education
Watching the arc of a learning curve can be fascinating - particularly when you're not the one who's going through the process. This is why I take such pleasure in
In one way or another, visual acceptance is what makes our world go around. Think about the clothes we wear, the cars we admire, the foods we eat - not to mention interior design, home and office furnishings, landscapes and watershapes. So much of our response to these and other features of our environment is based on the visual. It may sometimes be a shallow response, but human beings tend to like things that look good, even if they don't completely understand why some things are visually appealing and others are not. Design education teaches us that
Did your high school have a swimming pool? If so, you were lucky. In my case, the high school I attended did not have a pool, and only now do I fully see how much I
Is it honest to say that too few of the swimming pools you find in America's backyards are what one could call well built - and that even fewer of them are well designed? I think so, because so many of the pools I see run like junk and look like junk, and it's way too easy to find installations that lack any apparent relationship to their settings, their homes' architecture, the landscaping or any recognized
There's a natural tendency to think of artists as dreamy, distracted types devoid of any aptitude for or interest in things technical. When you study just about any art form in depth, however, you soon realize that
One of my least favorite activities is testifying as an expert witness in legal disputes over watershaping projects gone awry. As a rule, I try to stay out of courtrooms for any reason, but from time to time, I reluctantly agree to offer my opinion as a witness if I think I can help generate a fair outcome. Despite my best intentions, however, I seldom see it as time well spent. The process is often stressful, and I know deep down, regardless of who's right and who's wrong, that lawsuits are
I had the pleasure early in December of attending the first-ever Genesis 3 Fountain School in Toronto. As we've often discussed in these pages, Genesis 3's programs are loaded with useful
People who know me are aware of the fact that I can be quite outspoken. They know I've been extremely critical of the pool and spa industry and have made it my crusade to argue that, as an industry, we need to elevate our game. My particular concern lately has to do with the areas of design and presentation. Before I get started, please note that what I'm about to say is directed mainly to readers who come to WaterShapes through what is traditionally labeled as the pool and spa industry. (To be sure, this information should also be of interest to those of you who come to watershaping from the landscape industry because it
Lately I've been finding myself in what seems like a fairly unique position: On the one hand, I work as a design consultant for architects and as a designer for high-end customers; on the other, I work as a builder executing the designs that customers and their architects choose. In this dual capacity, I've been able to gather a tremendous amount of input from construction clients and transfer it in one form or another as a consultant. I also have had the opportunity of seeing how decisions made in the design process play out during the construction process. Seeing both sides has led me to certain conclusions, chief among them
Whether you choose to replicate old stone structures or borrow ideas and transplant them into contemporary designs, there is certainly a treasure trove of design concepts to be found in the masterworks of those who've gone before us. Indeed, stone has been the raw material of choice for many of the world's greatest architects, landscapers and watershapers, each of whom has relied on stone and its timelessness in fashioning works of beauty. In the first two articles in this series, we toured
