A Flying Start
I'm going to start the New Year by breaking a personal tradition - and I'm going to do it on a grand scale. As I've written in past first-of-the-year blogs, I'm not inclined to make New Year's resolutions for myself, mainly because when I made them in the distant past, it would generally take less than a
Cliff-Top Performance
Working on the road can be tough.  As was discussed in the first of this pair of articles (click here), it can get even rougher when you're working on a cliff in a remote area and have been asked to build a big watershape in a place where all sorts of environmental rules and restrictions apply and there are also plenty of easy-to-upset neighbors. I thought we were ready for all contingencies as we prepared ourselves, the design, the plans, the permits and the site.  I was even prepared to deal with the half-load restrictions imposed to protect thawing
Off the Deep End
'A big part of properly designing watershapes to meet specific client needs has to do with understanding how they'll be using the body of water,' wrote David Tisherman at the start of his Details column in January 2006.   'I always explore this issue with my clients, which is why, for
Three Year-End Smiles
Three news stories caught my eye as I began thinking about the completion of another year's set of WaterShapes World blogs.  These aren't the usual holiday-oriented/feel-good items, as you'll see. The first comes from the web site of the
A Supple Vision
I've been to New York often through the years, mostly on business trips that have only rarely afforded me opportunities to get out and take in the sights. But on one occasion many years ago, I managed to shake out several extra days and spent my time experiencing as much of Manhattan as I could. I ranged from Battery Park on the island's southernmost tip of the island up to The Cloisters on its northern reaches and managed to spend a whole, glorious early-fall day in Central Park. It was there, near the upper edge of Frederick Law Olmstead's masterpiece of urban space-making, that I came across a marvelous little fountain that's well worth a few extra steps the next time your travels take you to the Big Apple. The fountain I'm referring to wasn't here originally. For many years, it had graced the Yonkers, N.Y., estate of Samuel Untermyer, who passed away in 1940. He was a New York lawyer and prominent civic leader, and when his children donated the fountain to the park, the monuments committee placed it by 1947 in an estimable space in the Conservatory Garden. This is the original fountain. To see it, you need to travel all the way to Mecklenburg, Germany. The fountain's sculpture, "Three Dancing Maidens" by the German artist Walter Schott, isn't exactly "original" either: It's one of a set of replicas cast in Berlin at some point after the artist finished his work around 1910. Schott was a favorite of Kaiser Wilhelm and spent a lot of time doing monumental portrait busts and conventionally grand statues of historical figures, but he was capable of working with far greater subtlety and expressiveness - these fair and flowing maidens being a case in point. The fountain freezes from time to time, as seen in this photograph taken in 2008. The frozen drapery adds a special touch to the composition. I haven't seen the Untermyer Fountain in more than 30 years, but it came quickly back to mind when I saw it among a photo survey of New York fountains frozen by wintertime cold snaps. As you may recall, I'm an avid fan of frozen fountains and waterfalls; I've always supposed it has something to do with the fact that my family escaped the Frost Belt when I was very young -- but I still have early (and happy) memories of icicles draping everything in sight. You don't have to withstand frosty weather to appreciate the Untermyer Fountain: I saw it on a warm October day, and I have to say there's no better place to be than New York (and Central Park!) at that time of year. By Jim McCloskey I've been to New York many times through the years, mostly on business trips that have only rarely afforded me opportunities to get out and about and take in the sights. But on one occasion many years ago, I managed to shake out several extra days and spent my time experiencing as much of Manhattan as I could. I covered the run from the southernmost tip of the island up to The Cloisters on its northern reaches and managed to spend the full length of one glorious early-fall day in Central Park. It was there, near the top edge of Frederick Law Olmstead's masterpiece of urban space-making, that I came across a marvelous little fountain that's well worth a few extra steps the next time your travels take you to the Big Apple. The fountain I'm referring to wasn't here originally. For many years, it had graced the Yonkers, N.Y., estate of Samuel Untermyer, who passed away in 1940. He was a New York lawyer and prominent civic leader, and when his children donated the fountain to the park, the monuments committee placed it by 1947 in an estimable space in the Conservatory Garden. The fountain's sculpture, "Three Dancing Maidens" by the German artist Walter Schott, isn't exactly "original" either: It's one of a set of replicas cast in Berlin at some point after the artist finished his work around 1910. Schott was a favorite of Kaiser Wilhelm and spent a lot of time doing monumental portrait busts and conventionally grand statues of historical figures, but he was capable of working with far greater subtlety and expressiveness - these fair and flowing maidens being a case in point. I haven't seen the Untermyer Fountain in more than 30 years, but it came quickly back to mind when I saw it among a photo survey of New York fountains frozen by wintertime cold snaps. As you may recall, I'm an avid fan of frozen fountains and waterfalls; I've always supposed it has something to do with the fact that my family escaped the Frost Belt when I was less than four years old and I have early (and happy) memories of icicles draping everything in sight. But you don't have to withstand frosty weather to appreciate the Untermyer Fountain: I saw it on a warm October day, and I have to say there's no better place to be than New York (and Central Park!) at that time of year. dry © Victorianl | Dreamstime.com Original fountain in Mecklenburg, Germany Photo by Doris Antony, Berlin | Wikipedia Frozen in 2008 Photo by Ralph Hockens, New York | Wikipedia
Santa’s Back!
As we acknowledged when we first spoke with him in 2010, the subject of this interview is known by many names in many places - Father Christmas, Père Noël, Kriss Kringle and Saint Nicholas, among others.  But in America, wide-eyed children of all ages mainly know him as Santa Claus.   Imagine our surprise
#21: Exposed-Aggregate Decking
This is one of those "What Is It?" items I hesitated to write, mainly because the material and concept behind exposed-aggregate decking is so familiar (and maybe even so old-fashioned) that most of us rarely think of it.  In the case of the poolscape featured in the video linked below, for example, it's possible and maybe even likely
Choosing Wisely
'One of the most common themes repeated in [WaterShapes] is that selecting materials for projects can make the difference between truly artistic designs and those that are either inappropriate or just plain boring,' wrote Bruce Zaretsky to open his On the Level column in the December 2010 issue.   'Materials truly matter, and the importance of knowing your options and
Web-Footed Wonderland
Some projects are just more enjoyable than others - and this was one of the fun ones. We were called to a property in Bridgehampton, N.J., where the homeowner had amassed a large collection of ducks, geese and other birds (including some peacocks).  The creatures occupied a large area in the big backyard - but a washtub had been
Commercial Constraints
'For years,' wrote Brian Van Bower to kick off his Aqua Culture column in the December 2005 edition of WaterShapes, 'conventional wisdom has held that many of the advances in watershape design incubate in the commercial realm and then slowly percolate over to the residential market as our clients ask for features they've seen on vacation and elsewhere.' 'That paradigm holds up to this day in many ways, but what's less acknowledged