Fountains

Objects of Desire
  When you execute complex projects for sophisticated clients, your ability to satisfy them and their tastes by bringing something different or interesting or unique to the table can make all the difference.  As our firm has evolved, we've increasingly come to focus on identifying these compelling touches, which for us most often center on old-world influences that resonate, sometimes deeply, with our clients. I've always loved to travel and have spent extended periods in Asia, Latin America and Europe.  At some point, it occurred to me that by working not only with the principles of classical  European and Asian garden design, but also with authentic,  imported materials and art objects, the work would take on greater meaning and interest for me - and for my clients as well. To that point, our firm had followed a path of influence that still reflects itself in our replication of ancient stone-setting techniques.  While traveling in China and Japan, I began spotting stone pieces and other objects we could use directly in our watershapes and gardens and started acquiring pieces for that purpose. This step beyond evoking not only the style but actually using elements of authentic design quickly turned into a powerful element in our work.  As we moved further in this direction, the channels opened wider, the creative possibilities blossomed and we soon began incorporating more and more of the materials and ideas that I'd encountered
Molten Inspiration: Rafe Affleck’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Water at Play: Eric Dobbs’ and Jennifer Johnson’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Distant Drama: Paul L’Heureux’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Stone Poetry: Richard Hansen’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Italian Dreamscape: Villa d’Este as a Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Timeless Impressions: Maya Lin’s, William Hobbs’s and Wayne Pierce’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Rethinking a Monument: Lynn Wolff’s and John Copley’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Elevated Expectations: Janet Rosenberg’s and Glenn Herman’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
When Music Meets Water
At a time when scores of American cities are still looking for ways to revive the faded glory of their urban cores, possible approaches are as visionary (and numerous) as can be.  The process has resulted in new parks, major redevelopment, architectural restorations and a long list of other solutions - including the unique watershape commissioned by the city of White Plains, N.Y. A town with 54,000 full-time residents whose population swells to more than 200,000 during the day when office workers, shoppers and visitors come calling, White Plains made the decision to invest $4.5 million of public and private grant money in resurrecting a small downtown park.    Appropriately named Renaissance Plaza, the park surrounds a state-of-the-art musical fountain unveiled in October 2003 for the specific purpose of luring people back to the downtown area - and it has worked.  In fact, the plaza has become such a hub of activity that nearly 1,700 units of new residential housing are now under construction in its downtown neighborhood. URBAN OBJECTIVE First settled by British colonists who bought it from the Mohican tribe in 1683, this historically rich city located 25 miles north of Manhattan has truly been reborn, and it's with no small measure of