Rethinking a Monument: Lynn Wolff’s and John Copley’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
The Red Pool: David Tisherman’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Elevated Expectations: Janet Rosenberg’s and Glenn Herman’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Embracing the Past: Mark Holden’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Starry Night: Ron Gibbons’ Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Liquid Stages: Steve Oliver’s Platinum Standard Project
Watershaping advanced by leaps and bounds from 1999 through 2004 – a journey of artistry…
Natural Patterns
So often, design comes down to an ability to see patterns. I first learned this from my mother, a dressmaker who had an uncanny ability to look at garments for which there were no sewing patterns and then sit down and make them from scratch.  I seem to have inherited this talent, taking in a barren landscape and quickly visualizing how it will look with plants, rocks and water.  For this, I am happily in her debt. Not everyone comes across such a gift by birth, but I believe that the ability to visualize is something most any watershaper can develop through experience and by taking the time to learn the "language" of any
Coloring with Clay
I've been playing with clay for a long time - ever since 1968, when I took my first ceramics class in high school.  Clay has captured my imagination mainly with its flexibility:  I can carve it, build with it and even color it. For years, I've sculpted pieces of tile out of stoneware and porcelain clay.  The individual pieces are then combined to create mosaic compositions, which, among other things, means that I'm able to create works of art that can go just about anywhere and are especially at home in and around water. Now, more than 30 years into working with this wonderful medium as a potter, then as an art student in the United States and Italy and especially in
Good Chemistry
Water is a chemical compound with a variety of physical characteristics, including the ability to act as a solvent and to harbor life.  For those two reasons alone, says chemistry expert Jeff Freeman, watershape designers and builders should want to know everything they can about water chemistry -  but they typically don't.  Here, he begins a new series on the importance of water chemistry with a discussion of why watershapers really do need to care.  
The Complete Retreat
Finishing up a project of any size is all about the details.   From the final touches on the artificial rockwork and the placing and adjusting of lights to the fine tuning of the circulation system and signing off on the equipment room, the art of fine watershaping ultimately boils down to applying the same stringent standards for excellence that you bring to the beginning and middle of the project straight through to the end. Of course, it's virtually impossible to complete a project of this magnitude without