communication
'Exceptional projects for outstanding clients don't fall off trees: You need to reach these people somehow,' declared Brian Van Bower in his Aqua Culture column for March 2004, 'and make your presence known. 'There are numbers of ways of achieving this contact, and I'd argue that
‘Several years back, I was in a seminar at the International Pool & Spa Expo when the instructor asked everyone who had an e-mail address to raise a hand. ‘Way back then – it was in the late 1980s or perhaps even the early ’90s – using the Internet for communication was a brand-new concept to most people and there were only a few . . . in the room who lifted an arm. I wasn’t one of them,’ observed Brian Van Bower in opening his September 2008 Aqua Culture column, ‘and at that point I had no idea that e-mail and Web sites would ever
‘Although my business now focuses on design and consulting,’ declared Brian Van Bower near the top of his Aqua Culture column of June 2003, ‘I spent enough years as a contractor to be able to evaluate what goes on between contractor and clients.’ ‘In fact,’ he added, ‘in my role as designer, clients often turn to me with comments about their contractors – and they’re not shy about complaining or in telling me about what makes them happy. And it works the other way, too, because contractors, knowing that I have experience as a contractor myself, will often turn to me as someone who can
For me, one of the highlights of the 20th Anniversary Celebration for Genesis was the place most of us stayed: The Allegretto Vineyard Resort is a spectacular facility created as an extension of the imagination of the property's owner, Douglas Ayres. The hotel embodies an eclectic blend of design concepts, from dashes of feng shui to dollops of talk-to-the-land spiritualism mixed in with
In his 1980 book, The Social Life of Small Urban Spaces, William H. Whyte described seven elements needed to make urban spaces successful: seating areas, ready street access, sun, the availability of food, the presence of trees, features that promote conversations among strangers and water - particularly in the form of water features and fountains. As an example of this formulation, there is no more illustrative space than New York's
Through the years, we've worked on lots of projects in remote locations all around the world, from Sri Lanka to Bermuda. In a few instances, we've worked without any site visits - but our strong preference is to see where we're working: It helps move our process along if we get the lay of the land and have the opportunity to meet with clients or architects or property representatives on site. The reasons for this preference are obvious: We draw ideas from what we see, nail down a sense of scale and proportion and head to the drawing board armed with
It's a great time to be a watershaper. With so many talented designers out there, it's a world in which it's increasingly common to rush past conventional boundaries and deliver projects that delight the eye, warm the spirits and bring smiles to the faces of those lucky enough to enjoy them. There are extraordinarily skillful builders and subcontractors out there as well - people whose ability and determination are
