architects
With few exceptions, the most satisfying projects we've undertaken through the years have come when our company has gotten involved with talented architects or landscape architects - and sometimes both - as part of larger project teams. We embrace this sort of work and enjoy taking a role as a resource for other professionals. Through the years, in fact, these collaborations have developed to a point where many of those we work with will automatically call us whenever one of their projects includes any sort of
Awards, prizes and accolades can serve as a great way to learn about the top professionals in any given field. As a case in point, I recently picked up a copy of The Pritzker Architecture Prize (Harry Abrams, 1999), a beautifully illustrated 200-plus-page tribute to the first 20 winners of this prestigious annual award, which is given to recognize lifetimes of achievement. Established in 1974 by Pritzker family (founders of the Hyatt chain of hotels), the stated goal of the prize program is to increase awareness of reigning architectural geniuses. Most of the prize recipients are still alive and working, and the list of winners includes some of the most extraordinary designers of the second half of the 20th Century, including Philip Johnson, Luis Barragan, I.M. Pei and Tadao Ando, to name a few. Some I had heard of before, but several were new to me. In all cases, this
Watershaping is one of the few art forms possessed of the ability to bridge the gaps between the very old and the very new. From the classic looks of Roman baths and the reflecting pools of ancient Islam to
Amazing things can happen when great architects think beyond the walls and tackle exterior design as part of their projects. That's a message that comes through loud and clear and repeatedly in Susan Zevon's Outside Architecture (Rockport Publishers, 1999). Throughout the book's 190 generously illustrated pages, she covers the work of 18 architects - using multiple examples from each while focusing not so much on individual projects but rather on key features, styles and design philosophies that cut across the range of the fine work on display. About three quarters of the projects are residential and range stylistically from classic to modern at locations scattered across the United States and Mexico. Nearly all of the architects were new
If you feel the same need I do to explore the vast and inspiring reaches of 20th-century structural forms, The Oral History of Modern Architecture by John Peter is a wonderful and enduring resource. Published in 1994 by Harry N. Abrams (New York), this text features more than 100 interviews with modern architects, including in-depth discussions conducted by the author with a group he defines as the "Top Ten" masters of modern architecture. The interviews were conducted in the stretch from 1953 to 1989, and several audio excerpts are provided on a CD that comes as a companion to the printed transcripts. And it's quite a roster of luminaries, including
I envy landscape architects and designers and your involvement in the design of everything from small, intimate residential spaces to sweeping acreage intended for public use. This creation of "exterior spaces for human occupation," as some have called it, is a
