jets
Perhaps the hardest thing for a watershaper to accomplish is to take a set of someone else's drawings, plans, sections and elevations, roll them all around together and come up with an accurate, three-dimensional, living interpretation of an architect's vision. The project shown here is a prime example of what's involved in this process. Designed by senior landscape architect Patrick Smith of the Austin, Texas, firm of Richardson Verdoorn, the plans called for three separate streams ranging in length from 50 to 80 feet (with each dropping 36 inches over various weirs) - all converging on a rocky
Interactive watershapes are all about invitations to play. For designers, interactive watershapes provide invitations to use water and the control of flowing water to create unique play environments. For children, teenagers, parents and other adults, they are invitations to play with one another in a safe and exciting aquatic playground. It's a form of invitation that's rapidly gaining popularity in an era when playtime for both children and adults has become excessively passive and dominated by surfing the net, playing computer games or staying glued to
In the ballet of sequenced water, you'll find a repertoire of effects for watershapes of all kinds. Like individual dance steps, these water effects can be beautiful on their own - or they can be used in combination with other effects to create elaborately choreographed shows that dazzle, delight and entertain. From simple to complex and from small to utterly huge, sequenced-water effects are truly amazing, and the nice thing is that they can be incorporated into all kinds of watershapes. We'll take a look at some of the possibilities here as a means of defining why you and your clients should think about incorporating the devices needed to make them work in your projects. There are practical issues, of course, so we'll also cover the process of designing for sequencing and the considerations involved in the creative effort, as well as discussing the ins and outs of programming and commissioning for sequenced watershapes. In an extensive sidebar, we'll also take a look at available technologies and their strengths and weaknesses. Before we get into
Through all the centuries of watershape design, the laws of physics have imposed restrictions on the watershaper's ability to extend a laminar flow of sheeting water beyond a drop of five or six feet. Go much beyond that limit and the sheet breaks up, thus impairing the aesthetic effect, causing an annoying degree of splashing and generating an abundance of undesirable, monotonous noise. Those physical laws have been seriously bent in public spaces in recent times. Indeed, special weirs and nozzles have made it possible to achieve laminar flows of 12 feet or more. Up until now, the solutions employed to achieve these effects have usually been beyond the budget of smaller commercial projects or residential clients - but that's changing. At my firm, Crystal Fountains, we've long been studying the phenomenon of falling water with an eye toward maximizing the surface tension of water and thereby extending the "laminar" effect without breaking the bank. We've had the luxury of working on some high-end projects that enabled us to perform the research and development necessary to do that stretching. By adapting some of the design ideas we
In conceptual terms, interactive fountains are really nothing new. In fact, fountains have featured water effects and sequencing lights since the turn of the 20th Century. What's emerged lately is a perception that these "dancing" waters are great sources of fun - a means for children to get soaked and for adults to stay dry and enjoy the show. This resurgence of interest has led designers and manufacturers to apply the knowledge and mechanics of the past in creating effects that delight the eye, capture the imagination and bring fun to
Throughout my entire working life, I've never moved too far away from the water. From my early days as a pool manager (beach bum) at a resort hotel in Miami Beach through many years in pool service and still today, I've always worked and played in and around water. Whatever it is about bodies of water that infects people's spirits and pushes their internal fun buttons, I have it bad: I love to sail, fish and snorkel, I like living near bodies of water and I just love to look at water. On top of all that, I'm a Pisces. If there's one thing I find that I tend to have in common with my customers, it's this passion for things aquatic and the pleasures that come along with them. This is powerful stuff, and I've come to believe that our innate fascination rises to an even higher level of drama and interest when
It was one of those projects where aesthetics, technology, function and history all came together. Installed on a pier on the waterfront in Hoboken, N.J., right across the river from the Manhattan skyline, the dry-deck fountain pictured on these pages was part of a civic development movement aimed at creating new public areas on both the New York and New Jersey shores. Our company, Roman Fountains of Albuquerque, N.M., first became involved in the project in 1996, when we
Of all the features associated with inground swimming pools, attached spas almost certainly have the most complex designs. Achieving proper hydrotherapy-jet action requires the interweaving of air lines, water lines, fittings, jets and associated pumps, blowers and motors in a way that delivers results the customer wants and expects. And making mistakes is definitely costly: Once the plumbing is set in concrete, there's no easy way of turning back. The bottom line: You have to get it right the first time! Yes, you can adjust inground systems, but it usually involves ripping out expanses of decking and chunks of the spa shell at the very least - definitely not activities that breed customer satisfaction. It's a high-stakes game, but all too often I see pool builders take an ill-advised roll of the dice by not doing the work ahead of time to make sure the
