of the fountain memorialized only casualties of World War II and the Korean War. This recognition has since been expanded on a couple of occasions to include all Clevelanders who've died in defense of their country in the span from 1899 to, so far, 2014.
The testimony of sacrifice as witnessed by the names is moving, but the sculptures within the fountain are quietly but utterly inspirational. The central figure, which rises high above the basin and stands on a representation of the earth engulfed in flames, signifies the spirit of mankind rising above the destruction of war and reaching hopefully for a new and enduring comprehension of the value of life. The four granite sculptures at the base represent the world's civilizations and express a general desire for a global future free of war.
I haven't been back to Cleveland in many years, but I know that, when and if I return, one of my first stops will involve revisiting this fountain.
It was meaningful and impressive enough when I first saw it, but the continued addition of names is a reminder that, for all of our aspirations, for all of our sacrifices as friends and relations of wars' casualties, we can't seem to realize Fredericks' idealistic dream.
It's a humbling space - a graceful, monumental sculpture and a gracious, inspirational reminder that we are all in this together.
To see a brief video of the fountain in action, click here. The narration is a bit, well, distracting, so turn the sound down and watch: The images are just fine.
From mine shafts to subway tunnels, from fountains to swimming pools, shotcrete has long been the preferred material of construction for major projects worldwide. This process, which involves the spraying of concrete material at a high velocity onto a receiving surface to achieve compaction, offers substantial advantages over alternative approaches with respect to durability, versatility, integrity and sustainability. This has been the case ever since the technique was invented at the turn of the 20th century, yet only now are watershapers - professionals who have made concrete such a crucial part of their livelihoods - truly coming to understand and appreciate shotcrete for what it is. In this three-part series, we'll start with the story of shotcrete's origins - a tale of insight, ingenuity and entrepreneurship. Then we'll trace
In recent years, we've seen a dramatic increase in the use of faux stone as well as concrete flagstones and pavers. Popular for their affordability and ease of installation as well as the ever-improving realism of their appearance, these materials are widely available for use on
'Most of us are in business to earn a living,' wrote Stephanie Rose to open her Natural Companions column in the May 2005 edition of WaterShapes, 'which is probably why so many of us think of the high-end market as the place to be. . . . But when I look more closely at the work I've done through my career, I believe we might be overlooking valuable opportunities for personal and professional growth by being so single-minded in
The process of selling off back issues of WaterShapes has been a sentimental journey for me, and I know it's going to become even more so when the recycling truck shows up on June 1 to clear away all of the unclaimed copies: I love those printed relics with all my heart, and I hope I'll be packing lots of them up in the next few days and
Zoo Project: People Will Swim with Polar Bears and Live to Tell the Tale
This is another instance in pond construction in which experience is a huge advantage: When it's time to size and set things up for a long, cascading stream leading down a reasonably steep hill to a pond-free basin, there's nothing about the process that I'd like to approach without knowing
'I've had the pleasure of teaching hydraulics to watershapers in a variety of classroom settings,' noted Dave Peterson in opening his Currents column in the May 2010 edition of WaterShapes. 'These courses . . . ask a lot of the students who sign up for them . . . [and] I find it enormously encouraging that so many people are focused on spending the time and energy required to improve their skills and