fountain
As a sculptor, I always seek ways to use my work to create positive (and sometimes intellectually challenging) experiences for those who have the opportunity to see what I've done. In my case, most of the time I'm not trying to make direct, narrative or literal statements. Instead, I seek to conjure feelings of fascination that lead to appreciation and enjoyment: You don't necessarily have to understand the forms I create to walk away from them with good feelings. When I have the opportunity to work in public settings (as was the case in the project featured on these pages), I'm stimulated by the idea that large numbers of people will be exposed to my sculpture and that, in many cases, those people will be exposed to what I've done over and over again because they'll be passing by at least twice each day as they go to and from their jobs in adjacent buildings. In this case, I was working next to an office tower in Century City - a famous business and entertainment district near downtown Los Angeles - which meant that thousands would repeatedly be walking right past my work and would come to accept it as part of their daily lives. In that light, I see art set amid architecture as a permanent commitment, as a cultural reference that has the potential to resound for generations. This recognition fills me with a heightened sense of
As watershape design expands beyond the mostly recreational traditions of the recent past, more of us are being asked these days to design water elements that work more decoratively and serve to frame, reflect and otherwiseaccentuate or accompany art pieces. In these situations, a pool, fountain or basin design is visually driven by the artwork, and whether the project is done for a private residence or a commercial complex, the results can be wonderfully dynamic. In most cases, requests for this design approach come from an owner who has a particular piece in mind; in a few other cases, the artist will commission a watershape to accompany a main attraction of his or her devising and becomes a key participant in the design process. All in all, I see this as another manifestation of a trend in which
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping at its finest. Now, as part of our celebration of the magazine’s 100th Issue, Eric Herman offers ‘The Platinum Standard II,’ a fresh set of 20 projects that have graced the pages of the magazine in the past three-and-a-half years – projects that demonstrate clearly that watershaping has become an art form in its own right. I’ll never forget the day Jim McCloskey suggested starting a magazine on systems that contain and control water. We were walking near his home in Woodland Hills, Calif., when he broached the idea, saying it had come to him as something of an epiphany while
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
In December 2004, WaterShapes introduced ‘The Platinum Standard,’ a registry of projects that embodies watershaping…
For me, hitting the high notes in watershaping and landscape design is a product of careful observation, boundless imagination and detailed visualization. These factors drive the design process, after which I transition into the more practical phases of the project with reliable engineering and quality construction. The early, creative phases can definitely be tricky, because they require many of my clients to take great leaps of faith, especially when what they're after is a highly customized environment - something truly unique. In those cases, we know that we at Artisan Home Resorts (San Jose, Calif.) are asking clients to visualize something nobody's ever seen before: No matter how well we represent our ideas on paper or on a computer screen, the outcome will, to a certain degree, remain an abstraction until the everything is finished and working. When everything finally comes together (as we believe it did in the project illustrated in this feature), a vision is realized and the payoff can be extremely rewarding, both for the clients and for those of us who worked hard to see the process through. Here as in few other projects we've done, however, even we weren't precisely sure how
For me, hitting the high notes in watershaping and landscape design is a product of careful observation, boundless imagination and detailed visualization. These factors drive the design process, after which I transition into the more practical phases of the project with reliable engineering and quality construction. The early, creative phases can definitely be tricky, because they require many of my clients to take great leaps of faith, especially when what they're after is a highly customized environment - something truly unique. In those cases, we know that we at Artisan Home Resorts (San Jose, Calif.) are asking clients to visualize something nobody's ever seen before: No matter how well we represent our ideas on paper or on a computer screen, the outcome will, to a certain degree, remain an abstraction until the everything is finished and working. When everything finally comes together (as we believe it did in the project illustrated in this feature), a vision is realized and the payoff can be extremely rewarding, both for the clients and for those of us who worked hard to see the process through. Here as in few other projects we've done, however, even we weren't precisely sure how
Working on estate-sized residential projects is like assembling huge jigsaw puzzles in which all sorts of disparate pieces must ultimately fit together. While many of the individual parts have their own character and entail particular design and construction challenges, they're all part of a big picture you need to hold firmly in mind through every project phase. At GCS of Woodbridge, Calif., we pride ourselves on operating on a grand scale and on delivering the whole package, from landscape, hardscape, irrigation, control, communications, lighting and sound systems to watershapes of all sizes and types. Keeping all those elements sorted out within a single operation means we need to
Working on estate-sized residential projects is like assembling huge jigsaw puzzles in which all sorts of disparate pieces must ultimately fit together. While many of the individual parts have their own character and entail particular design and construction challenges, they're all part of a big picture you need to hold firmly in mind through every project phase. At GCS of Woodbridge, Calif., we pride ourselves on operating on a grand scale and on delivering the whole package, from landscape, hardscape, irrigation, control, communications, lighting and sound systems to watershapes of all sizes and types. Keeping all those elements sorted out within a single operation means we need to
From my first visit, I knew I'd be spending a lot of time here developing the watershapes and landscapes on this amazing site. Set on a bluff in Del Mar, Calif., the whole property slopes down from the street level to the back edge of the property. Beyond was an open space offering uninterrupted views of a river estuary, native coastal scrub studded with rare, indigenous, protected Torrey Pines and the Del Mar shoreline's pounding surf. There were also the spectacularly patterned cliffs at Torrey Pines State Park - a vista and set of colors that ultimately determined material choices for this project. It helped that I was completely at ease with
