architecture

Classic Lines
It's often said nowadays that watershaping is the art of fitting our work into the surrounding environment.  In many ways, what we do at Star Pools in Houston is a prime application of that powerful yet basic concept in the way we tackle both the opportunities and limitations of the residential settings we encounter. Houston is dotted by affluent neighborhoods teeming with homes in classic Mediterranean and Tuscan styles.  Stately is a word often used to describe these homes, and because we've based our design philosophy firmly on the idea that the swimming pool and garden areas should look as though they were designed as part of the home itself, our work is largely a manifestation of
Echoes of Enchantment
My journey in the company of water began when I was about seven years old, as soon as I was old enough to explore the countryside near my family's farm in Southern England.  It was then that I fell in love with water - wading in streams, making dams out of small rocks, sticks and mud and watching the fish darting in clear pools.  Much of my summer vacation was spent on a sun-peeled green punt gliding on a lake and staring down to the bottom at the aquatic plants and water creatures.  It was a formative experience.    My parents loved the water, too, and they always had some type of boat.  I'll never forget how almost every one of those modest vessels leaked profusely.  This gave all of us first-hand experience of enjoying the water as we developed a visceral appreciation of the importance of
The Cutting Edge
A couple months back, the National Association of Home Builders held its annual convention in Orlando, Fla. - a massive January affair that drew more than 120,000 attendees to view all manner of products falling under the broad umbrella of "home construction." One of the annual centerpieces of NAHB's event is the New American Home program.  Each year, select local contractors build a state-of-the-art home in the show's host city to put the absolute cutting edge of residential design and construction on display.  During the convention, show organizers sell tickets for tours, and thousands of people tour the home.  Once the tours are concluded, the home is sold and becomes a deluxe private residence - and a lot of money from ticket sales flows to charity.   I was fortunate enough to be asked to
Contemporary Sensibilities
One of the great things about working with different architects and designers the way we do is that, as builders of pools, spas and other watershapes, we enjoy opportunities to work across a broad range of design styles and sensibilities. In this instance, we're focusing on one of our favorite Southern California architects, Mark Singer.  He's known regionally for crisp, clean, minimalist designs and is well regarded for his work on breathtaking lots along the coast in Laguna Beach, Newport Beach and other well-heeled cities overlooking the Pacific Ocean.  To our good fortune, most of his projects include pools, spas, courtyard waterfeatures, outdoor sculptures and other amenities that enhance and extend his contemporary designs.    Our most recent project with Singer was completed in the summer of 2004 at an older home in the beautiful beach community of Corona del Mar.  The house itself was not originally designed by Singer, but it had been remodeled by him several times in the years since.  In fact, so much has been done at this point that it's practically impossible to distinguish this residence from projects he has pursued from the ground up. COMPLETING A SCENE The homeowner is a wealthy land developer, a self-made man and a major fan of
Suburban Spaces
I've always been fascinated by the concept of urbanism as defined by Thomas Jefferson:  He boiled it down to the notion that everyone should have his or her own private space as well as a buffer against the outside world. In a sense, the physical concept of the front yard fits perfectly within Jefferson's utopian ideal.  At root, it's an ingenious setup that has probably endured for so many centuries because, on some level, it addresses our primal need to have land all around us.  By the very configuration of our residential spaces, we each have a small, open, pastoral area that separates the privacy and sanctity of the home from adjacent public areas, sidewalks and streets. The problem is that in many modern cities and suburbs, the amount of room allocated for front yards in particular has dwindled as property values have soared and lots have become smaller and more tightly packed as a result.  And when you combine that spatial shrinkage with the increased desire for safety and privacy on the part of many homeowners, it all works together to place ever-higher premiums on how we choose to make use of our small slices of front-yard land.   To my mind, this dynamic set of trends
The Home Front
In a sense, the way we "dress" our homes' exteriors is not all that different from the way we dress ourselves:  Both are expressions of personal pride, and the aesthetic choices we make speak volumes about who we are.  Some of us prefer
Tuscan Flair: Martha and Randy Beard’s and Lynn Pries’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Italian Dreamscape: Villa d’Este as a Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Embracing the Past: Mark Holden’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Good Bones
Good Bones I may be biased, but I think that James Van Sweden is the most important and certainly one of the most influential landscape architects working today.  His work in suburban residential settings has influenced an entire generation of designers, and his signature use of ornamental grasses, stacked ledger walls and well-designed pathways can be seen in thousands of spaces across the country. Van Sweden's latest book (his third) is Architecture in the Garden (Random House, 2002), which is all about designing spaces that have, as he puts it, "good bones."  What he means is that without a design that takes the architecture of the home, a site's characteristics and the