waterfall
The Pacific Northwest is full of spectacular scenery. From where I live near the Puget Sound, for example, you can see the Olympic range running along a peninsula to the west and the Cascade range off to the east. Looking southeast, Mt. Rainier is a silent, majestic sentinel silhouetted against an ever-changing sky. It's a beautiful place to live and perfect when it comes to design inspiration - especially when your work is creating naturalistic gardens and watershapes. One of the most spectacular waterfalls in the entire northwest is just a short drive up Interstate 90 from me, a place called Snoqualmie Falls. Local hiking trails are dotted by scores of perennial waterfalls that cascade down mountainsides. For me, there is nothing more refreshing than clambering up a steep grade and rounding the corner to find a misty, shady waterfall. It invigorates the soul and encourages one and all to keep climbing in the hope of seeing even more spectacular scenery. The attractions of nature and its inherent beauty are much enjoyed by people who live around here. In recent years, I've seen a trend toward bringing slices of that grandeur down to a residential scale in gardens that use water in motion as a key feature. It's the water that
Transforming a tired, old swimming pool into an inviting naturalistic environment is always a challenge, but when the client is Playboy's Hugh Hefner, the project becomes an adventure as well. The original lagoon pool at Playboy Mansion West in Los Angeles, Calif., is still in great shape as a result of outstanding design, construction and maintenance. In expanding the property to include the estate across the street, the plan was to create a "luxury annex" for the main compound. Among the extensive renovations undertaken at the new property was the complete renovation of the backyard and its swimming pool. As was the case with the famed pool and grotto, the concept was to
Landscaping has to be something special to harmonize with the amazing natural surroundings of places such as we encountered with the Colony at White Pine Canyon: Set on 4,000 acres near the famed ski slopes at Park City, Utah, the resort/homestead project was to have watershapes second to none when it came to their natural beauty. Indeed, water was central to the entire plan. We at Land Expressions of Mead, Wash., were engaged by the developer, Iron Mountain Associates of Salt Lake City, to execute an 830-foot stream, a 34-foot cascading waterfall and a sprawling quarter-million-gallon pond. All of this came along with an array of natural plantings, pathways, a 500,000-gallon water tank surmounted by a five-acre meadow, and a guard shack made from rocks, sod and a fallen tree. Projects of this sort don't come along very often - and when they do, they call for creativity, preparation and planning on a grand scale. In this case it, also meant working at (literally) breathtaking altitudes and in a small window of opportunity between snow seasons - all while infusing the work with intricate detail. Here's a look at
When you work on projects in which stone is commonly measured in the thousands of tons and streams are frequently described in fractions of miles, you're not easily impressed by size. This job, however, was remarkably vast - a project driven by creative passion and a client's desire to turn a singular vision into reality. It's the kind of opportunity that doesn't come along every day, and when it did, we knew we'd have to give it everything we had. Our company, Glacier Inc. of Glenshaw, Pa., is a design and construction firm specializing in large natural and naturalistic bodies of water, and most of our work includes
It all begins with the water. The first thing anyone approaching the world of ponds needs to understand is that life-supporting water is quite unlike the sterile water found in swimming pools or spas or many other watershapes. A second and related point is that clear water is not necessarily healthy water when it comes to the needs of the inhabitants of the pond. For a pond to be healthy, its water must meet the chemical requirements of plants and fish by having an abundance of some things (such as nutrients) and a near-total lack of other things (such as pollutants). Sanitized water may be beautifully clear, but the fact that sterile systems are designed to knock out nutrients and work chemically because they are "polluted" with chlorine and algaecides makes them completely unsuitable as life-supporting ecosystems. The goal with ponds is to work with nature in balancing the life-sustaining features of the water - and to set things up in such a way that maintaining that balance will be something your clients can do long after you've moved along to another project. To do so, you need to embrace the water-quality basics outlined in the last issue of
It's a tale of two professions: Pool and spa people are taught to keep things dead; pond people are taught to keep things alive. Pool people sell chlorine; pond people sell de-chlorinator. Pool people sterilize; pond people fertilize. This contrast in approaches to basic water maintenance is perhaps the most significant difference between two trades that are coming into closer and closer contact with one another every day. At issue between the two groups is whether to work against nature in a sterile system, or work with it to create an ecosystem. Each discipline has a foundation in the science of water chemistry and both have a place in the world - but beyond that (and as the table below demonstrates), things really couldn't be much different. As more and more pool/spa professionals move into water gardening and more and more landscape designers and architects get into pools and spas, there's an increasing need for all of us to understand these water-treatment distinctions and the basics of each approach. I come from the pond side, so I'll cover things from that perspective in a pair of articles - a science-oriented overview this time before we
It's something we in the business overlook all too often: Swimming pools, kids and summertime go together. That's why pools have been so enduringly popular, even at a time when watershapers seem to be focusing more than ever before on principles of design and how their work can be artfully integrated into the landscape. I came to building pools from an extensive background in building man-made rocks for theme parks, which has colored my perspective on the way my pools are used. I've also been swimming in backyard pools since I was a kid, and I've built all sorts of rockwork designs for all sorts of
Looking for inspiration in an urban environment can leave a designer with precious few useful references. Take downtown Chicago, for example, where our indigenous waterfeature is Lake Michigan and our public art is too often plopped in the middle of concrete plazas. Be that as it may, I do my part by trying to introduce both water and art into my projects. So I was thrilled to be retained by Mary O'Shaughnessy, owner of the Wood Street Gallery in Chicago, to design a sculpture garden. I knew it would give me the chance to create a balanced, beautiful space - even though I also knew the job wouldn't be easy. What she wanted was a garden environment in which she could display and sell contemporary American sculpture - a place that would help clients visualize the way the art might look in their own gardens. As we dug deeper, we uncovered additional goals: It needed to be a space that would accommodate a changing variety and number of pieces; it had to be functional for large parties; and it had to incorporate and acknowledge the garden's urban neighborhood while still providing a sense of enclosure for gallery visitors (and, of course,
In 1921, a flood rolled into Pueblo, Colo., submerging the civic center beneath 11 feet of water and leaving more than 100 people dead. To prevent the recurrence of such disasters, engineers came to town, diverted the river along a different path and encased it in underground levees several blocks away. Seventy years later, a grand project known locally as HARP – the Historic Arkansas Riverwalk of Pueblo – undertook to restore the historic course of the Arkansas River and make it the centerpiece of a 26-acre downtown park. HARP re-creates 2,220 linear feet of the historic river in concrete-lined (yet naturalistic) channels. Nearing completion after ten years, the urban park will include 3,300 linear feet of navigable waterway for use by water taxis and pleasure boats as well as dramatic fountains; more than a mile of promenades and other walkways; a two-acre lake; and an outdoor environmental-education center. It has been a massive undertaking, as befits a project aimed at revitalizing an entire city. For the watershaping community, the project stands as an example of the truly transforming effect that
Of all the sports, there's none that relies more on the art of landscaping than golf. The contours of the land, the style, size and placement of plantings, the use of elaborate stonework and the installation of substantial bodies of water often define not only the competitive challenge of the game but the ambiance and character of the entire golfing experience. This is especially true of championship golf courses, where designers seek ways to stretch the envelope in terms of the way the game is played and in the physical beauty of the courses themselves. In their search for true distinction, many have turned to the use of
