transitions
One theme we’ve worked into these pages more often than any other through the past 30 months has to do with the thought that we all need to find ways to respond to the rapidly evolving market conditions in which we find ourselves. You’ve heard that message from our columnists and many of our feature writers: Across the board, they’ve argued that outlasting the recession – and, more important, coming out on the other side poised for success – is a matter of adapting and actively developing skills that make sense in light of today’s
We recently completed a project that truly thrilled a pair of well-traveled, highly educated clients: It was a large, complex waterfall-and-pond composition in the sloping backyard of an upscale home in an affluent southern California neighborhood. There were a number of reasons why the project worked so well, but if I had to break it down to one thing more than any other, it had to do with the range of edge treatments we used within the available space. On the side nearest the house, we established a clean lawn-meets-water detail – very disciplined in appearance and obviously man-made. Directly across the pond was a set of rugged waterfalls – much wilder and basically untamed. Bracketing those features, we filled shallow areas with emergent plants and hiding places for fish and frogs. It was a well thought out plan, certainly right for the space. But I know for a fact that
My dictionary defines a rill as a small stream cut by erosion. In the practice of watershaping, however, that colorful little word has been stretched to cover manufactured channels in which we artfully move water from one place to another. These often-subtle effects have a history dating at least to the 5th Century BC, when Persian kings demonstrated their power over nature by using rills to bring water – a symbol of fertility as well as a practical means of cooling architectural spaces – from rivers and aqueducts to their palaces. These early rills were observed and adopted by Muslim designers and engineers who rose to eminence in the Middle East more than a millennium later and were carried along as Islamic influence spread through India, North Africa and, eventually, Spain, where signature elements of Moorish architecture are still seen today in the famous
As custom watershapers, we all know that each combination of client and project presents a unique profile with respect to scope, design goals and the overall mission. In the project seen here, however, that common formulation was elevated by virtue of the fact that we were working with an accomplished architect on what was to be his own home. He came to the table with strong, distinct ideas about style and project direction, but he was also willing to collaborate with us when it came to the details and practicalities of developing a watershape composition that suited both his needs and a spectacular setting. The property - a gently sloping two-acre lot - is located in an exclusive neighborhood in San Marino, Calif., and our work there took place in concert with construction of a gorgeous new home in a classic Mediterranean style. My company, Arcadia Pools & Spas of Arcadia, Calif., had worked with the architect before on a fountain for a commercial property, so we
As custom watershapers, we all know that each combination of client and project presents a unique profile with respect to scope, design goals and the overall mission. In the project seen here, however, that common formulation was elevated by virtue of the fact that we were working with an accomplished architect on what was to be his own home. He came to the table with strong, distinct ideas about style and project direction, but he was also willing to collaborate with us when it came to the details and practicalities of developing a watershape composition that suited both his needs and a spectacular setting. The property - a gently sloping two-acre lot - is located in an exclusive neighborhood in San Marino, Calif., and our work there took place in concert with construction of a gorgeous new home in a classic Mediterranean style. My company, Arcadia Pools & Spas of Arcadia, Calif., had worked with the architect before on a fountain for a commercial property, so we
It was an unusual time to be thinking about work, but there I was on a late-August morning, and Peak's Island off the coast of Maine was in glorious summer form. Small enough to walk around in an hour or so, the island is filled with delightful, charming summer cottages - not a "McMansion" in sight. In the early light, my thoughts had been silenced as I savored the beauty of the coastal wetlands and meadows filled with wildflowers, grasses and sedge. I was totally absorbed by the
With some details, seeing is believing. That's certainly the case with the one we'll consider in this column, where the images will do much of the work in defining a simple but elegant way of making a statement with any raised bond beam or wall. Yet again, it's testimonial to the good things that happen when watershapers know how to control materials and infuse their work with visual appeal. Most of the time when pool people build small or medium-size walls, they'll automatically be topped with some form of coping or capstone - anything from poured-in-place concrete or stone to brick or some pre-fabricated coping. Many of these walls are
When I first entered the watershaping industry in the late 1970s, one of the details to which I took an immediate dislike was the practice of wrapping the tile that covered the walls of raised bond beams around the corner and onto step risers and various other vertical hardscape surfaces found around pools and spas. We've all seen it - Spanish Colonial Revivalist tiles of questionable authenticity, extra-bold in color and used to cover highly visible vertical surfaces. To me, these swaths invariably look out of place and have the effect of drawing attention to features that often don't warrant or benefit from the emphasis. It happens to this day because
It often happens that the way people enter a space has everything to do with the way they experience it and come to regard its overall design. This was much on my mind as we concluded our work on the Long Beach Island project I've discussed in my last few "Details." By orchestrating access and movement toward the backyard/pool area, we developed a string of transitions that lend a sense of surprise and delight to those entering a beautifully designed and constructed space that literally seems like a world apart. As discussed in previous columns, the backyard features a
It may seem an odd source of inspiration, but I've always been interested in retaining walls. Even as a child, I'd see photographs of terraced hillsides rich with crops and wonder, "How did they do that?" I've since done my homework and have found historical evidence indicating that the skills needed to build these structures goes back many hundreds of years. I'm now applying those same skills today in devising soil-retaining systems for my clients. Whether it's farmers creating flat spaces on which to
