Truly a large-scale project full of unique technical challenges in an unusual and important civic setting, the renovation of the watershapes at Jambalaya Park in Gonzalez, La., is easily the most unusual project our firm has ever tackled. The park covers seven beautifully wooded acres in an older section of town that's mostly residential but sits directly behind City Hall and several other smaller civic buildings. It takes its name from the fact that the city is known as the world's "Jambalaya Capital" and annually hosts a week-long festival celebrating the Cajun stew that has become a star in the
To residents of St. Louis, Forest Park is a civic treasure on the order of New York's Central Park - which, locals are quick to point out, is smaller than their favorite park by 500 acres. Established in 1876 at the heart of the city, Forest Park has a similarly grand and glorious history, including service as the site of the renowned 1904 Louisiana Purchase Exposition & World's Fair, which drew more than 20 million visitors from across the globe. Through the years, the park's 1,370 acres have become "home" to such major attractions as the world-famous Saint Louis Zoo as well as the city's art museum, science center, planetarium, history museum and The Muny, the nation's largest outdoor theatre. Forest Park is also home to the
It's one of the most horrific things that can happen to anyone who enters a pool or a spa: One moment you're having fun or relaxing, and in a terrible instant you're caught in a devastatingly painful and potentially fatal situation. Most people who become entrapped by pool, spa or wading-pool plumbing do survive, but all too often they suffer life-altering injuries. As with any aquatic safety issue, we all agree these incidents should be prevented, and a great many talented people from government, trade associations, research institutions, equipment manufacturers and consumer-safety groups have invested a tremendous amount of time in examining suction entrapment. For all of that effort, however, seeing our way to
The famous landscape architect Thomas Church was known to proclaim, "I have no style." What he meant was, rather than impose a style that was characteristically his on a project, he preferred to let the home, site and clients guide the stylistic details of his work. I've always admired Church and other designers who are willing and able to move comfortably across the style spectrum in accordance with the situation. This is certainly how I've chosen to approach my own design work, even when I find the huge range of possibilities a bit perplexing. To be able to work in such a malleable way, of course, you need to be familiar with an array of styles and comfortable with the nuances of classifications stretching from traditional to
Now we come to the finishing touches - little details that make a big difference in the ultimate appearance of the renovated pool we've been watching develop here for the past several months. Through those many months, we've taken a pool that's more than 70 years old, rerouted all of its plumbing through cores cut in the old shell, added a circular spa in the shallow end, raised the floor in the deep end, reshaped the steps, added lights in a new, pool-long bench, installed all-new equipment and laid down gorgeous glass tile throughout - all without disturbing the beautiful limestone decking that surrounded the pool. As the project came to a close, we turned to a final
Here in America, our idea of history goes back only so far. That's particularly true in southern California, where "older" architecture is anything before about 1960 and very few structures date to a time before 1920. But it's also the case for most of the rest of the country with reference to architecture: We don't have the "ancient" structures that still set the tone and architectural vocabulary the way they do in Europe, Asia and other places. For those who prefer modern or contemporary styles, this lack of history may be irrelevant. For those who feel an affinity to older styles, however, there's a tendency to cringe every time an older house is torn down to
I've always loved the word "pamper." I love its meaning, I like the way it sounds and, most of all, I think it's the perfect verb for us Baby Boomers, because I know as we slide through middle age and head toward retirement, a word that means "to treat with excessive indulgence, gratify desires or coddle" will only grow in usage and importance. As I've pointed out many times, I'm a big proponent of indulging in the good life and gratifying one's needs for pleasure and enjoyment. One of the places you can go to plunge headlong into such indulgence is what some people call
For the most part, we keep things positive in the pages of WaterShapes, and for good reason: With so much inspiring and amazing work taking place every day in all corners of the watershaping trades, negative subjects seldom
Creating granite waterfeatures is not unlike the delicacy of deep-water yacht racing: Racing big boats across the open sea requires intuitive sense in harnessing the raw powers of nature, much as do the creative insights needed to take raw monoliths from quarry walls and produce elegant expressions that reflect our primal essence. Both endeavors must gracefully balance the unbridled forces of nature. In yacht racing, wind and waves must be brought into harmony with a yacht's unique rigging and sails by its skipper and crew. With granite waterfeatures, an innate sense of harmonic balance must be struck between granite and/or water, the landscape and the human observer's ability to appreciate solemnity. In my case, these harmonies have consistently been found in asymmetry. Indeed, I've come to feel confident with the premise that people are, knowingly or not, drawn to the asymmetrical balances they see in nature. I also see both art and architecture as skillful reflections and expressions of what we have observed in nature from time immemorial. To that end, I try to create works that draw their form and spirit from the intuitive balance of asymmetry. Whether sculpting a landscape, setting stones in a rock garden or
Even compared to other spectacular facilities established by Silicon Valley's high-flying software industry, Oracle's corporate campus is truly impressive. The mirrored-glass architecture and warm, meticulously maintained grounds are only the start of the story. As you dig deeper, you find a range of employee-oriented amenities both inside and outside the buildings that make it tough to do anything but admire the audacity involved in creating such a workplace - and envy the people who work there. The management at Oracle makes no bones about it: All of the opulence is designed to attract and retain employees capable of developing cutting-edge software systems. That's why you'll see designer furniture in the offices, international cuisine in the restaurants and beautiful artwork throughout the compound. It's an amazing place, and one that has been scrupulously maintained since construction was completed in the early 1990s. The watershapes reflect the management's lofty sensibility and are an integral part of an overall scheme of plazas, rolling lawns, pathways and places to relax, meet or socialize with fellow workers. Our role since 1998 has been to
