Functional Aesthetics
Designing swimming pools and spas for people with disabilities is a special calling for watershapers:  The process gets you involved with sets of capabilities and physical limitations that force you to think beyond the usual; it also puts you in gut-level contact with the needs of those who crave involvement with water and its potential to ease pain, make aquatic exercise possible and, via simple buoyancy, make gravity less of
Working on the Road
Working on a large-scale project is a challenge when it happens even ten miles from your home base:  Big jobs are just plain tough.  But building that same project 150 miles away?  That takes the difficulty to another level - and when you mix in an extremely difficult, environmentally sensitive site, it can feel as though you're operating on another planet. A case in point can be found in our participation in a design/build project on a remote cottage estate in the stunning
Remembering a Friend
Pardon the impression I may have given in my November 18 blog that the 2015 International Pool|Spa|Patio Expo was entirely about Genesis and its merger with the National Swimming Pool Foundation.  Far from it - and therein hangs a tale. When I first started attending these shows in the mid-1980s, I was fairly well dazzled by what I saw as I wandered the floor:  If you spent as
Mist and Mystery
As though it werent apparent by now, when i travel, look for watershapes.< p > It' s been a professional practice of mine since 1986, when i started working at pool & spa news, but it was established as personal habit long before then. even child (and my parents could attest if they were still with us), drawn to water wherever went This means I've seen and studied lots of fountains through the years. It also means that I pay lots of attention when I run into an unconventional one, as was certainly the case with the Tanner Fountain on the campus of Harvard University in Cambridge, Mass. When I saw its arrangement of stones and the wonderful way it uses mist to make the space mysterious yet strangely inviting, I was hooked. Designed by landscape architect Peter Walker in collaboration with sculptor Joan Brigham and fountain expert Richard Chaix, the watershape sits along a busy pedestrian thoroughfare near Harvard Yard. An early and perhaps even the first example of the "Landscape as Art" movement that started at Harvard around the time the fountain was installed in 1984, the composition consists of concentric rings of granite boulders looping around 32 jets located near the center. The jets produce water sprays and a dense mist that envelops the stones like a cloud. When I first saw the Tanner Fountain, I was immediately reminded of the inverted fountain on the UCLA campus, which I wrote about in a travelogue back in June 2013 (click here). But where the effect of the UCLA fountain was to inspire mirth (at least to my somewhat twisty mind), the Tanner Fountain simply inspires, especially on days when the air is still and the mist has its way with the space. The video linked below shows the layout of the stones and how their placement invites observers to come close, pass within the rings and approach the source of the mist. My big regret is that I missed seeing the space covered in snow - a phenomenon that puts a completely different spin on the composition. But I still count myself lucky: I saw it on a warm late-summer day when the cooling mist was unusually welcome. In short, I love this fountain. The next time you're in the area, stop on by - and please give yourself enough time to observe the space at your leisure, especially taking in the way people (especially children, if any are around) interact with the mist: It's a treat on more levels than I can count. To see a brief, wonderfully informative (if deadpan) video showing the various moods and seasons of Tanner Fountain, click here.
Remaking a Classic
In the course of my career, I've worked with blue-chip clients from rock stars and professional athletes to Hollywood celebrities and business tycoons.  It may be my sparkling personality, but, realistically, I think it has more to do with the way I have with glass tile and custom mosaics associated with beautiful swimming pools. My company, Rock Solid Tile of Calabasas, Calif., has worked all over Los Angeles through the years, taking its
Overhead Defects
Rooftop pools and other similarly elevated swimming pool structures present unique sets of considerations that must be thoroughly addressed by anyone involved in their design and construction. As was discussed in the first article in this two-part series ("Elevated Engineering," click here), it is common for these watershapes to be constructed inside a concrete vault or supported on a concrete structural slab - either of which is usually
An Expo with a Difference
A couple weeks back, I was figuring that my time at the 2015 edition of the International Pool|Spa|Patio Expo would be quite routine - visiting with old friends, making a few new ones, catching up with our sponsors and recruiting several more. But those easy expectations all changed shortly before the show when the announcement came, first through
Speaking to Authority
'There is no doubt that the recent wave of legislation, codes and standards regarding suction entrapment has caused confusion - not just in the pool and spa industry, but also among lawmakers, inspectors and contractors as well as pool and spa owners.'  That's how Dave Peterson opened his Currents column in November 2010.   'Our firm and others have been retained by numerous owners, contractors and maintenance companies to
Durable Pool Plaster, Revisited
In December 2010, WaterShapes published "How to Make Durable Pool Plaster," an article filled with what I knew about making reliable, discoloration-free pool plaster - including basic information about both proper and improper plastering practices. It should come as no surprise that, since then, research has continued and our understanding of issues involved in the proper mixing and application of these cementitious finishes has continued to grow. This article will cover these developments, discussing in greater detail the
Intersecting Sensibilities
I live on the eastern-most fringe of the west side of Los Angeles, a neighborhood with an eclectic urban concoction of mixed nationalities and wide-ranging aesthetics - including a lack thereof.   This hilly East Hollywood region has views of the downtown skyline and cars lined up regularly at four-way stop signs deployed in an effort to minimize the number of streetlights we must navigate to get from our homes to nearby Hollywood and Sunset Boulevards.  In short, we are bursting at the seams with