vertical
Given the way bodies of water interact with gravity, a great deal of the personality of any swimming pool is set by the flat surface of the water and its reflective qualities. In our work, we've found a variety of ways to capitalize on that flatness by creating focal points that are distinctly vertical in nature. In fact, we've found that working on the "y axis" and focusing on upright structures as diverse as arches, walls, columns and waterfalls can yield a variety of stunning visual effects: Exterior spaces and vistas can be connected or distinguished, architectural shapes can be contrasted or echoed, shadows or reflections can be cast, and privacy or openness can be enhanced. The fact that these effects cut both ways makes them appealing to a custom builder who strives to give clients something unique and lets the characteristics of the individual setting drive the design process. It makes the work more challenging, yes, but it also makes it more fun and rewarding. In many cases, the vertical elements we use can be subtle and retiring - a slightly raised bond beam, for example, or a small waterfall. More often than not, however, we gravitate toward the bold and declarative by integrating water into architectural forms and creating dramatic and
Inspiration - literally, the breath of an idea - can come from any number of sources. While studying the work of 20th-century designer Beatrix Farrand at Dumbarton Oaks in Washington, D.C., for example, I spotted the planting combination of climbing pillar rose and Wisteria and thought her brilliant for having covered the woody Wisteria stems with rose flowers and
In a real sense, I want to build antiques: My goal in designing and shaping water walls has always been to develop systems of beauty that will be around and appreciated decades or even centuries from now. Not only are they built to the highest standards of quality - as are many antiques - but they're also meant to hold running water year after year. I don't know who created the first water wall, but my best guess is that they've been produced in one form or another since the late 1960s or early '70s. I became aware of them in the early '80s, at which point a number of craftspeople were making them from stone, copper, and bronze. Some of these products aspired to be works of sculptural art, but for the most part I thought that the medium's artistic potential hadn't been fully explored or expressed. My idea at the time was to expand the concept with respect to shapes, sizes, materials and styles. I also wanted to check into the possibilities of combining
In a real sense, I want to build antiques: My goal in designing and shaping water walls has always been to develop systems of beauty that will be around and appreciated decades or even centuries from now. Not only are they built to the highest standards of quality - as are many antiques - but they're also meant to hold running water year after year. I don't know who created the first water wall, but my best guess is that they've been produced in one form or another since the late 1960s or early '70s. I became aware of them in the early '80s, at which point a number of craftspeople were making them from stone, copper, and bronze. Some of these products aspired to be works of sculptural art, but for the most part I thought that the medium's artistic potential hadn't been fully explored or expressed. My idea at the time was to expand the concept with respect to shapes, sizes, materials and styles. I also wanted to check into the possibilities of combining
