Book & Media Reviews
Whether we think of them this way or not, watershape and landscape designs have the ability to create emotional responses among our clients. In that sense, we're actually in the business of provoking those feelings. When we do things right, the conjurings are positive and are at their best when we successfully forge links to our clients' treasured experiences. If we miss the mark by not properly considering
By Mike Farley As someone who has spent years digging into the history of landscape and watershape design, it comes as something of a surprise to me that, alongside the luminaries who dominate discussions of the origins of familiar design approaches, motifs and styles, stands at least one practitioner who is not
One of the most common things I hear from my clients is that they’ve been inspired by experiences they’ve had at vacation resorts and want to recapture those good times in their own backyards. I’ve heard this often enough that I keep an eye out for volumes on resort design as I wander through bookstores and hunt for material online. It’s a narrow subject, of course, so I don’t run across too many relevant titles. That’s why I was immediately pleased to find Paradise by Design by Bill Bensley (Periplus Edition, 2008). My pleasure quickly turned to delight: The book is certainly about designing resorts – but it
The numbers are eye-popping: Just about one percent of all the water on Planet Earth exists as fresh water suitable for human consumption. And depending on where you live in the United States, anywhere from a quarter to almost half of that precious resource
Concrete is an utterly amazing material, but it's so widely used — so pervasive in our world — that it's easy for the average person to take it for granted and barely give it a second thought. As watershapers, of course, we don't have the luxury of
It might sound a bit strange to put it this way, but when it comes to design work, one of the most useful things you can do is to think about how you think about design. If you're like me and have been working as a watershape designer for more years than you care to count, much of what you do is now
It might sound a bit strange to put it this way, but when it comes to design work, one of the most useful things you can do is to think about how you think about design. If you’re like me and have been working as a watershape designer for more years than you care to count, much of what you do is now second nature. But if you think back to the way it was when you first started – and if you’re anything like me – little or none of what you did felt natural or easy. In my case, I had to process every step methodically, sometimes awkwardly and even painfully on occasion. That’s why I wish, back in those early days, that I’d
So much has been written and said about our current economic situation that it can get pretty depressing. One thing I hear and read over and over is that “Many people are just stuck, waiting and hoping for things to change.” I can’t help noticing that, for lots of people in government and major industries as well as in small businesses and sole proprietorships, this approach means doing the exact same things they were doing when their days were fat with opportunities. Personally, I think that’s crazy! I believe if I want my situation to change, good times or bad, I must change myself from within and can’t afford to wait for external forces to push me toward prosperity – especially not these days, when nobody really knows what’s
Concrete is an utterly amazing material, but it’s so widely used – so pervasive in our world – that it’s easy for the average person to take it for granted and barely give it a second thought. As watershapers, of course, we don’t have the luxury of underestimating concrete: With the sole exception of water, it’s far and away the most essential of all the materials we use across a huge range of applications. We simply could not do what we do without it. But how often do we deploy concrete in purely aesthetic ways? Some of us use artificial rock or specialized decking treatments, but isn’t it mostly true that we build our structures from concrete and then systematically cover it up with plaster, stone, tile or some other surfacing material? It didn’t take long for me to start
It’s a bit hard for me to believe it, but it’s now been fully 11 years since I attended my first Genesis 3 design school. One of the events I remember most clearly from that first session was (among many others) David Tisherman laying out a bunch of books and recommending that we should immediately obtain and read all of them. Always looking for a firm foothold, I asked him which one I should read first, and, without hesitation, he pointed to Janson's History of Art: The Western Tradition. I didn’t act on his advice right away, but I eventually acquired a copy and started reading – and it took me nearly
